Collections › Latin & Central American, & Caribbean Music

Latin & Central American, & Caribbean Music

131 songs · chronological within each section · A–Z by artist
Annotations and notes by Justin A. Brummer
Entries are numbered (#1, #2 …) for reference on this page; the numbers shift when entries are added or split.
René Mederos, "Como en Viet Nam, Mes de la Ofensiva del Tet" (Month of the Tet Offensive), ca. 1970, Cuba1
A collection of Vietnam War songs: Latin & Central American, & Caribbean music genres
This forms part of the larger Vietnam War Song Project, an interpretive examination of over 6,500 Vietnam War songs identified, revealing how the war's significance is represented through music. The project also collects spoken-word recordings about the conflict. This unique collection of voices advances scholarship by providing insights into people’s views about the war over time as represented in music, looking at diverse communities and vibrant music scenes. It is crucial in developing our knowledge of the war and the humanities, through the use of a digital research platform.
Note: The VWSP has identified, to date, 130+ songs from Latin America, Central America and the Caribbean.
Citation: Justin A. Brummer, Vietnam War Song Project (VWSP) — Latin & Central American, & Caribbean Music, vietnamwarsongproject.com/list/latin-central-american-caribbean-music, accessed 12 November 2026

Structure

Beyond Anti-American, the songs in this collection most often also deal with: Anti-War, Vietnamese Patriotic, Soldier's Perspective, Vietnamese Perspective.
1 of 7
Propaganda poster published by the Organisation of Solidarity with the People of Asia Africa and Latin America (OSPAAAL), Nixon's Peace / La Pax de Nixon
There is cross-over between genres and geographical location. For example, Caribbean music performed by artists in South America and Europe. Divided by genre, and chronological within each section..

(1) Reggae, Ska & Jamaican Music

Jimmy Cliff's hit reggae song "Vietnam"
"Reggae is a genre of music developed in the late 1960s in Jamaica. The genre is characterised by a 4/4 time signature, offbeat rhythms, the organ shuffle or "bubble", and staccato guitar (or piano) chords known as "skank". Reggae developed out of Ska and Rocksteady". (1) Ska originated in Jamaica in the late 1950s, developing out of Jazz and Rhythm & Blues (specifically New Orleans R&B and Jump Blues), combined with local Mento and Calypso styles. The original Jamaican Ska developed ska as a genre that focused on off-beat rhythms, and utilised horn sections, busy bass lines, and smooth vocal harmonies". (2)

1966

#1 The Ram Ram Go-Go Biz. Man Vietnam Cries U.S.A. 1966 · Single · Vietnam Cries U.S.A. / It's Nice to Be Home · Halagala # HG 30 · UK
Annotation
A British ska anti-war song from 1966 called "Vietnam Cries U.S.A." (Halagala # HG 30) which pleaded with President Johnson to stop the war: "we don't want no war in this world Mr. Johnson...stop bombing Vietnam" . Released on the rare, obscure British reggae label Halagala, formed by Terry Nelson in the 1960s - born in Guyana, he moved to London and wrote this song.12 Like J.B. Lenoir above, he particularly drew attention to the mistreatment of African-Americans: "you must set the Negroes free in the USA and we'll live by your laws and obey" - i.e. African-American answered the draft call, but they did not receive equal treatment in the US. The label released an instrumental version of this song, called U.S.A. Out-Cry (Halagala # HG 26), performed by what appears to be a house band of the label, called the Ram-Ram-Go-Go-Sound.
Annotation by Justin A. Brummer
Notes
Halagala HG 30 AE, yellow and green label, 45 R.P.M., (P) 1966, "Copy-R.C."; "Vietnam Cries U.S.A." (Nel Fraser), credited to The Ram Ram Go-Go Biz. Man. [From the record sleeve and labels]
Lyrics
English
We don't want no war in this world Mr. Johnson
So lets stop all this war in Vietnam
You must set the Negroes free in the USA
And we'll live by your laws and obey
Mr. President, can you hear my plea
Mr. President, will you answer me...
Ah, Mr. Johnson can you hear me
Yes I'm apeaking to you from around the world
Yeah look man you have the ability to stop in Vietnam
I said look, you must stop all the negroes and set them free in United States of America
Yes the world want to be free
And I ask you now, to stop bombing Vietnam
Set the Negroes free
Genres: ♪ ReggaeSka
#2 Roy Richards South Vietnam 1966 · Single · South Vietnam / You Must Be Sorry · Island # WI-3000 · UK
Annotation
Roy Richards (aka Leroy Richards), born in 1941, in Jamaica released the instrumental ska song "South Viet Nam" (Island Records # WI-3000). The title does not show a pro or anti approach to the war, but released in 1967, it displays the prominence of the issue. It could also mean that records with "Vietnam" in the title, or those referring to other events and topical issues, sold well in the market.1 He was discovered by Clement 'Coxsone' Dodd of the famous reggae label Studio One.2
Annotation by Justin A. Brummer
Notes
Island Records WI-3000 (A), 45 R.P.M., ℗ 1966, white and red label; "South Viet Nam" by Roy Richards (no writer or time printed); Island Records Ltd., 108 Cambridge Road, London, N.W.6. [From the record sleeve and labels]
Genres: ♪ ReggaeSka

