Kent / Jackson State Songs
Historical Context
Soon after Richard Nixon’s inauguration in January 1969 he implemented a strategy of "Vietnamisation" - the gradual withdrawal of American forces and the strengthening of the Army of the Republic of Vietnam (ARVN), an element of the Nixon ‘Guam’ Doctrine, announced to reporters at Guam on 25 July 1969. However, Nixon’s strategy also involved the expansion of the war into Cambodia and Laos, and extensive bombing campaigns throughout Indochina and many people in the anti-war movement and in the Congress wanted an immediate and unilateral withdrawal.
Nixon publicly announced his Cambodia incursion on 30 April 1970. This led to a surge of demonstrations on university campuses, culminating in the vast outpouring seen at Kent and Jackson State. The four students killed at Kent were Allison Krause, Jeffrey Miller, Sandra Scheuer, and William Knox Schroeder. The two students killed at Jackson were Phillip Lafayette Gibbs and James Earl Green.
A student photographer, Jon Filo, captured on film the 14 year old Mary Ann Vecchio, kneeling over the body of the dead student Jeffrey Miller - this image won a Pulitzer Prize, and became one of the key images of the Vietnam anti-war movement (see image above, left).
- 1 NYU Libraries: 1970 exhibit ↩
- 2 Kent State University Libraries ↩
- 3 The 1970s (Kelly Boyer Sagert, 2007) ↩
- 4 Lynch Street: The May 1970 Slayings at Jackson State College (Tim Spofford, 1988) ↩
- 5 The Encyclopedia of the Vietnam War: A Political, Social, and Military History, 2nd Edition [4 volumes] (Spencer C. Tucker, 2011) ↩
War Years (1970-1972)
- 21 February: Kissinger talks with Le Duc Tho begin
- 30 April: Nixon announces the incursion into Cambodia
- 1 May: Nixon calls protesters "bums"
- 4 May: 4 Student killed at Kent State Ohio, by National Guardsmen
- 24 June: Congress repeals the Gulf of Tonkin Resolution
- 12 November: Trial of Lt. William Calley began
- 22 December: Cooper-Church Amendment
1970
They released one of the first songs about the Kent State shootings on a Tampa label, with the original promo copy under the title Monday in May (A May Day of Hell), composed by Chuck Robinette. The label said "rush release" with a date stamp: "10 June 1970" . It received decent airplay and started to rise in the charts until the release of Ohio by Crosby, Stills, Nash & Young (below). We know that "Ohio" , composed by Neil Young, was recorded 21 May 1970, and it is reviewed as early as 20 June 1970 in Billboard, on p.54, described as rushed out with a "timely message" - that's 10 days after the Third Condition record.1"Ohio" charted on 27 June 1970, entering at # 58.2 Therefore, the Third Condition record would have got to stations before or at the same time as Neil Young’s "Ohio".
The song later appeared under the name "Monday in May (The Kent State Tragedy)" (Sundi Records # SR-6815). Third Condition’s record label promoted it heavily in Billboard in August. Billboard reported on 15 August 1970, p. 80, that Sundi had established a university scholarship in Tampa (called M.I.M - Monday in May), funded by 10% of net royalties earned on the single3 They followed this up with a full page advertisement on 29 August 1970, on p. 27 of Billboard.4 But the song had no further commercial impact. Distributed by Transglobal Distributing Corporation. Publisher: Candius Music. Performing Rights: BMI. The song called the event a "shame for the nation" and that "the screams of the dying are burned in their mind" .
The later D.J. copy (white label with yellow flowers, "Not for Sale", SR-6815 A, 7856, "A Cabot Entertainment Companies Release", "Nationally distributed by Transglobal Distributing Corporation—USA") titles it "Monday in May (The Kent State Tragedy)" (C. Robinette), Candius Music BMI, 2:59, intro :12, with a handwritten date "9/10/70". [From the record sleeve and labels] Advertised in Billboard, 29 August 1970, as "Kent State Tragedy – Monday in May" by Third Condition, SR #6815, published by Candius Music (BMI); "A Cabot Entertainment Companies release", Sundi Records nationally distributed by Transglobal Distributing Corporation, 2223 S. Dale Mabry Hwy., Tampa, Florida 33609. [From the Billboard advertisement]
The most popular of the songs dealing with the Kent State demonstration, the label rush released the single in early June 1970, having been recorded on 21 May 1970 at Record Plant Studio 3 in Hollywood (according to the linear notes of 2004's Greatest Hits). It has largely been considered the first record released about Kent State - but it's possible that Third Condition's Monday in May (The Kent State Tragedy) was released before or around the same time - discussed above. The single was reviewed as early as 20 June 1970 in Billboard, on p.54, described as rushed out with a "timely message" - that's 10 days after the Third Condition record.3 It peaked at # 14 in the Billboard Hot 100 (chart of 1 August 1970), was still at # 17 on 8 August, and was frequently played at anti-war rallies in the 1970s.4 Electric live versions featured on 4 Way Street and Journey Through the Past. Young recorded a solo acoustic version on Live at Massey Hall 1971. The B-Side "Find the Cost of Freedom", by Stephen Stills, has also been interpreted as an anti-Vietnam song.
