Collections › Jody Songs

Jody Songs

25 songs · chronological · A–Z by artist
Annotations and notes by Justin A. Brummer
Entries are numbered (#1, #2 …) for reference on this page; the numbers shift when entries are added or split.
A collection of Vietnam War Jody songs
This forms part of the larger Vietnam War Song Project, an interpretive examination of over 6,500 Vietnam War songs identified, revealing how the war's significance is represented through music. The project also collects spoken-word recordings about the conflict. This unique collection of voices advances scholarship by providing insights into people’s views about the war over time as represented in music, looking at diverse communities and vibrant music scenes. It is crucial in developing our knowledge of the war and the humanities, through the use of a digital research platform.
Note: The VWSP has identified, to date, 25+ songs about "Jody", the man back home who takes the serviceman's girl.
Citation: Justin A. Brummer, Vietnam War Song Project (VWSP) — Jody Songs, vietnamwarsongproject.com/list/jody-songs, accessed 12 November 2026

Context

Beyond Jody and Soldier's Perspective, the songs in this collection most often also deal with: Home Front Perspective, VC, Draft, Anti-War.
What are Jody songs?
The term "Jody" originated from "Joe the Grinder" (dated c.1939) - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home (for work or whatever). "Grinder" was an old slang word for sex (dated c.1647). It is thought to have been introduced into the army by African-Americans during the Second World War, used in military cadences (marches), such as "ain’t no use in going home, Jody’s got your girl and gone" - shouted out by a military officer, and repeated by the group of marching soldiers in unison. This type of marching later got the nickname of "jodies" or "jody calls".

1961

#1 Lightnin' Hopkins War Is Starting Again 1961 · Single · Got Me a Louisiana Woman / War Is Starting Again · Ivory # 91272 · USA
Credited on the record as Lightning Hopkins and His Guitar.
Annotation
Lightnin' Hopkins, born Sam Hopkins on 15 March 1912, in Centreville, Texas, recorded extensively from the 1940s-1970s, typically playing blues in the style that came out of his native Texas, like Blind Lemon Jefferson (acoustic / electric Texas blues). Often singing about topical events, such as the Korean War and Great Depression, in the mid-late 1960s he turned his attention to Vietnam. He died in Houston Texas on 30 January 1982.1 In 1969, he released the anti-war single "Please Settle in Viet Nam" (Joliet # 205). He also recorded the song "Vietnam War" with his cousin Billy Bizor on the album Blowing My Blues Away in 1968, discussed below. In fact, Hopkins released his own version of that song, called "Viet Nam War (Pt.1) & (Pt.2)" on the 1968 album Talkin' Some Sense (Jewel Records # LPS 5001), also discussed below.

On this LP featured the 1962 song "War Is Starting Again" (Vee-Jay Records # LP-1044), which may have been too early to specifically mention the Vietnam conflict. The narrator expressed fear of war coming, "well, I got news this morning, right now they need a million men" .

This song also included a "Jody" reference - the term "Jody" originated from "Joe the Grinder" (dated c.1939) - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home (for work or whatever). "Grinder" was an old slang word for sex (dated c.1647). It is thought to have been introduced into the army by African-Americans during the Second World War, used in military cadences (marches), such as "ain’t no use in going home, Jody’s got your girl and gone" - shouted out by a military officer, and repeated by the group of marching soldiers in unison. This type of marching later got the nickname of "jodies" or "jody calls". In this case, the narrator is the Jody: "you know my girlfriend got a boyfriend in the army, that fool better go overseas" . Hopkins later uses a similar line in the 1969 song "Please Settle in Viet Nam" .
Annotation by Justin A. Brummer
Notes
Ivory Records 91272B, 45 R.P.M.; "War Is Starting Again" (Hopkins - Semiens), 2:45, Allee Music Publ., BMI; "Lightning Hopkins and His Guitar". Label decorated with two elephant drawings. [From the record sleeve and labels]
Lyrics
English
Woe, you know this world done get tangled now, baby
Woe, you know I believe they fixin' to start a war again
Woe, you know this world done get tangled now
Yeah, I believe they gonna start war again
Yeah, there'll be a mothers start to worry
Yes, there'll be many a girls will lose a friend
Well, I got news this morning
Right now they need a million men
Woe, I got news this mornin'
Right now they need a million men
Woe, you know, I been overseas once
Oh, Lightnin' don't want to go there again
Lord have mercy!
All right!
Yeah, you know my girlfriend got a boyfriend in the Army
That fool better go overseas
You know I don't hate it so bad because you know
That's a better break for me
This world's a-tangled
Yeah, the finally had a war again
Show full lyrics (21 lines) ▾
Themes: Draft Jody

1966

#2 Johnny Bond A Letter From Home 1966 · Album · Country Music Goes to War · Starday # SLP-374 · USA
#3 Joe Medwick Letter to a Buddie 1966 · Single · Letter to a Buddie / Stealing · Boogaloo # 1002 · USA
Annotation
"Letter to a Buddie" (... # 55101) by Joe Medwick, released in 1963 - contained an early reference to Vietnam. Also released on Houston, Texas label Boogaloo Records (# 1002) - this was probably the original release, with Medwick based in Texas, and the song being picked up by the larger New York based label ....
Born 22 June 1931, Houston, TX, United States
Died 12 April 1992, Houston, TX, United States1