1967

#3 Otis Wright Prayer for Viet Nam 1967 · Single · Redeemed / Prayer for Viet Nam · Star [Jamaica] # S.R. 103 · Jamaica
Annotation
The song "Prayer for Vietnam" (Star Records # SR 103) by Otis Wright, a Jamaican gospel singer, from Merrywood District in St Elizabeth Parish, Jamaica. He died in 2014.1 It is in the Mento genre - which is an acoustic, folksy genre that developed in Jamaica, which incluenced the later Reggae beat. The song is narrated from the soldier's perspective, who prayed to god to help the soldier's return home. It is hard to hear the full lyrics due to the low quality of the vinyl. Manufactured by West Indies Records Ltd., Jamaica.
Annotation by Justin A. Brummer
Notes
B-side of "Redeemed" (Star S.R. 103, Jamaica); label spelling "Prayer For Viet Nam"; manufactured by West Indies Records Ltd. Written by O. Wright. The same recording also came out on Gospelight, Remnant and Glades (US), undated. Star Records, 1405 South Jefferson Street, Athens, Alabama. [From the Rate Your Music label page]
Lyrics
English
Oh lord, please hear the cry of your soldiers of Vietnam
We are praying to be home...
I am praying, lord I'm praying...
Remember the soldiers
They are praying to be home...
The time will come when you will be free
#4 Ram-Ram-Go-Go-Sound U.S.A. Out-Cry 1967 · Single · Pep-77 / U.S.A Out-Cry · Halagala # HG 26 · UK
Annotation
The reggae instrumental "U.S.A. Out-Cry" , by the house band of the Halagala label (# HG 26) - it is the same tune as Vietnam Cries U.S.A. by The Ram Ram Go-Go Biz. Man.
Annotation by Justin A. Brummer
Theme: Anti-War
Genres: ♪ ReggaeSka