Coast - Why (A Peace Medley) (1970)
Isley Brothers - Ohio / Machine Gun (1970)
Jaramago - Ohio (1970)
C. D. K. & Company - Ohio (197?)
Toxic Reasons - Ohio (1988)
Dink - Ohio (1996)
Dala - Ohio (2008)
Darcie Miner - Ohio (2008)
This song recalled those four students demonstrating and then being killed. The singer wanted to know "who is to blame" for the tragedy, and what happened, so that they could learn from the mistakes and ensure it "never happen again" . Released in Hollywood, California, written by Norm Pringle (the producer) and Virgil Stickney, and arranged by Ron Amerine. Publisher: Pringle Music Publication House. Performing Right: BMI.
This song started with the narrator heading to Ohio for a demonstration "against the president's views" - that being a reference to President Nixon. So he tried to complain to his Congressman, who would not answer the phone because he / she was "worried about voters" . Then the narrator attacked Nixon's "silent majority" , referenced the students killed in Jackson State, and decided to march to Washington D.C. At the end of the track he declared his anti-war stance, saying that "nothing any good has ever come of a war" and that the country needed to "give peace a chance" .
The song recalled the moments of the shooting, in a first person narrative, from the perspective of someone present at the incident: "woman is in the hot grass...the war on my back, the fire started...shooting" . The narrator called out to the National Guard "what you doing coming here...shooting at my friends" . At the end of the song, he sent a warning to the government, police, and the National Guard, that they "better stop pushing us around or we'll kick your brains out" i.e. they will retaliate.
The picture sleeve front shows a colour photograph of J.J. Light standing by a tree with an acoustic guitar, titled "kent state / gallup, new mexico", catalogue 15 393; the back, headed "Musik '70", advertises Liberty LPs by Canned Heat, The Can, Amon Düül II, Paul Nero, Lester Wilson and Katja Ebstein, printed in Germany by C.v.d. Linnepe, Lüdenscheid. [From the record sleeve and labels]
This collection included the song "Hallelujah, I'm a Bum" (Paredon Records # P-1003), which had the line "guards...on the campus at Kent" . This song responded to Nixon's comment on 30 April 1970 (just before the Kent State shooting) when he spoke at the Pentagon, saying "you see these bums, you know, blowing up the campuses". The Washington Post ran the headline "Nixon denounces campus 'bums' who burn books", while the New York Times declared that "Nixon puts 'bums' label on some college radicals". A father of one of those killed at Kent State later told a reporter that "my child was not a bum".2. This song also referenced the imprisonment of Bobby Seale and Huey P. Newton of the Black Panthers, thus related to the Chicago Seven / Eight.
The front shows a line of helmeted GIs walking and flashing peace signs. The 16-page booklet opens with a photograph of Barbara Dane at the Oleo Strut, Fort Hood, Texas (photo by Carolyn Mugar), and contains "About the GI Movement" by Irwin Silber, on the GI coffee houses and underground papers; "If This Be Treason..." by Barbara Dane, describing singing for soldiers and Marines at the Oleo Strut, Ft. Dix and an Oceanside USO; notes on each song; full lyrics with credits; "Barbara Dane: Singer for the GI Movement" by Howard Levy; and "Barbara Dane Speaks to the GI Movement", reprinted from The Fatigue Press, GI newspaper, Fort Hood, Texas, an autobiographical letter signed "With all my love, Barbara".
It is illustrated with GI-newspaper headlines ("GI's Unite!", "Fort Riley Rebellion", "Brag Briefs"), cartoons and the statement "The opinions expressed in this paper are not necessarily those of the Dept. of the Army!", and closes with the Paredon Records manifesto.
Side I: Join the GI Movement (words Barbara Dane, after Aunt Molly Jackson's "I Am a Union Woman"); Hallelujah, I'm a Bum (new words 1970 by B. Dane and Irwin Silber); Ballad of Richard Campos (Danny Valdez); Go Tell It on the Mountain (Freedom Song from Mississippi 1964, brought up to date by B. Dane); Just Another Day (Bill Frederick); We Shall Not Be Moved, with Italian and Spanish verses.
Side II: The Resistance Hymn (tune Patriot Game, words adapted by B. Dane from "The Hello People"); Insubordination; Last Drink with Don (words Fred Gardner, music Barbara Dane); Bring 'Em Home (music and tag line Pete Seeger, new words by B. Dane and GIs from Ft. Hood, 11/9/69), with a footnote glossing "FTA" as the Army's "Fun, Travel and Adventure" and the GIs' "Fuck the Army!". [From the record sleeve and labels]
Billboard wrote an article about the album on 6 June 1970, reporting that "Bob Thiele's Fluing Dutchman label is releasing...a documentary album compiled from the columns of New York Post writer, Pete Hamill. This is the fourth album in a series of social comment LP's....Said Thiele: 'I also have tape of the Richard Nixon remark about 'student bums' and some comments by Vice President Agnew, including the 'intellectual snobs' remark. I think the new album is the most provocative of all - it show the gap between the administration and the young people today'".2 One of those other albums was A Night at Santa Rita (Flying Dutchman # FDS-111), about the People's Park protest at the University of California in Berkeley in May 1969, from the perspective of the journalist Robert Scheer.