spoken-word. soulful, blues background music.
Annotation by Justin A. Brummer
Notes
East-West 55101 (EW 1), cream label; "Letter to a Buddie", Joe Medwick, "Vocal With Instrumental Accompaniment"; Hudson-Dart & Crazy Cajun Mus.; produced by Henry Meaux; East-West Music, Inc., 1619 B'way, N.Y.C. 10019. No writer credit or time printed. [From the record sleeve and labels]
Lyrics
English
Dear buddy, there ain't much going on here
I sure do envy you over there in Vietnam
Right in the thick of things
Bet you never have a dull moment out there old boy
Say, I went to see your wife last night
Read all your letters, it was a little bit mushy, but I don't blame you
Sally is a swell girl, I wonderful figure, good looks, what a personality
You know the guys still whistle at her when she walks down the street
Oh, your brother-in-law Sam dropped in
He was wearing that brown suit you bought just before you left
Sally gave it to him because she thought it would be out of style by time you got back...
Oh one of the guys bought your golf clubs, he paid Sally $25 for the set
That's a lot more she got for your movie projector and camera...
Of course I thought she would be a little shook up after her accident
In your Mustang, but you would never know she was in a head-on collision
She tore your car all to pieces...too bad she forgot to pay the insurance...
She wasn't a bit worried...especially her willingness to mortgage the house...
It's a good thing you ave up power of attorney before you left
Back to the party, you seen of Sally doing that impression...
I was still going strong when we all said goodbye to her and Clive
You know Clive is rooming in the house now...
There's nothing new with me...well old boy it's getting late so I guess I better stop
I can see through the window across the street over to your front porch
Sally and Clive are having a night cap, and Clive is wearing your old smoking jacket
Well I sure wish I could be there with you but you lucky stiff you...
Don't forget to write, by by buddy
Show full lyrics (27 lines) ▾

1967

#4 Carolina Charlie Wiggs Letter From Home 1967 · Single · Letter From Home / S.R.O. (When I Die) · Pussy Cat # 7006 · USA
Notes
Letter From Home (Wiggs, Carolina Charlie)
Notes
"a Pussy Cat record", P.O. Box 12281, Norfolk, Va.; Record No. 007006 A (201,232), 45 RPM, white label; "Letter From Home" (Hank Penny), time 3:03, publisher Copar-Forrest Music Corp. (BMI); credited to "Carolina" Charlie Wiggs; "Dist. by Chart Records, 806 16th Ave., S., Nashville, Tenn." [From the record sleeve and labels]
Genre: ♪ Country

1968

#5 The Dixie Drifter Dear John Letter 1968 · Single · Dear John Letter / Across the Table · Platinum # PL-2300 · USA
Credited on the record as The Dixie Drifter (Enoch Gregory).
Notes
Dear John Letter (Dixie Drifter, The)
Across the Table (Dixie Drifter, The)

Soul, Vietnam-era.
A-side: Soldier overseas, received a letter from his sweetheart, who married his brother Jimmy!
She asked for her picture back and for his blessing.
B-side: man sitting at a bar, wishing for his sweetheart back - the soldiers from the a-side?
Notes
Platinum PL-2300 (U4KM-9059), American Music (BMI); "Dear John Letter" (L. Talley, B. Baton, C. Owen), vocal, time 2:58; produced by Joe Robinson; credited to The Dixie Drifter (Enoch Gregory). [From the record sleeve and labels]
#6 Hank Penny A Letter From Home 1968 · Single · A Letter From Home / Keep's On Haunting Me · Wasp # WR-117 · USA
Credited on the record as The Incomparable Hank Penny.
Annotation
Notes
Letter From Home, A (Penny, Hank)

Tacoma, Washington, USA. Country.
Comedy recitation about a letter to a buddy in Vietnam about his wife having a fun time at home with other men. Originally released by Hank Penny in 1955 for the Korean War. Other Vietnam versions of the song by Joe Medwick, Johnny Bond, Charlie Wiggs, and Dick Bruce. Classified as a "jody" song??

Billboard, 30 July 1955: "This is a recitation...Penny reads a letter to a buddy in Korea, wherein he relates the happenings back home - his wife's gay behavior etc. It might be distressing to the buddy, but it's loaded with yocks for the listener with a slight touch of sadism"1
Annotation by Justin A. Brummer
Notes
Wasp WR-117-A, orange-and-white label, P.O. Box 7171, Tacoma, Wash.; "A Letter From Home" (Hank Penny), time 4:05, Penny Music (BMI); credited to "The Incomparable Hank Penny"; recorded at Wiley Sound Studios, Tacoma, Wash.; "Ron Biberthaler Productions" printed on the rim. [From the record sleeve and labels]

1969

#7 Joe Tex I Can't See You No More (When Johnny Comes Marching Home) 1969 · Single · Sure Is Good / I Can't See You No More (When Johnny Comes Marching Home) · Dial # 4095 · USA
Annotation
Texas soul singer Joe Tex released another war-related track during the Vietnam era, called "(When Johnny Comes Marching Home) I Can't See You No More" (Dial # 4095) - following on from 1966's "I Believe I'm Gonna Make It". The title of the song was a play on the title of the well-known American Civil War song, while the theme fitted into the "Jody" category. The term "Jody" originated from "Joe the Grinder" (dated c.1939) - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home (for work or whatever). "Grinder" was an old slang word for sex (dated c.1647). It is thought to have been introduced into the army by African-Americans during the Second World War, used in military cadences (marches), such as "ain’t no use in going home, Jody’s got your girl and gone" - shouted out by a military officer, and repeated by the group of marching soldiers in unison. This type of marching later got the nickname of "jodies" or "jody calls".1