1968

#5 The Jamaicans With Tommy McCook Peace and Love 1968 · Single · Peace and Love / Woman Go Home · Treasure Isle # TI-7037 · Jamaica
Annotation
The song "Peace and Love" (Treasure Isle Records # TI-7037) is a collaboration between The Jamaicans (a rocksteady group formed in 1966 in Jamaica) and Tommy McCook (reggae artist, born 3 March 1927, La Habana, Ciudad de La Habana, Cuba, died 5 May 1998, Atlanta, Georgia, USA). It took a strong anti-war position, saying that the leaders were focused on war, but that the "people of the world" want "love peace and love" . It pleaded with the government: "don't send my brothers to Vietnam" , and looked at the impact on families: "don't let...mothers mourn, don't let my father know the pain" . Released in Kingston, Jamaica.
Annotation by Justin A. Brummer
Lyrics
English
The leaders of the war study war
But we want love peace and love
They look around the world
Looking for love, we no war, oh no war
Don't send my brothers to Vietnam
Don't let my mother mourn no more
Don't let my father know the pain that has to come
Don't want to study war no more
The leaders of the world study war
We want love peace love
The people of the world looking for love
Don't want no war, oh no war
Don't send my brothers to Vietnam
Don't let our mothers mourn no more
Don't let my father know the pain that has to come
Don't want to study war no more
No more, don't send my brother...
Show full lyrics (18 lines) ▾
Theme: Anti-War
Genre: ♪ Reggae
#6 The Rudies Train to Vietnam 1968 · Single · Train to Vietnam / Skaville to Rainbow City · Nu Beat # NB 001 · UK
Annotation
The Rudies were a UK based reggae group, active between 1966 and 1975. Members included Earl Dunn (lead guitar), Ardley White (bass), Sonny Binns (organ), Danny Smith (drums), Alfred Peters [a.k.a. Freddie Notes] (vocals, drums, ?-1970), Glenroy Oakley (vocals, 1970-75). The song "Train to Vietnam" (Nu Beat # NB 001) leaned towards the anti-war side, questioning the death in Vietnam: "how many Vietnamese...Chinese are dying" . This was the first release on the new label Nu Beat, a sub-label of Pama Records, based in London, UK.
Annotation by Justin A. Brummer
Notes
Nu Beat NB.001A, 45 RPM, orange and green label with push-out centre; "Train to Vietnam" (Mitchell), Palmer Music, ℗ 1968; distributed by Pama Records Ltd., London, England. [From the record sleeve and labels]
Lyrics
English
I need to take a train to South Vietnam...
Find out how many Vietnamese are dying?
How many Chinese are dying?
And how many other nations are dying?...
I am the rudest of all rude boys
nN don't run away
That is only half the story
Come to the 7eleven and I'll show you
The eleventh commandment of the Rudies
What is it?
I'll tell you my friend, this is it, take off
Thy show off thy feet and rocksteady
That's the eleventh Commandment...
Train to South Vietnam
Show full lyrics (15 lines) ▾
Genres: ♪ ReggaeSka

1969

#7 Freddie Notes & The Rudies Train From Vietnam 1969 · Single · I Don't Wanna Lose That Girl / Train From Vietnam · Down Town # DT 427 · UK
Annotation
Follow-up song to the one above, "Train From Vietnam" (Down Town # DT 427), sees the narrator returning home: "train from Sout Vietnam...we're just returning, I've got lots of news to tell you, want to hear" . Released in London, UK.
Annotation by Justin A. Brummer
Theme: Anti-War
Genre: ♪ Reggae
#8 Al Reid Vietcong 1969 · Single · Vietcong / Me Want Man · Blue Cat # BS 161 · UK
Annotation
The song "Vietcong" (Blue Cat Records # BS 161) is a highly collectable reggae instrumental single, released in the UK by Al Reid - no biographical details are known at this time. The title may also suggest solidarity with the North Vietnamese / anti-US intervention. Vietcong (or "VC") - the National Liberation Front of South Vietnam (Vietnamese: Mặt trận Dân tộc Giải phóng Miền Nam Việt Nam) (NLFSV or NLF), the political and military resistance to the US and South Vietnamese government from within South Vietnam.
Annotation by Justin A. Brummer
Genre: ♪ Reggae
#9 Reco & Laurel Aitken Stop the War in Vietnam 1969 · Album · Scandal in a Brixton Market · Economy # ECO-8 · UK
Annotation
Laurel Aitken, born in Cuba in 1927, moved to Brixton, London in 1960. He released the reggae track "Stop the War in Vietnam" - obviously a protest song from the title, which is repeated over and over, on the obscure and hard to find album Scandal in a Brixton Market (Economy # ECO-8).
Annotation by Justin A. Brummer
Notes
Economy ECO-8, mono, 33⅓ r.p.m., "A Pama Records Production", Beverley Music; distributed by Pama Records Limited, 78 Craven Park Road, London N.W.10, printed and made by Garrod & Lofthouse Ltd. The front cover, credited to Girlie and Laurel Aitken, is a red, black and white drawing of a crowded Brixton street market under striped awnings.