So Hamill sought to establish the general context of the protests throughout the US, such as the Cambodia invasion and the history of the Vietnam War. The track "The Last Press Conference" started by quoting Richard Nixon, talking about the war as the Vice-President on 16 April 1954: "If to avoid communist expansion in Asia and Indochina...we must put our boys in, I think the executive...has to do" . Hamill then noted "There are four dead Americans at the campus of Kent State University, gunned down by other Americans...from Indochina we hear news...of moving into Cambodia. Burning, and shooting, and destroying" . In the track "The Army of the Young" , Hamill focused on the aftermath of a demonstration in Washington, in which the young had all gone home, with their "style, energy, sweetness, outrage, and courage" . He condemned the Washington political elite, and said that the Capitol had "sold itself to the lies and crimes of old men" .
Billboard wrote an article about the album on 6 June 1970, reporting that "Bob Thiele's Fluing Dutchman label is releasing...a documentary album compiled from the columns of New York Post writer, Pete Hamill. This is the fourth album in a series of social comment LP's....Said Thiele: 'I also have tape of the Richard Nixon remark about 'student bums' and some comments by Vice President Agnew, including the 'intellectual snobs' remark. I think the new album is the most provocative of all - it show the gap between the administration and the young people today'".2 One of those other albums was A Night at Santa Rita (Flying Dutchman # FDS-111), about the People's Park protest at the University of California in Berkeley in May 1969, from the perspective of the journalist Robert Scheer.
So Hamill sought to establish the general context of the protests throughout the US, such as the Cambodia invasion and the history of the Vietnam War. The track "The Last Press Conference" started by quoting Richard Nixon, talking about the war as the Vice-President on 16 April 1954: "If to avoid communist expansion in Asia and Indochina...we must put our boys in, I think the executive...has to do" . Hamill then noted "There are four dead Americans at the campus of Kent State University, gunned down by other Americans...from Indochina we hear news...of moving into Cambodia. Burning, and shooting, and destroying" . In the track "The Army of the Young" , Hamill focused on the aftermath of a demonstration in Washington, in which the young had all gone home, with their "style, energy, sweetness, outrage, and courage" . He condemned the Washington political elite, and said that the Capitol had "sold itself to the lies and crimes of old men" .
Peace Is All I Need
Vietnam War: Soul, Gospel, & Funk Songs
Folk rock, anti-war.
How do we stop the war?
Who called the national guard? (Kent State reference)
The front cover reads "Antiimperialistiska sånger" and "Freedom Singers 1970" on a red, white, blue and black grid, with a drawing of a blindfolded horse in a stars-and-stripes band beside a caricatured figure, captioned "Nu har det amerikanska monopolkapitalet tvingats byta ut en enögd häst mot en blind" [now American monopoly capital has had to swap a one-eyed horse for a blind one], and a red-toned photograph of an armed woman wading through water.
The back, headed "Bekämpa USA-imperialismen", shows photographs captioned as Britta Calamnius, a teacher on Gotland selling the Vietnambulletinen and collecting for the FNL in Slite with her son, and 10,000 demonstrators outside the US embassy in Stockholm on 6 May 1970 protesting the US move into Cambodia, "Sweden's largest Vietnam demonstration to date". The text describes the FNL groups' work (the Vietnambulletinen at 50,000 copies, the Vietnam collection for the FNL at over 2,700,000 kr, only 0.92 per cent going to administration) and states that the song groups exist in Stockholm and Gothenburg and that all their songs on the record were written by FNL activists.
Tracklist under "Freedom Singers 70": Sida A "Wall Street", "Å sentab å ja", "Visan om Gunnar Myrdal", "Vårt sagoland", "Rövarvisan", "Vi sår vårt ris", "Visan om Ho Chi Minh"; Sida B "Befria Södern", "Bläckfisken", "Hur ser friheten ut?", "Visa om Olof Palme", "Kafferepet", "En liten quisling", "Richard Dollarhjärta", "CIA-visan". [From the record sleeve and labels]
The front cover reads "Antiimperialistiska sånger" and "Freedom Singers 1970" on a red, white, blue and black grid, with a drawing of a blindfolded horse in a stars-and-stripes band beside a caricatured figure, captioned "Nu har det amerikanska monopolkapitalet tvingats byta ut en enögd häst mot en blind" [now American monopoly capital has had to swap a one-eyed horse for a blind one], and a red-toned photograph of an armed woman wading through water.
The back, headed "Bekämpa USA-imperialismen", shows photographs captioned as Britta Calamnius, a teacher on Gotland selling the Vietnambulletinen and collecting for the FNL in Slite with her son, and 10,000 demonstrators outside the US embassy in Stockholm on 6 May 1970 protesting the US move into Cambodia, "Sweden's largest Vietnam demonstration to date". The text describes the FNL groups' work (the Vietnambulletinen at 50,000 copies, the Vietnam collection for the FNL at over 2,700,000 kr, only 0.92 per cent going to administration) and states that the song groups exist in Stockholm and Gothenburg and that all their songs on the record were written by FNL activists.