This one is narrated from the perspective of the "Jody", a man having an affair with a woman who "is waiting on a man; right now he is in the army" . Of course, when he, "Johnny" , returns, the narrator will "have to pack my toys" . The narrator also feels that "what we are doing is wrong" , so he asks that someone "kick me right dead in the seat...go get a rope" because "I ain't got the sense, that the good lord give a goose" ! Once again, the song is written by Tex, and produced by Buddy Killen, founder of Dial.
Annotation by Justin A. Brummer
Notes
Dial 45-4095 (DL-17883 SP), vocal; "(When Johnny Comes Marching Home Again) I Can't See You No More" (Tex), 2:45, Pub. Tree, BMI; produced by Buddy Killen; "Dist. by Atlantic Recording Corp., 1841 Broadway, N.Y., N.Y." [From the record sleeve and labels]
Lyrics
English
Somebody ought to take their foot down
And kick me right dead in the seat of my pants
I ain't got the sense, the good lord give an ant
This woman that I'm in love with tells me time and time again
That we can't see each other no more because she is waiting on a man
Right now he is in the army, and what we are doing is wrong
And according to the letter she got, any day he'll be home
When Johnny comes marching home again, I can't see you no more
Somebody go get a rope, yo and try to pull me and this woman loose
That's what you better do
I ain't got the sense, that the good lord give a goose
I fell for this woman when I knew all along that one day I'll have to pack my toys as soon as the man got home
I'm so in love with her I really don't want to go
#8 Manuel B. Holcolm I Stayed Away Too Long 1969 · Single · I Stayed Away Too Long / Kick Out-Ins · Diamond Jim # DJ-900 · USA
Credited on the record as Manuel B. Holcolm and His Band.
Annotation
The funky song "I stayed Away Too Long" (Diamond Jim Recording # 900) came out of Detroit, Michigan, in 1969. Sung by Manuel Holcolm, it was written by G. Current and Jim Riley, known in Detroit soul circles as Diamond Jim - he founded the labels Diamond Jim, Big D, and Riley's Recording Co.. So in this song a soldier is "laying in a foxhole...in Vietnam" , reading a letter from his girl while "covered all in mud" . The soldier soon discovers that "something was wrong" and that she has left him for someone else. But the soldier cries that "I couldn't help myself, I stayed away too long" . This is another song representing both the fear and the reality that some soldiers found their personal relationships, from back home, broken off because of the conflict.
Annotation by Justin A. Brummer
Notes
Diamond Jim Records DJ-900, matrix DJ-17755-PL, vocal; "I Stayed Away Too Long" (Diamond Jim–G. Current), pub. Steve-Dot-Syderia-Cotillion, BMI, time 2:30; Manuel B. Holcolm and His Band, produced by Diamond Jim and G. Current. "Dist. by Cotillion, Div. of Atlantic Recording Corp., 1841 B'way, N.Y., N.Y." [From the record sleeve and labels]
Lyrics
English
I got in at three this morning, I called you on the phone
I got a funny feeling, baby, when they said you weren't at home...
Your mother said listen son, my daughters not coming in
Oh I stayed away too long, yes I did, stayed away too long
Listen, when I got your last letter I knew something was wrong
But I was laying in a foxhole baby in Vietnam
With the lights on dim, I couldn't even read
But I was covered all in mud from my head to my feet
I stayed away too, too long, yes I did, stayed away too long
Girl you said that you would love me
And you told me that you would wait
Do you remember what you said baby
Because you've taken you love away
I couldn't help myself, I stayed away too long...
Thinking you would be true...saving all my love for you
Show full lyrics (16 lines) ▾
#9 Lightnin' Hopkins Please Settle In Viet Nam 1969 · Single · Please Settle in Viet Nam / Once a Gambler · Joliet # 205 · USA
Credited on the record as Lightning Hopkins.
Annotation
Lightnin' Hopkins, born Sam Hopkins on 15 March 1912, in Centreville, Texas, recorded extensively from the 1940s-1970s, typically playing blues in the style that came out of his native Texas, like Blind Lemon Jefferson (acoustic / electric Texas blues). Often singing about topical events, such as the Korean War and Great Depression, in the mid-late 1960s he turned his attention to Vietnam. He died in Houston Texas on 30 January 1982.1 He recorded the song "Vietnam War" with his cousin Billy Bizor on the album Blowing My Blues Away in 1968. In the same year he released an alternative version, called "Vietnam War (Pts. 1 & 2)" on the album Talkin' Some Sense (Jewel Records # LPS 5001) - see Draft section.

Hopkins recorded the song "Please Settle in Viet Nam" in Berkeley, California, under the direction of Chris Strachwitz (the founder of the Californian label Arhoolie Records), on 20 May 1969, for the session which produced the album Lightnin'! (Poppy # PYS-60,002). But the song did not appear on the album. Strachwitz released "Please Settle in Viet Nam" on this single (Joliet # 205) and then later on the album Lightning Hopkins in Berkeley (Arhoolie # 1063).1 Hopkins wanted to see "an ending to the war" and called on the government to settle the Vietnam issue. It also included a little twist. Hopkins said that his girlfriend actually had a man fighting in the war, and that he hoped "he'll stay forever" in the army, because he did not "want to leave that girl" . This idea is similar to the "jody" theme - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home. In this case, the narrator played the role of the "jody" . Hopkins used this same line in an earlier track, "War Is Starting Again" , from the 1962 album Lightnin' Strikes (Vee-Jay Records # LP-1044).
Annotation by Justin A. Brummer
Notes
Joliet 205 A, Joliet Productions, Box 67201, Los Angeles, Calif. 90067, "Promotional Copy - Not for Sale"; "Please Settle in Viet Nam" (S. Hopkins), 2:50, Tradition Music / Joliet Music BMI; produced by C. Strachwitz, Arhoolie Prod.; artist credited as Lightning Hopkins. [From the record sleeve and labels]
Lyrics
English
My mama prayed, she said please let that kingdom come
She said, please let it be an ending to the war, please settle in Vietnam
My girlfriend got a boyfriend fighting
She don't know when that man coming back home /' I said I hope he'll stay forever, cuz I ain't gonna leave, that girl alone
It's a shame...taking the young people out of the United States, taking them over to Vietnam
And they've got to stay
Uncle Sam does trenches, he does then way over in no man's land
Uncle Sam...little girl tell me, did he take your man?
#10 Johnnie Taylor I Could Never Be President 1969 · Single · I Could Never Be President / It's Amazing · Stax # 46 · USA
Annotation
Johnnie Taylor, primarily known as a southern soul singer, also worked with other genres, such as gospel, blues, and R&B. Born Johnnie Harrison Taylor on 5 May 1938 in Crawfordsville, Arkansas, he started out singing in several Chicago, Illinois based gospel groups - The Five Echoes (1952-54) and The Highway QC's (1953-57) - and later on the Houston, Texas soul scene with The Soul Stirrers (lead tenor vocals, 1956-63). He died in Duncanville, Texas (31 May 2000). In 1969, he released the song "I Could Never Be President" (Stax Records # STA-0046) in which he said that if elected president he would "bring home all the fellows from over in Vietnam" and redeploy them to protect his sweetheart from the world. Thus while not really a song about the war, it indicated the prominence of the issue.