Side two (orange label) lists Run Powel Run, Teddy Bear, Mr. Soul and Woke Up This Morning by Laurel Aitken, and Babelon and Stop the War in Vietnam (track 6) by Reco & Laurel Aitken.

The back carries "Short Story Bout Brixton by Raglan Gungo Peas", a comic patois tale (marked "Fiction") of a market-day fight between "Larel" and his wife Girly, which mentions Pama's "Woppi King" record and closes by recommending "de crazy Reggae Beat of Girlie and Laurel Aitken". [From the record sleeve and labels]
Theme: Anti-War
Genres: ♪ ReggaeSka
#10 Jimmy Cliff Vietnam 1969 · Single · Vietnam / She Does It Right · Island # 6014 003 · Jamaica
Annotation
Jimmy Cliff, born James Chambers in 1946, in Adelphi, Saint James, Jamaica became one of the first international reggae stars. He died on 24 November 2025.1 He wrote and recorded the song "Vietnam" (Trojan Records # TR 7722), which took an anti-war position. It told the sad story of a mother receiving a letter, informing her that her son had died in Vietnam. At the end of the track Cliff shouted: "somebody please stop that war now!" . Featured on the 1969 album Jimmy Cliff (Trojan Records # TRLS 16) released in the UK. Released in 1970 in the US on the album Wonderful World, Beautiful People (A&M Records # SP 4251). Billboard reviewed the US edition on 1 September 1970: "this could be the sleeper LP to break the Jamaican reggae rhythm. It is by far the best LP to be released thus far by Jimmy Cliff...The material was cut in Jamaica with unnamed Jamaican musicians and singers and it accurately portrays the flowing exciting and insistent infectiousness of reggae. Cliff's voice is naval and high pitched but that doesn't detract from his ability to maintain listener influence with stories about hard roads to travel and death in Vietnam".2 Produced by Lesley Kong and Larry Fallon. Fallon also arranged and conducted.
Annotation by Justin A. Brummer
Notes
Picture sleeve: Island Records 6014 003, "Jimmy Cliff – Vietnam – She Does It Right", with a mirrored photograph of Cliff in a fringed suede jacket and an "Original Reggae" flash. The label shown is Trojan Records TR-7722 A, stereo, Island Music ℗ 1969; "Vietnam" (Cliff); produced by Leslie Kong & Larry Fallon, arranged and conducted by Larry Fallon, "A John P. Kelly production". [From the record sleeve and labels]
Lyrics
English
Hey, Vietnam, Vietnam, Vietnam, Vietnam, Vietnam
Yesterday, I got a letter from my friend fighting in Vietnam
And this is what he had to say
Tell all my friends that I'll be coming home soon
My time'll be up some time in June
Don't forget", he said, "to tell my sweet Mary her golden lips are sweet as cherry"
And it came from Vietnam, Vietnam...
It was just the next day, his mother got a telegram
It was Addressed from Vietnam
Now mistress Brown she lives in the USA
And this is what she wrote and said
"Don't be alarmed", she told me the telegram said
"But mistress Brown your son is dead"
And it came from Vietnam....
Somebody please stop that war now, Vietnam, Vietnam
I wanna say now somebody stop that war
Show full lyrics (17 lines) ▾
Theme: Anti-War