Tracklist under "Freedom Singers 70": Sida A "Wall Street", "Å sentab å ja", "Visan om Gunnar Myrdal", "Vårt sagoland", "Rövarvisan", "Vi sår vårt ris", "Visan om Ho Chi Minh"; Sida B "Befria Södern", "Bläckfisken", "Hur ser friheten ut?", "Visa om Olof Palme", "Kafferepet", "En liten quisling", "Richard Dollarhjärta", "CIA-visan". [From the record sleeve and labels]
The later D.J. copy (white label with yellow flowers, "Not for Sale", SR-6815 A, 7856, "A Cabot Entertainment Companies Release", "Nationally distributed by Transglobal Distributing Corporation—USA") titles it "Monday in May (The Kent State Tragedy)" (C. Robinette), Candius Music BMI, 2:59, intro :12, with a handwritten date "9/10/70". [From the record sleeve and labels]
The picture sleeve (Atlantic 2740) prints the lyrics of both songs in white on black, credited "Neil Young — © 1970 Cotillion/Broken Arrow" and "Stephen Stills — © 1970 Goldhill Music", and its other side reproduces the Bill of Rights, Article I: "Congress shall make no law … abridging the freedom of speech or of the press; or the right of the people peaceably to assemble …". [From the record sleeve and labels]
Vietnam, the draft dodgers, hippies, Kent State shooting
The title referred to several people arrested outside the Democratic National Convention in Chicago in August 1968 for inciting riots. Originally eight people stood trial, all high profile activists - Abbie Hoffman and Jerry Rubin from the hippie movement, the Black Panther leader Bobby Seale, political activists Rennie Davis, David Dellinger, John Froines, Lee Weiner, and Tom Hayden (married to Jane Fonda - together they released a documentary in 1973 about their visit to North Vietnam, called Introduction to the Enemy). The trial began on 24 September 1969, but soon after the Judge, Julius Hoffman, ordered Bobby Seale to be bound and gagged for contempt of court. He was tried separately, and thus the eight became seven (see the 1970 album Gagged and Chained: The Sentencing of Bobby Seale for Contempt).23456
The lyrics suggested that large coverage of the Chicago Seven, as well as the "four dead in Ohio" - a reference to the Kent State shootings on 4 May 1970 - was because those involved were white: "nobody seems worried about all the black blood spilled" , and thus a Civil Rights message. The song ended with a guitar solo and police siren sound-effects in the background. The guitar was played by Peter Green.
- 1 The Story of Boogie-Woogie: A Left Hand Like God (Peter J. Silvester, 2009) ↩
- 2 Chicago Tribune (archived copy) ↩
- 3 nybooks.com: A special supplement the trial of bobby seale ↩
- 4 Battleground Chicago (Frank Kusch, 2004) ↩
- 5 Revolts, Protests, Demonstrations, and Rebellions in American History [3 Volumes] (Steven L. Danver, 2011) ↩
- 6 Famous Trials (UMKC Law) ↩
Entertainment World reported in 1970 (Volume 2, Part 2) that: "The Ballad of the Kent State Massacre, or 41,000 Plus 4 has been released as a single by actress / singer Ruth Warrick as her contribution to the May 27 strike for peace. Miss Warrick, co-founder of the Operation Bootstrap project in Los Angeles, wrote and sang the song. She was recently pictured in the New York Times wearing a sign saying 'I'm waaaay over 30. I'm a taxpayer. I'm no bum. I dissent".4Broadcasting magazine also reported on the release of this single in 1970: "Remembering Kent State - A folk ballad called "41,000 plus 4 — the ballad of the Kent State massacre" sung by actress-singer Ruth Warrick is being distributed to radio stations — mostly underground FM stations — around the U.S."5
The first half of the song provided a detailed narrative of the events at Kent State, starting with "Alison, Jeffrey, and Sandra and Bill" walking "in the grass" as the protest built-up "against a war that is hell" . Then the National Guard moved in, with "fixed bayonets" , "tear gas" and "bullets death spray" . She questioned if the authorities had planned the action against "the bums, radicals, elite snobs" (quoting President Nixon and Vice-President Spiro Agnew).
The second half of the song focused on broader anti-war comments, describing the actions of the US in Vietnam as "senseless killing, destruction and shame" . She called on people to act at the ballot box, and for Congress to confront the White House (at a time of increasing executive power): "time for Congress to take back its rights, time for the people to vote peace...elect those who are wise" . She wanted "the war machine stopped" and "our boys...back home" . Finally, at the end of the song she referenced the killing of African-Americans at Jackson State, and the very rarely mentioned six killed in Augusta, Georgia, on 12 May 1970, during a race riot.6.
1971
The song "What a Good Time for a Kent State" (Atlantic # SD 1576) began with sparse piano playing with a poem. Then the trumpets and saxophones entered with a bang, and a choir sung the names of those killed at the Kent State demonstration - as mentioned above, only a few other tracks did this.
The song "What a Good Time for a Kent State" (Atlantic # SD 1576) began with sparse piano playing with a poem. Then the trumpets and saxophones entered with a bang, and a choir sung the names of those killed at the Kent State demonstration - as mentioned above, only a few other tracks did this.
But it also sent out mixed signals - on the one hand Mike Love encouraged people to "stay away" during a riot even though people were "fed up with useless wars" . Why? Because of the threat of violence? Or did Mike Love agree with Nixon that the "bums" were causing havoc on campuses? At the same time, it also displayed its opposition to "useless wars" , and the violence perpetrated by the National Guard and police forces. A look at the verse on Kent State Ohio displays this tension. The narrator suggested that the "students scared the Guard" , yet the "troops were battle dressed" - thus presenting both sides of the story. The narrator concluded that the "four martyrs earned a new degree: the Bachelor of Bullets" - an ambiguous statement, it implied that the students got what was coming to them for demonstrating: "earned" the "bullets" .