A year later he released the song "Jody Got Your Girl and Gone" (Stax Records # STA-0085), which does not mention war or soldiers, but has often been associated with the Vietnam conflict, appearing on several compilations (such as Feel Like I’m Fixin’ to Die). The lyrics focused on the fear of a man loosing his girl while away from home - thoughts that are closely associated with the soldier figure. This theme often appeared in Vietnam War songs. The term "Jody" originated from "Joe the Grinder" (dated c.1939) - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home (for work or whatever). "Grinder" was an old slang word for sex (dated c.1647). It is thought to have been introduced into the army by African-Americans during the Second World War, used in military cadences (marches), such as "ain’t no use in going home, Jody’s got your girl and gone" - shouted out by a military officer, and repeated by the group of marching soldiers in unison. This type of marching later got the nickname of "jodies" or "jody calls".1

So in this song the narrator warned the soldiers that "there's a cat named Jody...in every town" who snuck around, using the soldier's home, bed, and food. The narrator concluded that it "ain't no sense in going home, Jody's got your girl and gone" . The song reached # 1 in the Billboard R&B charts on 20 February 1971, and peaked at # 28 on the Billboard Hot 100 on 27 February.23
Annotation by Justin A. Brummer
Notes
Stax STA-0046 (ST-0191), yellow label with finger-snap logo; "I Could Never Be President" (We Three), 2:33, Pub. East/Memphis Music, BMI, dated June, 1969; produced by Don Davis; "Stax Records, 926 East McLemore, Memphis, Tenn. — Div. of Paramount Pictures Corp., a G+W Co." [From the record sleeve and labels]
Lyrics
English
Every guy I know trying to get ahead
Working two jobs til you're almost dead
Work your fingers right down to the bone
There's a cat named Jody, sneaking around
In your home, there's a cat named Jody
In every town...
The ashes in your ashtray
Footprints on your carpet
While you work all day
He even got the nerve to sleep in your bed
Sit down at the table, eat your bread
When you discover your gross neglect
It'll be too late to give your woman respect
Ain't no sense in going home
Jody's got your girl and gone
Show full lyrics (16 lines) ▾
Theme: Anti-War

1970

#11 Mel & Tim Mail Call Time 1970 · Single · Mail Call Time / Forget It I've Got It · Bamboo [Chicago] # BMB 114 · USA
Annotation
Soul song "Mail Call Time" (Bamboo Records # BMB 114) - another song, like "From Vietnam With Love" by Charles E. Scott that represented the military practice in which soldiers assemble to receive mail, with each soldier's name called out to pick up the mail. Performed by the soul duo Mel Hardin & Tim McPherson, cousins, both born in Mississippi, US, and based in Chicago with Bamboo Records. They later moved to Stax Records in 1972 with the single Starting All Over Again. The song started in a first person narration, with a soldier expressing the desire to receive mail. The narrator then made a plea in the third person: "girls, pick up your pen, and drop your man a line" .

Note the reference to the "Jody" theme: "don't let Jody take up all of your time" - suggesting that the soldier's sweetheart may have been involved with another man ("Jody") in his absence. The term "Jody" originated from "Joe the Grinder" (dated c.1939) - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home (for work or whatever). "Grinder" was an old slang word for sex (dated c.1647). It is thought to have been introduced into the army by African-Americans during the Second World War, used in military cadences (marches), such as "ain’t no use in going home, Jody’s got your girl and gone" - shouted out by a military officer, and repeated by the group of marching soldiers in unison. This type of marching later got the nickname of "jodies" or "jody calls".1
Annotation by Justin A. Brummer
Notes
Bamboo BMB 114 A (50887), "Bamboo Records Inc. © 1969", tropical beach and palm-tree picture label marked "Not for Sale"; "Mail Call Time" (Harding, McPherson, Dixon), time 3:15, Cachand/Patcheal (BMI); Mel and Tim, "Produced by: Gene Chandler", "Recorded at: Universal Recording Studios", "Arranged by: Tom-Tom"; "Nationally distributed by Scepter Records Inc. 254 W. 54th St., New York, N.Y.", "Made in U.S.A." [From the record sleeve and labels]
Lyrics
English
I'll be so glad when mail call time comes around...
I'm going to sit right down on this cold, wet muddy ground and I'm gonna read, when mail call time comes around
Oh yes I will
Girls, pick up your pen and drop your man a line
Don't let Jody take up all of your time
The only thing that's on your man's mind are the letters he gets from the girl he left behind
And he's gonna wake up in the morning with mail call on his mind
Oh yes he will
He'll be so glad when mail call time comes around
He's gonna sit right down on this cold, wet, muddy ground, and he's gonna read