1970

#11 The Blake Boy Cambodia 1970 · Single · Harry J # HJ 1856 · Jamaica
Annotation
Blake Boy aka: Winston Blake, born 19 November 1940 in Morant Bay, Saint Thomas, Jamaica, and died 27 February 2016 in Kingston, Jamaica, was especially well-known as a Jamaican sound system operator and record producer. He also recorded a few Reggae tracks, such as this anti-war song "Cambodia" (Harry J Records # HJ 1856), released in Jamaica, and the UK, which opposed the US incursion into Cambodia, and called for peace on all-sides of the conflict: "it's time the American and Vietcong...to unite" . It called on them to "find a solution" , and expressed anti-war sentiment: "war ain't no go" . The B-side "Cambodia Version" , by The Jay Boys, aka Harry J All Stars, was an instrumental of the A-side. The group formed in Jamaica in 1968, led by Winston Wright (organ, keyboards), and Val Bennett (saxophone).

This song focussed on the US incursion into Cambodia as part of the Vietnam War. Soon after Richard Nixon’s inauguration in January 1969 he implemented a strategy of "Vietnamisation" - the gradual withdrawal of American forces and the strengthening of the Army of the Republic of Vietnam (ARVN), an element of the Nixon ‘Guam’ Doctrine, announced to reporters at Guam on 25 July 1969. However, Nixon’s strategy also involved the expansion of the war into Cambodia and Laos, and extensive bombing campaigns throughout Indochina and many people in the anti-war movement and in the Congress wanted an immediate and unilateral withdrawal. Nixon publicly announced his Cambodia incursion on 30 April 1970.
Annotation by Justin A. Brummer
Lyrics
English
Hit the spot with all you got
Cambodia, another brand new shot, can you dig it
Sound oft he play boy giving joy to the girl and boy
Right on time, and doing fine
War ain't no good for the brotherhood
It's time the American and Vietcong understood
It's only right for men to unite
To find a solution so they don't have to fight
Cambodia, the name of my thing....
Carry you in my corner, exactly where I want you...
If I can't reach you, how can I teach you
Swing and sway, the playboy today
Bad, bad, working on a groovy thing, in the name of swing
If I can't do it to you, it can't be done
If I can't win your soul, it can't be done
Show full lyrics (16 lines) ▾
Genre: ♪ Reggae
#12 The Jay Boys Cambodia Version 1970 · Single · Cambodia · Harry J # HJ 1856 · Jamaica
Annotation: see “Cambodia” above (same release).
Genre: ♪ Reggae

1975

#13 Leslie Butler Ho Chi Ming Trail 1975 · Single · Ho Chi Ming Trail / Village Soul · Black Wax # 12 · UK
Annotation
The instrumental reggae song "Ho Chi Ming Trail" - a reference to the trail used by North Vietnamese fighters to go from the north to south via Cambodia during the Vietnam conflict. The record actually misspelled the North Vietnamese leader's name - it should be "Ho Chi Minh". Released on the Birmingham, UK label Black Wax (# Wax 12) in 1975, the label of the well-known record shop, that focused on reggae music. Thanks Anthony Ryan.
Annotation by Justin A. Brummer
Notes
Black Wax Wax 12 (Wax 12B), black-and-gold label, ℗ 1975, Copyright Control, Black Wax, 23 Lozells Rd., Birmingham B19 2TL; "Ho Chi Ming Trail", Leslie Butler, produced by H. Chin Loy. [From the record sleeve and labels]
Genre: ♪ Reggae