The other high profile demonstrations and riots referenced in the lyrics were the Berkeley Free Speech Movement (August 1964), People's Park (May 1969), rioting in Isla Vista, California (June 1970), and a rare mention of the Jackson State killings (15 May 1970): "violence spread down South to...Jackson State brothers" . According to Love, they "learned not to say nasty things" to the police, which either implied that they had been provocative, and even disrespectful to the police, or that they now knew the futility of demonstrating against the might of the police. Putting aside the detailed analysis, the overall impression given by the narrator, the chronicler of events, to those listening as the song came on over the radio, was to display a degree of sympathy with the protest movement, while not actually wanting to participate in demonstrations himself, mixed with a hint of criticism of the protesters for disturbing the peace and aggravating confrontations.
The single took an anti-war position. The narrator, who had just turned twelve, imagined what the world would look like when she entered her twenties, including the possibility of being recruited to fight in a war: "by 22 I could be a soldier, when they run out of boys I guess they'll have to start taking girls too" - which reflected the high number of US deaths in Vietnam by the time of this record in 1971. She then recalled seeing her sister's friend on TV protesting the war: "I saw...Carrie...on TV once carrying a big sign, it said 'give peace a chance'" . Unfortunately Carrie died, killed in a protest, a parallel to the Kent State demonstrations: "why didn't they give Carrie a chance, in six days she would have been 22" . She concluded by questioning whether she wanted to bring children into the world because of all the violence and hate.
This album included a live version of "Ohio" , as well as "Chicago" , which started with the intro: "here's a song for Mayor Daley" - a reference to Richard J. Daley and the 1968 Chicago demonstrations outside the Democratic National Convention. Also on this album was the medley "49 Bye-Byes / America’s Children" , which included Buffalo Springfield's famous song about demonstrations "For What It's Worth". The spoken-word section called on people to take to the streets, to speak out to President Richard Nixon, VP Spiro Agnew, and Chicago's Mayor Richard J. Daley. The reference to "how many is it that they shot down already?" is presumably including the four in Ohio, at the Kent State demonstration on 4 May 1970.
- 1 genesisfan.net ↩
Many Vietnam War songs, including My Lai massacre, and Kent State shooting.
Also LBJ and MLK.
Many Vietnam War songs, including My Lai massacre, and Kent State shooting.
Also LBJ and MLK.
Also on the LP: "Willst du, daß wir weinen" (Asriel/Kahlau, Gisela May) — the 1967 Kämpfendes Vietnam song. Orchester Henry Krtschil, conducted by Henry Krtschil. GDR compilation of political songs/chansons. Design Gerd Semder; Tonregie Eberhard Richter, Horst Kunze; Musikregie Dagmar Vorwerk. Print code Ag 511/01/71; retail 10.10 M; printed VEB Gotha-Druck; rights AWA.
Track A2 of the compilation. Song about the four students killed at Kent State, from the GDR compilation Schützt diese Welt - Lieder und Chansons. [From the record sleeve and labels]
Gisela May & Orchestra Henry Krtschil - Vier studenten aus Kent
Credits on the back: "So nah ist dieses Land" (Komposition und Arrangement: Wolfram Heicking; Text: Hans Krause), Gisela May with Orchester Henry Krtschil; "Wenn dieser Morgen kommt" (Komposition und Text: Dieter Süverkrüp; Arrangement: Henry Krtschil), Gisela May und das Ensemble Henry Krtschil; "Vier Studenten aus Kent" (Komposition und Arrangement: Manfred Schmitz; Text: Chris Hornbogen), Gisela May with Orchester Henry Krtschil; "Die USA-Kompanie von Son My" (Komposition und musikalische Einrichtung: Paul Dessau; Text: Horst Heitzenröther), Gisela May with Walter Olbertz, piano, and Wolfgang Preissler, drums.
Other Vietnam songs include "Dschungellied", "Saigoner Kinder" (Malvina Reynolds), "Mekong-Ballade", "Vietnamesisches Liebeslied" and "Reisbauern, Kämpfer, Genossen". Design by Rudolf Grüttner; cover photo by Thomas Billhardt of a Vietnamese mother in a conical hat holding a small boy.
Sleeve print code "Ag 511/01/72"; price 12.10 M. [From the record sleeve and labels]
1972
The narrator provided a detailed narrative of the events, placing the listener at the demonstration, and in Scheuer's shoes. It recalled the build-up to the clash: "the marching men came" as the students stood "in the college square...with flag" . This square would be mentioned again at the end of the track: "the square ran red" , effectively displaying the change that took place. The narrator wondered how Scheuer felt when the National Guard attacked: "did you feel the burn of the bullets?" . The narrator also commented that "no one cared for another campus bum" - a reference to President Nixon's remarks on 30 April 1970.
The song "Hands Off" had the line "what manner of beast is this I ask who drops a napalm from the skies, then send my sons away to war to maim and kill and die" - a reference to chemical weapon Napalm B - a jellied gasoline mixture, with polystyrene, benzene, and gasoline. Declared a war-crime since 1980, the US government extensively used this weapon during the Vietnam conflict, dropping 388,000 tons on Indochina between 1963 and 1973.123 The Dow Chemical Company, the largest suppler of napalm to the US military, became a target of Vietnam protests (such as boycotts), particularly on university campuses.4
The song "Black Soldier" dealt with the Vietnam and Civil Rights, while also making references to demonstrations, National Guard violence, and the "jody" theme. The song started with a military cadence, which warned the soldiers that there "ain't no need in going back" to the US, because "Jody got our Cadillac" - the mythical man in blues, jazz and soul tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home.3 This featured in dozens of soul and blues songs.