1971

#12 Bobby Patterson Right On Jody 1971 · Single · Right On Jody / If You Took A Survey · Paula # 352 · USA
Annotation
Texan soul singer / producer Bobby Patterson also released a Jody themed track, "Right on Jody" (Paula Records # 352). In this one the narrator has been doing a lot of overtime at work, as requested by his foreman, and so he starts to get suspicious that "Jody's been sleeping in my back door" , and that it might be the case that "the foreman is Jody" . The narrator then sends out a warning to everybody, that Jody is "in your town...on your street" , and that it might be your neighbour or friend. The song concluded with a warning to the soldiers in South-East Asia: "you fellows over in Vietnam - watch out for Jody" . Bobby Patterson produced many R&B singers, such as Chuck Jackson, Ted Taylor, and Roscoe Robinson.
Annotation by Justin A. Brummer
Notes
Paula 352 (SL-1855), Side One; "Right On, Jody" (J. Strickland, J. Beach, R. Bell), 3:12, Rogan-Jetstar, BMI; produced by Bobby Patterson; engineer George Clinton; recorded at Sound City Studios, Shreveport, La.; "Division of Jewel Records – Shreveport, La." Red Paula label with cameo-silhouette logo. [From the record sleeve and labels]
Lyrics
English
Something is going on, I don't know what it is
My baby's been acting funny since I started the midnight shift
I want to tell you, I think I know
Jody's been sleeping in my back door...
I've got the feeling in the back of my mind
The foreman always takes me to do his overtime...
I'm beginning to wonder if the foreman is Jody...
Beware because Jody is everywhere
He might be your neighbour, he might be your friend
When you walk out the front door, Jody walks in
Everybody better look out for Jody, he's in your town
He's on your street, he's in your house
The man ain't up to no good
You fellows over in Vietnam - watch out for Jody
Show full lyrics (15 lines) ▾
#13 Sonny Green Jody's on the Run 1971 · Single · Jody's on the Run / If You Want Me to Keep on Loving You · Hill # H-777 · USA
Annotation
The blues/jazz influenced soul track "Jody's on the Run" (Hill Records # H-777) by Sonny Green, obviously took on the Jody theme - in which a man stole the wife / girlfriend of a soldier - as discussed with Johnnie Taylor's "Jody Got Your Girl and Gone". Unlike the Taylor track, this one actually referenced the war, with the narrator telling the listener that a "fellow is back from 'Nam" . The soldier knew what was going on, and so now the narrator tells "Jody" that "he's looking for you with his gun" , and so "you better run home Jody" . The song was released on Matt Hill's Californian label Hill.
Annotation by Justin A. Brummer
Notes
Hill Records H-777 A, blue label with silver print, 4224 E. Rosecrans, Compton, Calif.; "Jody's on the Run" (Miles Grayson; Bobby Lexing), Respect Music Co., BMI, time 2:40; arranged by Miles Grayson; produced by Matt Hill & Miles Grayson. [From the record sleeve and labels]
Lyrics
English
Everybody, Jody's on the run...
Son you better pack your stuff and run
Cause fellow is back from 'Nam
He's looking for you with his gun
He said you've been doing him wrong
Sleeping at his house when he wasn't home
You better run home, Jody, you better run fast...
Jody, let me tell you something
You've been running around this town
Talking sweet, soak him down

1972

#14 Ann Sexton You've Been Gone Too Long 1972 · Single · You've Been Gone Too Long / You're Letting Me Down · Seventy 7 # 77-104 · USA
Credited on the record as Ann Sexton and the Soul Masters.
Annotation
The song "You've Been Gone Too Long" (Seventy 7 Records # 77-104), a highly sought-after record by Northern Soul collectors - this issue usually sells for around $100. Even more collectible is the original issue on Impel (# SS-AS-103), which sells for around $500-$1000, as of late 2012 - see "You've Been Gone Too Long" . Ann Sexton, born Mary Burton in 1950, in Greenville, South Carolina, fronted a soul group called both "The Masters of Soul" and "The Soul Masters". In 1971 she met soul producer / singer-songwriter David Lee, who also owned a record shop in Shelby, NC, called Washington Sound. Out of this shop, was based Lee's label Impel, which released this song. It gained decent airplay, and Nashville DJ John "R." Richbourg picked up the song and distributed it on his national label Seventy 7, selling around 90,000 copies. (1)