1981

#14 The Beat I Am Your Flag 1981 · Album · Wha'ppen? · Go Feet # BEAT 3 · UK
Annotation
The song "I am Your Flag" (Go Feet Records # BEAT 3) by The Beat, formed in March 1979, Birmingham, West Midlands, UK. They disbanded in 1983. Members included Dave Wakeling (vocals, guitar), Andy Cox (guitar), David Steele (bass), Everett Moreton (drums), Ranking Roger (vocals), Saxa (saxophone), Wesley Magoogan (saxophone, 1981-83), Dave "Blockhead" Wright (keyboards, 1981-83). This song fell into the 2 Tone genre - originating "in England in the late 1970s as a revival of the first wave Jamaican Ska movement of the 1960s". This song was a critique of blind patriotism, and the use of nationalistic symbols such as the flag: "took your head in Vietnam, just dying to become a man, well I am your flag" . The song also noted conflicts in Northern Ireland and Afghanistan.
Annotation by Justin A. Brummer
Lyrics
English
Yes I'll be down your street again quite soon
And don't ignore me when I wave at you
For although I'm looking rather sad
I'm all you've ever really had
And when you're desperate, you will hold me
Hold me to that
Took your hat off in Wisconsin
Took your head in Vietnam
Just dying to become a man
Well I am your flag
Spend all of my time just looking for the big hit
So long getting there, there's no time left to use it
So lets raise a smile of victory
Impressed in dental surgery
When you need cover, you can use me
Buried at sea
"Freedom's" just a new deodorant
The money's spent and you've been had
You don't believe me?
Ask your dad
I am your flag
So as I fly so proudly you will see
That you won't dare break up this family
See the happy children on parade
With wooden guns that mother made /And see me dancing in the breeze
That blows them away
I ran into Northern Ireland
I ran into Afghanistan
Dying to become a man?
I am your flag
Show full lyrics (31 lines) ▾
Genres: ♪ ReggaeSka

1983

#15 Boys Brigade Saigon 1983 · Album · Boys Brigade · Anthem # ANR-1-1040 · Canada
Annotation
The reggae track "Saigon" - a reference to the capital of South Vietnam, by the obscure artists' Roland McFarlane & The Pelicans, released in Jamaica.
Annotation by Justin A. Brummer

1985

#16 The Killer Bees Rastaman Go No Viet Nam 1985 · Album · Scratch the Surface · Beehive # BH 1001 · USA
Annotation
Roots reggae group, formed in 1980 in Shreveport, Louisianna, USA. The group disbanded in 1998 in Austin, Texas, USA. Group members included Malcolm Welbourne [aka Papa Mali] (guitar, vocals), Michael E. Johnson (vocals, percussion), Stanton Hoffman (keyboards, vocals). The released the song "Rastaman Go No Viet Nam" (Beehive Records # BH 1001) in Austin, Texas, USA.
Annotation by Justin A. Brummer
Notes
Track B5, the closing track; written by Michael E. Johnson (vocals, percussion, steel drums). Recorded at Pollyfox Studio (Nashville) and Johnson-Trimble Studios.
Genre: ♪ Reggae
Also in: ▤ Draft Songs

1989

#17 Scientist Ho Chi Minh 1989 · Album · International Heroes Dub · Tamoki Wambesi # TWLP 1022 · Jamaica
Credited on the record as Scientist With The Forces Of Music.
Annotation
The song "Ho Chi Minh" (Tamoki Wambesi # TWLP 1022) was a collaboration by the Scientist (born 18 April 1960, in Kingston, Jamaica, and currently based in Los Angeles, California, USA), with Force of Music. This was in the dub, reggae genre, released in the UK. The song paid tribute to the North Vietnamese leader Hồ Chí Minh. Other song titles on the album were Martin Luther King Jr., Malcolm X, Nelson Mandela, and other political leaders. Most of these are instrumental.
Annotation by Justin A. Brummer
Notes
Track A2 of twelve dubs, each named after a political figure (Martin Luther King Jr., Malcolm X, Nelson Mandela and others). Written, arranged and produced by Roy Cousins; Scientist engineer. Recorded and mixed at Channel One, Kingston.
Genres: ♪ ReggaeDub