The next part of the song strongly criticised African-Americans who fought in Vietnam "helping your oppressor oppress another man" . While the narrator hoped for their safe return, demonstrated against the war for them, and mourned their deaths, he thought that the "question does arise on which side do you stand" . The narrator believed that they should be in the US helping to fight for equal rights. He referenced a series of civil right demonstrations in several cities - Boston, Detroit, Newark - labelled as "riots" . Furthermore, the lyrics mentioned confrontations with the National Guard - "National Guardsmen terrorise the ones you've left at home" - possibly referring to the death of students, at Kent or Jackson state, or maybe at Civil Rights demonstrations.
Comedy.
My Lai / Calley. Kent State, Ohio shooting
1973-1975: Paris Peace Accords to the Fall of Saigon
- 23 January 1973: Nixon announces peace agreement: 'peace with honor'.
- 27 January 1973: Paris Peace Accords signed.
- 27 January 1973: Draft official ended in favour of voluntary enlistment.
- 12 February 1973: Operation Homecoming.
- 29 March 1973: Final US troops leave Vietnam.
- 30 April 1973: Halderman and Ehrlichman resign over Watergate.
- 19 June 1973: Case-Church Amendment.
- 14 August 1973: Cambodia bombing halted, in compliance with Congressional ban.
- 7 November 1973: Congress passed War Powers Act.
- 9 August 1974: Richard Nixon's resigns as president. Gerald Ford takes over.
- 13 December 1974: North Vietnam violates peace agreement.
- 10 March 1975: North Vietnamese offensive on South.
- 30 April 1975: US Embassy in Saigon fully evacuated.
1973
The Balcony According to sleeve notes: dedicated to the Kent State shooting. Album commissioned by The John F. Kennedy Center for The Performing Arts in 1969. (1)
1974
1975
The record "Death of a Decade: The Kent State Story" featured spoken-word and field recordings about the Kent State killings released in 1975 (Century Advent Recording # USR 7770). It also contained several anti-war song clips, and some referenced those killed at Kent State. The original versions of this LP included 7 prints of photographs, 7 sheets of poems by 10 authors, and a 14 page book of 3 speeches by Peter Davies, Robert Theobald and George Wald. Written, engineered, and produced by Corey Deitz. The recordings came from Kent State University Archive, Office of Radio/TV information, University News Service. The release was organised by the Center for Peaceful Change (since renamed the Center for Applied Conflict Management), established in 1971 in memory of the students killed: "the Center addresses non-violent social change through teaching, research and public service".
Post-War: 1976-present
Post-Vietnam War songs tend to focus on Vietnam veterans - highlighting particular stereotypes, such as psychological problems (for example, PTSD - post traumatic stress disorder), homelessness, drug addiction, and the struggle to re-adjust to society. Attention is also given to social division (between those who supported the war and not), and the lack of adequate government / institutional support for veterans.Other frequent topics include the Prisoner of War (P.O.W.) / Missing in Action (M.I.A.) issue, and Orange Agent, a defoliant dropped by the US on the South Vietnamese/Cambodian border (the "Ho Chi Minh Trail"), to destroy Vietcong cover (broad leaf plants etc). But the toxin had long term negative effects on those exposed (cancer & genetic defects). Several lawsuits were brought against the US government and chemical companies from the 1980s, therefore bringing greater attention in popular music to this issue.
Many song appeared in the immediate aftermath of the war, and then dipped in the mid-to late 70s. A revival occurred around the 1979 Iranian hostage crisis, which drove many comparisons to Vietnam and role of the US military in global affairs. A surge and revival of interest is seen in the 1980s Reagan era of seeking to overcome the 'Vietnam Syndrome'. In the 1990s, several songs compared the conflict to the First Gul War, and in 21st century, the Vietnam conflict has been used in song to reflect on current wars and problems, including the Afghanistan invasion and Iraq War.
1978
"Antonia Martinez, a sixteen year old girl, was killed randomly in 1970 by a U.S. National Guardsman during their student strike at the University of Puerto Rico in Rio Piedras, San Juan. She was attending a demonstration against the war in Vietnam, the drafting of young Puerto Rican men into the U.S. armed forces, and the presence of ROTC on the campuses. Written for the first anniversary of her death, this song demonstrates the shock and anger of the masses at this criminal outrage, and recaptures the historical importance of that moment of the struggle. It is interesting to note that Antonia's murder, along with numerous other incidents involving the killing of black and other minority students during the protest against the war in Vietnam, went relatively unnoticed, whereas the cold-blooded killings of four white students at Kent State during the same period were brought to the attention of the entire world through the a tremendous media barrage".1
The booklet says the song was written for the first anniversary of her death. [From the record sleeve and booklet]
Folkways Records1
Nikki Giovanni was born in Knoxville, Tennese on June 7, 1947
She is called the Princess of Black Poetry
The Civil Rights Movement and Black Power Movement inspired her poetry
She has been nominated for a Grammy Award
She is a University Proffesor at Virginia Tech.