This song picked up on the "Jody" theme - the mythical man who stole the wives and girlfriends of soldiers away from home, as discussed with Johnnie Taylor's well-known "Jody Got Your Girl and Gone" . Sexton switched between narrating from the soldier's perspective to that of the soldier's girlfriend / wife. The soldier has noticed that something is wrong with his girl: "I know you've been running around" , he tells her. But the girl says that "I found me a man who loves me better" , adding the justification: "you've been gone too long" . Then in the third person, Sexton tells the listener the famous line: "ain't no use in coming home, cause Jody got your girl and gone" .
Annotation by Justin A. Brummer
Notes
Seventy 7 Records, Record No. 77-104 (SS 108), "Division of J R Enterprises, Inc., P.O. Box 6128, Nashville, Tennessee 37212"; "You've Been Gone Too Long" (David M. Lee, Ann Benton, Melvin Benton), 2:26, Cape Ann Music, Inc.; produced by David Lee; Ann Sexton and the Soul Masters. [From the record sleeve and labels]
Lyrics
English
The smile on your face baby is not there anymore
And the thrill of a kiss honey is not like it was before
I know you've been running around, I know
Because the look on your face is beginning to show
You might as well run on, baby you've been gone too long
Ain't no use in coming home
Cause Jody got your girl and gone
The way you used to hold me when we were all alone
It's not there anymore because baby
The thrill is gone
Somehow it doesn't matter because I found me a man who loves me better
You've been gone too long
#15 Bobby Newsome Jody, Come Back and Get Your Shoes 1972 · Single · Jody, Come Back and Get Your Shoes / Post Office · Spring # SPR 125 · USA
Annotation
Another "Jody" track - "Jody, Come Back and Get Your Shoes" (Spring Records # SPR 125) - this one also does not mention war or soldiers, only that a man has "been gone for a month" , during which time Jody stole his wife. This drove the husband slightly crazy, whose been going around "with a 38 in his hand" . The song sent out a warning that "you never know who Jody is...could be the milkman...the mailman too" and even "your very best friend" .
Annotation by Justin A. Brummer
Notes
Spring Records SPR 125 (SPR-125 A), 2066 201 (1117), green and white label; "Jody, Come Back and Get Your Shoes" (Bobby Newsome), Groovesville Music, BMI, time 3:13; produced by Bobby Newsome; "℗ 1972 Spring Records", "Distributed by Polydor Inc., New York, New York", made in U.S.A. [From the record sleeve and labels]
Lyrics
English
Everybody talkin' bout Jody, had himself a real good time
He stole the wife of my next door neighbor and the cat done lost his mind
White folks need to come get him
Throw him there in the can
He's over there walking around talkin' to himself
With a 38 in his hand
Talkin' about Jody
Come back and get your shoes, Jody
You left your shoes under my bed...
In the man's own letter he been gone for a month
Jody got everything that he wanted...
Well men let this be a lesson in this world we live
You gotta keep your eye on everyone
‘Cause you never know who Jody is
Now Jody could be the milkman
And he could be the mailman too
And Jody could even be your very best friend
Show full lyrics (18 lines) ▾
#16 The Last Poets Hands Off 1972 · Album · Chastisment · Blue Thumb # BTS 39 · USA
Annotation
Artist background
Formed on 19 May 1968, the anniversary of the birth of Malcolm X, The Last Poets pioneered jazz poetry with social and political raps and rhythms, paving the way for the emergence of hip-hop. The collective, based in Harlem, New York, had several line-ups. Their debut 1970 album The Last Poets had two Vietnam War-related protest songs: "Run, Nigger" and "Surprises". The 1971 album Right On! featured "Die Nigga", referencing Vietnam and the murders of Chaney, Goodman, and Schwerner. The 1972 album Chastisment contained "Black Soldier" and "Hands Off". Their 1977 album Delights of the Garden included the song "Ho Chi Minh" about Vietnam and 1970s protests.
This album (Blue Thumb Records # BTS 39) featured Jalal (aka Lightnin' Rod), and Suliaman El Hadi. It has been written that Jalal went to prison for refusing to fight in Vietnam.1Billboard reviewed this album on 8 July 1972: "very interesting LP from the Last Poets. It really is a 'chastisement' with comment on their war, the ghettos, stealing and other casualties of modern life. The subjects are well handled on a musical level...much social comment here with musical interpretation".2

The song "Hands Off" had the line "what manner of beast is this I ask who drops a napalm from the skies, then send my sons away to war to maim and kill and die" - a reference to chemical weapon Napalm B - a jellied gasoline mixture, with polystyrene, benzene, and gasoline. Declared a war-crime since 1980, the US government extensively used this weapon during the Vietnam conflict, dropping 388,000 tons on Indochina between 1963 and 1973.123 The Dow Chemical Company, the largest suppler of napalm to the US military, became a target of Vietnam protests (such as boycotts), particularly on university campuses.4
Annotation by Justin A. Brummer
Lyrics
English
Here's to you black soldier, fighting in Vietnam
Helping your oppressor oppress another man
Here's to you who volunteer your precious lives to give
While here in the ghetto are struggling to live
Here's to you, gun in hand, another land
While National Guardsmen terrorise the ones you've left at home
We hope and pray that you've been spared when casualties are high
We demonstrate for your return and we mourn you when you die
We've watched you grow up from a child
We know your strength and might
It is no news for us to hear how gallantly you fight
It is a sin for you to be upon some foreign shores when you are needed right here
At home protecting what is yours
To know the use of weaponry, I must admit, that is good
There is an occupation force in our neighbourhood, they call themselves 'peace officers' and 'law enforcement groups'
But from the actions they commit, we know they are troops
The government is cracking down...
They have the dream of stamping out resistance...
But our determination grows and widens with the days
We'll fight them from the rooftops and the alley ways...
We'll free the prisoners from their jails with calculated raids
Just one desire burns in our heart, our bonds and chain to bust
We only wish that with your skills you were here with us
Here's to you black soldier in some far off distant land
Sometimes the question does arise on which side do you stand
They called it a riot in Newark, when the people arose as one
In Detroit and Boston, in Cleveland and Watts, they fought back with fire bombs and guns
What's the matter with these Niggers they said...
When will the promises be fulfilled, that they have made to us...
Where is the pay we have not received, for our blood and sweat and tears
Where's the employment that we need
The decent salary, welfare payments will not do to feed a family
They say conditions are this way because we don't have skills
So instead they offer us extermination pills
So we sound a warning, they better change their tune
Show full lyrics (36 lines) ▾
#17 The Last Poets Black Soldier 1972 · Album · Chastisment · Blue Thumb # BTS 39 · USA
Annotation
Artist background
Formed on 19 May 1968, the anniversary of the birth of Malcolm X, The Last Poets pioneered jazz poetry with social and political raps and rhythms, paving the way for the emergence of hip-hop. The collective, based in Harlem, New York, had several line-ups. Their debut 1970 album The Last Poets had two Vietnam War-related protest songs: "Run, Nigger" and "Surprises". The 1971 album Right On! featured "Die Nigga", referencing Vietnam and the murders of Chaney, Goodman, and Schwerner. The 1972 album Chastisment contained "Black Soldier" and "Hands Off". Their 1977 album Delights of the Garden included the song "Ho Chi Minh" about Vietnam and 1970s protests.
This album (Blue Thumb Records # BTS 39) featured Jalal (aka Lightnin' Rod), and Suliaman El Hadi. It has been written that Jalal went to prison for refusing to fight in Vietnam.1Billboard reviewed this album on 8 July 1972: "very interesting LP from the Last Poets. It really is a 'chastisement' with comment on their war, the ghettos, stealing and other casualties of modern life. The subjects are well handled on a musical level...much social comment here with musical interpretation".2

The song "Black Soldier" dealt with the Vietnam and Civil Rights, while also making references to demonstrations, National Guard violence, and the "jody" theme. The song started with a military cadence, which warned the soldiers that there "ain't no need in going back" to the US, because "Jody got our Cadillac" - the mythical man in blues, jazz and soul tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home.3 This featured in dozens of soul and blues songs.