1993

#18 Los Pies Negros Prisionero del VietCong 1993 · Album · Los Pies Negros · Fuera de Orden # 003 · Puerto Rico
Annotation
Ska band, formed in 1991 in Cabo Rojo, Puerto Rico. They released the song "Prisionero del VietCong" (Fuera De Orden Records ‎# 003) about a US Prisoner of War (P.O.W.) in North Vietnam, from the prisoner's perspective, who thinks that he "will not see the sun anymore". The narrator noted that "you have been tortured", and the prisoner is "in search of freedom". &
Annotation by Justin A. Brummer
Notes
Fuera de Orden Rekords F.D.O. 003, cassette, "Los Pies Negros"; Side A track 5: "Prisionero de Viet Com" (no writer credits printed); Fuera de Orden Rekords, P.O. Box 1333, Hatillo, P.R. 00659; "Todos los derechos reservados". Line-up: Juan "Paito" Rivera (vocals, guitar), Wilmer "Wimbo" Laboy del Toro (guitar), Werner "Gugui" Rodríguez del Toro (bass), Lester Irrizarry (drums), Alexis Matos (keyboard). [From the cassette inlay and Discogs]
Lyrics
English
Today I have shorn
Listen to my voice and you will see that at night you will not be able to go out
It is that things are very different and you will not be able to escape
They have tortured you
You have reached the point today where you think you will not see the sun anymore
In the palm of your hand you spend twenty days in the dark
You move everywhere in search of freedom
With a disaster of bodies around you cannot find control
You have been tortured
You have reached the point today where you think you are not going to see more the sun
In the palm of your hand

Spanish
Hoy he trasquilado
Escucha mi voz y veras que en la noche no podras salir
Es que las cosas son muy differentes y no podras escapar
Te han torturado
Has llegado al punto hoy en que piensas no lo vas a ver mas el sol
En la palma de tu mano pasas veinte dias en la oscuridad
Te mueves a todas partes en bussca de liberdad
Con un desastre de cuerpos alrededor no puedes encontrar el control
Te han torturado
Has llegado al punto hoy en que piensas no lo vas a ver mas el sol
En la palma de tu mano
Show full lyrics (25 lines) ▾
Themes: P.O.W. VC
Genres: ♪ ReggaeSka

1995

#19 Devon Clarke Stop the War 1995 · Single · Massive B [New York] # B MAS 048 · USA
Annotation
The song "Stop the War" by Devon Clarke, (Massive B # MAS 048), a reggae artist, based in New York. This is in the Dancehall reggae genre - "style of Jamaican Music that developed from Reggae in the late 1970s, when the music of the previous Roots Reggae era became more stripped down, with an increased emphasis on pure rhythm". (1) Released in the post-war era, this track referenced Vietnam, comparing it to violence in Jamaica: "them running Jamaica like the Vietnam War" .
Annotation by Justin A. Brummer
Lyrics
English
Listen to the words of a wise man...stop the war...
I'm begging you to stop the war...
Them running Jamaica like the Vietnam War
So fight them positions...
Stop the war...
Eye for an eye, tooth for a tooth
The more your learn
Johnny get up early, never knows where to turn
For the youth of today, I am concerned, so concerned...
Don't do what you did...
Killing your brother...
Was it right, no...
Run Jamaica like Vietnam War...