"don't they understand at Kent State, the troopers will shoot again"
"I should write a poem, but there's almost nothing that
Hasn't been said and said and said, beautifully ugly
Blandly excitingly, stay in school, make love not war
Death to all tyrants, where have all the flowers gone
And don't they understand at Kent State, the troopers
Will shoot again I could write a poem because I
Love walking in the rain and the solace of my naked
Body in a tub of water cleanliness may not be next
To godliness but it sure feels good, I wrote a poem
For my father but it was so constant, I burned it up
He hates change and I'm baffled by sameness, I
Composed a ditty about encore american and
Worldwide news but the editorial board said no one
Would understand it, as it people have to be tricked
Into sensitivity though of course they do, I love to
Drive my car hours on end along back country roads
I love to stop for cider and apples and acorn squash
Three for a dollar, I love my CB when the truckers talk
And the hum of the diesel in my ear, I love the
Aloneness of the road when I ascent descending curves
The power within my toe delights me and I fling my
Spirit down the highway, I love the way I feel
When I pass the moon and I holler to the stars
I'm coming through, beep beep"
1981
Soundtrack (RCA Records # ABL1-3928) to the 1981 television film that dramatised the events at Kent State. Ken Lauber composed the instrumental parts (about half the album). The other songs were performed by well-known names of the 60s/70s protest movement: Grace Slick, Richie Havens, and John Sebastian.
Soundtrack (RCA Records # ABL1-3928) to the 1981 television film that dramatised the events at Kent State. Ken Lauber composed the instrumental parts (about half the album). The other songs were performed by well-known names of the 60s/70s protest movement: Grace Slick, Richie Havens, and John Sebastian.
1982
Electronic. Kent State, Ohio shooting. Also Nixon, JFK, MLK, RFK
1983
1984
1986
1987
This included the killing of four students at Kent State University on the 4 May 1970, at a protest against the Cambodia incursion: "be apart of the action at Kent State... show those demonstrators who's the boss" . It noted the use of Agent Orange, the defoliant / herbicide used by U.S. forces during the Vietnam War, which had long term negative health effects on the Vietnamese and US soldier whom came into contact with the chemical. It is frequently referenced in post-war songs: "kids, they'll love our petting zoo...full of children deformed by Agent Orange" . Also of note was the reference to orphans: "orphan left behind by some fun-loving Yankee soldier" . Furthermore, the track referred to the self-immolation of monks, which recalls one of the defining images of the Vietnam conflict - Thích Quảng Đức, a Vietnamese Mahayana Buddhist monk, who burnt himself to death in Saigon on 11 June 1963: "thrill, to Buddhist priest who set themselves on fire at noon" .
1988
1989
1990
This included the song "Slaughterama" (Metal Blade Records # 3984-17003-2), about the band taking part in a reality TV game show involving the brutal slaughtering of hippies, introduced as having a "Grateful Dead life" (a reference to the band Grateful Dead). These hippies "tried to tell us 'give peace a chance'" , a reference to the famous 70s anti-war song by the Plastic Ono Band. The song moved onto the killing, with the narrator screaming "I blew your head clean off" . He then revealed his experience in this area, with reference to the Kent State demonstration: "good thing I was such an expert shot with the National Guard back in Kent State" . The narrator revealed his pleasure derived from hippie hunting, and promised the viewers that they would be back next week with another edition of the show, in which they killed off those "full of existential despair" and those who did not care with a "pathetic life" . Although it is supposed to be comedic, the group sought to criticise the ideals and lifestyle of the hippies, essentially describing them as hypocrites.
Ten years later they released the song "American Heroes" (Fraternity Records # F-3557), a soaring patriotic tribute to those that fought in Vietnam "for the freedoms of each woman, child, and man" . Interestingly, they also praised those back home for being heroes, such as the demonstrators: "I fought for this great land...like the four dead in Ohio, and the others who took a stand" . The group concluded by calling for unity to help the US go forward. With regards to praising the role of the Vietnam veterans, this can be seen as part of the 1980s / 90s attempts to overcome the 'Vietnam Syndrome', a trend often seen in post-war songs and films - the perception that domestic controversies over the war led to the US taking a less interventionist position in US foreign affairs. This term also applied to veterans, who may have felt guilt or shame about the war, influenced by the domestic climate they returned to in the US.5
- 1 Wall, The (The Vettz) ↩
- 2 engineersvietnam.com (archived copy) ↩
- 3 ReverbNation (link no longer available) ↩
- 4 efolkmusic.org: Wayne barker (link no longer available) ↩
- 5 The Columbia History of the Vietnam War (David L. Anderson, 2010) ↩
1991
1992
The sleeve back states "all titles written by Stubbings/Clark Springs" and lists Clive Stubbings (guitar & vocals), Tony Duckworth (bass & vocals) and Chris Morrell (drums); "sleeve by Maikka"; Summershine, P.O. Box 13, Prahran, Victoria, Australia 3181; "manufactured & distributed by Shock Records". [From the record sleeve and labels]
1994
1996
1998
- Requiem for Kent State - Free jazz
Barcode 0 6894-49134-2 8. Manufactured by Cinram; label based in Canada (Justin Time group).
1999
In the song the narrator dreamed about visiting the place where the shootings took place: "in my dream I remember a walk...that grassy knoll...four lives cut short by execution" . She viewed the individual impact of the event as "our innocence gone...changed for all time" . The narrator then imagined the exact moment of the shootings: "despair, the air full of confusion...hearts all full of rage...the river of their blood" . The lyrics then moved to the present, declaring to continue "freedom's voice" and to ensure that "justice isn't just a word" . At the end of the song, the narrator called out several names. Firstly, those killed at Kent State: "Bill and Sandy, Jeff and Allison, in our memory live on" . It then mentioned the two students killed at Jackson State, Mississippi: "Philip Gibbs, James Earl Green" . Next she called out the name of James Rector, killed on 15 May 1969, in People's Park, Berkeley, known as Bloody Thursday. She also referred to four African-American girls killed in the 16th Street Baptist Church bombing, in Birmingham, Alabama, on 15 September 1963: "Cynthia Wesley, Denise McNair, Carol Ann Robertson, Addie Mae Collins" . Finally, the narrator brought in a contemporary example: "the students of Tiananmen Square" .