The next part of the song strongly criticised African-Americans who fought in Vietnam "helping your oppressor oppress another man" . While the narrator hoped for their safe return, demonstrated against the war for them, and mourned their deaths, he thought that the "question does arise on which side do you stand" . The narrator believed that they should be in the US helping to fight for equal rights. He referenced a series of civil right demonstrations in several cities - Boston, Detroit, Newark - labelled as "riots" . Furthermore, the lyrics mentioned confrontations with the National Guard - "National Guardsmen terrorise the ones you've left at home" - possibly referring to the death of students, at Kent or Jackson state, or maybe at Civil Rights demonstrations.
Annotation by Justin A. Brummer
Lyrics
English
Here's to you black soldier, fighting in Vietnam
Helping your oppressor oppress another man
Here's to you who volunteer your precious lives to give
While here in the ghetto are struggling to live
Here's to you, gun in hand, another land
While National Guardsmen terrorise the ones you've left at home
We hope and pray that you've been spared when casualties are high
We demonstrate for your return and we mourn you when you die
We've watched you grow up from a child
We know your strength and might
It is no news for us to hear how gallantly you fight
It is a sin for you to be upon some foreign shores when you are needed right here
At home protecting what is yours
To know the use of weaponry, I must admit, that is good
There is an occupation force in our neighbourhood, they call themselves 'peace officers' and 'law enforcement groups'
But from the actions they commit, we know they are troops
The government is cracking down...
They have the dream of stamping out resistance...
But our determination grows and widens with the days
We'll fight them from the rooftops and the alley ways...
We'll free the prisoners from their jails with calculated raids
Just one desire burns in our heart, our bonds and chain to bust
We only wish that with your skills you were here with us
Here's to you black soldier in some far off distant land
Sometimes the question does arise on which side do you stand
They called it a riot in Newark, when the people arose as one
In Detroit and Boston, in Cleveland and Watts, they fought back with fire bombs and guns
What's the matter with these Niggers they said...
When will the promises be fulfilled, that they have made to us...
Where is the pay we have not received, for our blood and sweat and tears
Where's the employment that we need
The decent salary, welfare payments will not do to feed a family
They say conditions are this way because we don't have skills
So instead they offer us extermination pills
So we sound a warning, they better change their tune
Show full lyrics (36 lines) ▾
#18 Joe Williams Jr. Don't Let Me Catcha Jody 1972 · Single · Triode # 119 · USA
Annotation

1972, blues

Annotation by Justin A. Brummer
Notes
Triode Records 119-1, 45 rpm, 1697 Broadway, N.Y.C. — Suite 603; "Don't Let Me Catcha Jody" (Joe Williams Jr. & Otis Harley), 2:17, Baso Music & Styletone Music, BMI; producers Joe Williams, Otis Harley & Eugene Gibson. [From the record sleeve and labels]
#19 Red Sovine Go Hide John 1972 · Single · Go Hide John / Tear Stained Guitar · Starday # 45-960 · USA
Notes
Go Hide John (Sovine, Red)

Country
Notes
Starday 45-960 (S-9416), vocal, eagle-and-guitar label design; "Go Hide John" (Gene Crysler), 2:45, Drawbridge Music, BMI; produced by Hal Neely & Charlie Dick; ℗ 1972 Tenn. Recording & Publishing Co. Inc.; distributed by Starday-King Records, Box 8188, Nashville, Tennessee 37207. [From the record sleeve and labels]
Lyrics
English
Thank you, operator
Hello, Marie? It's me. I'm back
Go hide John
I'm gonna get 'im
I swear I'm gonna get 'im
I wrote you how I felt from Cam Rahn Bay
He burned his card and stole your love away
Now I'm back on the sweet side of the pond
And I thought I'd call and tell ya, go hide John
Might as well and tell him hell waits on an airplane
I depart these California skies at dawn
You thought the war and all its fire would kill me in the jungle
But I'm alive, it's time to go hide John
Oh, you'll get your divorce, I promise you
But ol' John won't be in church to say "I do"
He helped you cash and drink up all my bonds
And I thought I'd call and tell ya
Go hide John....I loved you, Marie, and I guess I still do
But I'm gonna get 'em, I swear I'm gonna get 'em
Show full lyrics (20 lines) ▾
Also in: ▤ Draft Songs

1973

#20 Freddie King Yonder Wall 1973 · Album · Woman Across the River · Shelter # SW-8910 · USA
Annotation
Freddie King covered the track "Yonder Wall" (Shelter Records # SW-8910), updating it for the Vietnam War. James "Beale Street" Clark originally composed and recorded the song, under the name "Get Ready to Meet Your Man" in 1945, about soldiers returning to the US after World War Two. Elmore James recorded a famous version in 1962: "Look on Yonder Wall" . King narrated his version from the perspective of a disabled man unable to fight the war: "hand me down my walking cane" . He had started a relationship with a woman whose "man been in Vietnam" , but who had since returned home to the US. This idea is similar to the "jody" theme - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home. In this case, the narrator played the role of the "jody".
Annotation by Justin A. Brummer
Lyrics
English
Look on yonder wall
Hand me down my walking cane
I'm looking out your window
And you look upon your man
Your man been in Vietnam
I know you had it kind of rough
I don't know how many men he killed...
Yeah I love you baby, and you just won't treat me right
I give you all my money
And you walk the streets all night