2000
2001
- Thrash
2004
The lyrics started with day one, with the news of the "rain and fire on Cambodia" - Nixon's Cambodian Campaign, announced on 30 April 1970, an extension of the Vietnam War. This encouraged the students to protest the following day (1 May), who "left...classes and took the streets here in Ohio" . The next day, on 2 May, as the students organised a sit-in, "Governor Rhodes came to the campus" , called up the National Guard, who "followed his command" - thus placing a portion of blame on James "Jim" Rhodes (Governor of Ohio, 1963-71, 1975-83). The narrative then jumped to 4 May, the day of the shooting: "on the 4th day the guard was angry...they fired tear gas...13 seconds of firing followed, 4 of us fell" . He noted that the "National Guard just walked away" . The lyrics presented the shooting as a deliberate tactic, and held the shooters and the politicians responsible for the deaths and wounded.
2005
2007
2009
2010
The lyrics started by looking at the objectives of the demonstrators, who wanted "love and peace" and to "stop the war in Vietnam" , although some people sought "revolution" . But the authorities viewed then as "suppressive communistic crass" . So they sent out the National Guard to "teach them a less, go in hard" . The narrator noted the event as a turning point in people's lives: "in Ohio, innocence was lost" . It also suggested that it had a long-term impact on protest movements, as the National Guard "made them freeze" . The song criticised the military for killing the Vietnamese as well as "their own children" on the university campuses.
2012
"Written on the 40th Commemoration of the Kent State murders...written in the style of CSNY (Neil Young)"1
From the Victory Bell, over Blanket Hill, no one closer
Than a football field, but close enough to hell...no one
Over 20 years old but old enough to kill 13 seconds 67
Shots at 12:24 P.M. 13 seconds 67 shots, 4 students...
4 students laying dead...Is lady Justice blindfold or blind?
Waitin' for the truth, who ordered fire? How many more
Years? To hide a lie in a little truth, how many more tears
Shed Till a brave soul comes forth
2014
Punk rock
2016
Kent State shooting referenced
I hear thunders and I can feel the wind
I can see angry faces in the eyes of men
And don't forget Kent State were kids lay bleeding on the ground
And there's no place on this planet where peace can be found
So there'll be stabbings and
Shootings and young men dyin' on the ground
It keeps goin' through my brain and I can still hear the sound
I hear talking of people: "The whole world has gone insane"
2018
2019
People ask me in my country "What does the rest of the world think of the USA?" Said "Same thing that they always did, they think we're stupid and insane. Goes back to Columbine, and Reagan, and Nixon, and Viet Nam, and George Bush, and shock and awe campaign...Yeah, but you guys also shot John Kennedy and Martin Luther King...She said "Well you're here. And where are you from exactly?" I said "The state where the kids at Kent Station were killed west of Pennsylvania".
Unknown date
Contemporary folk. Anti-war. Kent State shootings.
Description of the day and protest, then confrontation with the National Guard.
Lyric theme data
Lyric content themes tagged on the songs in this collection — parent themes with their sub-themes (number of records). Click a theme for its definition and all records carrying it.
Show all 28 themes ▾Key stats
123 songs · 101 releases · 94 artists · 77 labels · 1970–2019
- 1970 is the peak year, with 31 songs.
- 1970–73 holds 61 of the 120 dated songs — more than half in four years.
- 68 were released during the war years (to 1975); 55 came after.
- Three records are undated.
- 94 artists for 123 songs. The most represented is Rosko, with eight.
- Twelve of the artists are still unidentified beyond the record: no line-up, no biography.
- Songwriter gender is recorded for 69 of the 123 songs: 60 by men, seven by women and two by mixed teams — women wrote 10% of those.
- By performer: 96 men, 18 women, five mixed groups and two not identified (recorded for 121).
- 58 named songwriters. The most often credited is Neil Young, with twelve.
- 61 of the 77 labels appear exactly once; RCA has the most, with ten.
- 38 sit on a major or well-known imprint — RCA, Atlantic, Alternative Tentacles, Blue Thumb, Capitol, Metal Blade, Reprise, CBS News. The other 85 are on independent, regional or private labels.
- Eight are private pressings with no label at all.
- One 45 puts both of its sides into this list.
- 99 of the 123 are American. New York leads with 27, then California 14 and Illinois five.
- New York City accounts for 26 records, more than any other city; Los Angeles has four, Burbank three.
- 24 come from outside the US: eight British, six German, four Canadian, four Swedish, one Australian, one Puerto Rican.
- By perspective: 66 peace, protest and anti-war; 55 post-war; one home front or soldier's perspective; one patriotic, pro-government or anti-protest.
- 62 distinct sub-themes across 123 songs.
- Anti-War is the single biggest subject — 76 songs, more than half.
- Next come Demonstration (25), Nixon (18), Civil Rights (10) and Jackson State (8).