1974

#21 Vernon Garrett Jody Can Ease the Pain 1974 · Single · Jody Can Ease the Pain / Think People · Gator # G 1201 · USA
Notes
Soul, both sides.
A-side: Jody theme - girl lonely, Jody will help.
B-side: think about the soldiers
Younger generation looking for a better way.
Civil Rights, poverty, moon race
Notes
Gator G 1201. Produced by Miles Grayson. Runouts: A 'X-39954 G1201AA D-3', B 'G1201-B DCT-3 X-3995'. B-side Think People (2:41) written by Earl Foster; B-side YouTube: https://www.youtube.com/watch?v=HMpAEOf7qns Gator G1201 A, yellow label; Playlist Music BMI, time 2:40; "Miles Grayson Production"; 3009 W. Pico Blvd., Los Angeles. [From the record label]
#22 Vernon Garrett Think People 1974 · Single · Jody Can Ease The Pain / Think People · Gator # G 1201 · USA
Notes
Soul, both sides.
A-side: Jody theme - girl lonely, Jody will help.
B-side: think about the soldiers
Younger generation looking for a better way.
Civil Rights, poverty, moon race
Notes
Producer Miles Grayson. A-side 'Jody Can Ease The Pain' (2:40) written by B. Lexing, E. Foster, M. Grayson; B-side 'Think People' written by Earl Foster. Matrix: X-39954 G1201AA D-3 / G1201-B DCT-3 X-3995. Soulfulkindamusic credits it to 'Vernon Garrett & The Soul Messengers', Gator 1201, 1974. Gator G1201 B, yellow label; Respect Music BMI, time 2:41; "Miles Grayson Production". [From the record label]

1985

#23 The Robert Cray Band Sonny 1985 · Album · False Accusations · Demon # FIEND 43 · USA
Annotation
Blues Rock group, The Robert Cray Band, formed in 1974 in Eugene, Oregon, USA, led by Robert Cray, born on 1 August 1953 in Columbus, Georgia, USA. The post-war song "Sonny" (Hightone Records # HT 8005) picked up on the Jody theme discussed above - the term "Jody" originated from "Joe the Grinder" (dated c.1939) - a mythical man in blues and jazz tunes who seduced the wives and girlfriends of soldiers, prisoners, and those away from home. The narrator recalled his best friend Sony, "he got called to Vietnam" . He asked his friend to look out for his wife, but "we both lost our heads" and ended up in "her lonely, lonely bed" . Sonny returned, "proud of what he's done" , but injured, "he can't walk too good" . The narrator felt regret, "I'm so ashamed of what I've done" .
Annotation by Justin A. Brummer
Lyrics
English
Sonny was my best friend
He got called to Vietnam
Said, "Watch out for my wife and baby"
"And I'll count on you when I'm gone"
I looked in every day
Just like Sonny said
Oh, and I'm not sure just when
We both lost our heads
And I'd hang around at night
And fill her lonely, lonely bed
Sonny made it home
And he's proud of what he's done
Oh, but he can't walk too good, no
And he'll never see the sun
And his pain is just beginning
I'm so ashamed of what I've done
Show full lyrics (17 lines) ▾
Themes: Vet Jody
Also in: ▤ Blues songs

Unknown date

#24 Bob Gerrard Joedy Is a Wise Guy Single · Joedy Is a Wise Guy / A Letter Home · Tin Pan Alley # 24-435 · USA
Notes
- "Joedy Is a Wise Guy"

- Label: Tin Pan Alley # 24-435
- Songwriter: White-Dienna

- Jody theme, Vietnam-era
- Stealing the girlfriends of those away at war
- Seeks the girls who's guys have told Uncle Sam 'Hi'
- Then you receive a letter
- Jody is tough and mean
- But Uncle Sam can get him just like you!
#25 Dick Bruce Letter From Home Single · Letter From Home / Daddy's Back Home From the Store · K-Ark # 901 · USA
Notes
Letter From Home (Bruce, Dick)

Country novelty - cover of Hank Penny
Man writes letter to friend fighting in Vietnam
Your girl has been spending your money, having parties, ruined your car
And hanging out with Clive!
Notes
K-Ark Records 901 A, green label, 45 RPM, 728 16th Ave., So., Nashville, Tenn.; "Letter From Home" (Hank Penny), time 2:15, Valley Pub. Co.–BMI; produced by John Capps. [From the record sleeve and labels]

Key stats

25 songs · 24 releases · 22 artists · 22 labels · 1961–1985

Time period
  • 1972 is the peak year, with five songs.
  • 1969–72 holds 12 of the 22 dated songs — more than half in four years.
  • 24 of the 25 were released during the war years. Only one comes after: The Robert Cray Band, “Sonny” (1985).
  • Three records are undated.
Artists
  • 22 artists for 25 songs — almost every act appears exactly once. The most represented are Lightnin' Hopkins and The Last Poets and Vernon Garrett, with two each.
  • Three of the artists are still unidentified beyond the record: no line-up, no biography.
Songwriters
  • Songwriter gender is recorded for 19 of the 25 songs: 18 by men and one by mixed teams.
  • By performer: 24 men and one women (recorded for 25).
  • 33 named songwriters. The most often credited is Hank Penny, with five.
Labels
  • 19 of the 22 labels appear exactly once.
  • Five sit on a major or well-known imprint — Blue Thumb, Starday, Stax. The other 20 are on independent, regional or private labels.
Locations
  • All 25 are American. New York leads with four, then Tennessee three and Texas three.
  • New York City accounts for four records, more than any other city; Houston has two, Madison two.
Themes
  • By perspective: 18 home front or soldier's perspective; six peace, protest and anti-war; one post-war.
  • 23 distinct sub-themes across 25 songs.
  • Soldier's Perspective is the single biggest subject — 15 songs, more than half.
  • Next come Home Front Perspective (9), VC (5), Draft (4) and Anti-War (3).