1999

#20 Frisco Kid Vietnam (Edited Version) 1999 · Single · Vietnam (Raw Version) / Vietnam (Edited Version) · Opera House · Jamaica
Annotation
The reggae song "Vietnam" (Opera House Records), released in Jamaica by Frisco Kid (born in Kingston, Jamaica). The song was about gun / gang crime in ghettos, which compared a soldier / police clampdown to Vietnam: "soldier turn di place upside dung, like a Vietnam, gunshot a wake man" .
Annotation by Justin A. Brummer
Notes
Opera House Records, yellow label, ℗© 1999, made in Jamaica; distributed by Platinum Distribution (tel. (876) 926-5077, (876) 929-3726); produced by Andrew "Buccaneer" Bradford. One side is "Vietnam (Edited Version)" and the other "Vietnam (Raw Version)", both (A. Bradford/S. Wray) and credited to Frisco Kid; no catalogue number or times are printed. [From the record sleeve and labels]
Lyrics
English
Yow, da one yah name crime cyaan stop
A suh di ghetto youth dem strap, hey yo..
Don't grounds, weh unu do, ready fi exchange rounds
Mi hear dem seh right
Now unu si man and a frowns oh oh oh
Seh dem nuh fraida nuh babylon bwoy
Weh a guard nuh station
How mi hear dem work a just information
Seh dem a couton License fi shoot man
Gunshot from dem a work fi satan
Oh, man run
Past camp and guh shoot up station
Soldier turn di place upside dung
Like a Vietnam, gunshot a wake man..
We escape di bwoy dem invasion
Show full lyrics (16 lines) ▾
#21 Frisco Kid Vietnam (Raw Version) 1999 · Single · Vietnam (Raw Version) / Vietnam (Edited Version) · Opera House · Jamaica
Annotation: see “Vietnam (Edited Version)” above (same release).

2011

#22 Mathew Nya Vietnam 2011 · Album · Tu sais ce que t'as a faire · Mosaic Music Distribution # 00499779848/100 · France
Annotation
Franco-Vietnamese reggae / dub artist. Released the song "Vietnam" (Mosaic Music Distribution ‎# 00499779848/100), which starts with the famous quote from the Vietnam War film Good Morning, Vietnam. The artist said that: "I love Métis music, as I myself am, due to my Franco-Vietnamese origins. I like the sharing between cultures, mixtures, meetings, escapades and discoveries… I love nyabinghi and dub poetry, because it is the rhythm of the heart".1
Annotation by Justin A. Brummer
Notes
Credited to Mathew Nya Dub Band. Tracks 10-11 mixed by Dennis Bovell. The song opens with the famous quote from the film Good Morning, Vietnam; issued via Mosaic Music Distribution.
Genre: ♪ Reggae

2020

#23 Don Drummond Vietnam 2020 · Archival · Sunshine With My Girl / Vietnam · Prince Buster # RSPB7-014 · Jamaica
Annotation
Jamaican Ska song "Vietnam" (Prince Buster # RSPB7-014), unreleased at the time, and re-issued in 2020, was an instrumental, by Don Drummond, born 12 March 1932 in Kingston, Jamaica, and died in the same city on 6 May 1969. The song was recorded during the war years, although the exact date is not known. The music is thought to be by the group The Skatalites, of which Don Drummond was a member.
Annotation by Justin A. Brummer
Notes
B-side of Prince Buster "Sunshine With My Girl"; previously unreleased war-era recording, first issued 24 April 2020 (Japan, Rock A Shacka). The music is thought to be by The Skatalites.
Genres: ♪ ReggaeSka

Unknown date

#24 Savoy All Stars Tribute to Vietnam Single · Where Did He Go I & I Know / Tribute to Vietnam · Savoy's · Jamaica
Annotation
Roots reggae song "Tribute to Vietnam" (Savoy's) by the Savoy All Stars, was released in Kingston, Jamaica. It is largely instrumental.
Annotation by Justin A. Brummer
Notes
Savoy's, white label printed in red, no catalogue number printed; "Tribute to Vietnam", Savoy All Stars; "Promoted & Distributed by Savoy Records, 87 Beeston Street, Kng. Ja."; "Unauthorised copying prohibited". [From the record sleeve and labels]
Theme: Anti-War
Genre: ♪ Reggae
#25 Bongo Herman Where Did He Go I & I Know Single · Where Did He Go I & I Know / Tribute to Vietnam · Savoy's · Jamaica
Notes
Savoy's, no catalogue number printed; "Where Did He Go I & I Know" (Keith & Lionel); Bongo Herman; "Promoted & Distributed by Savoy Records, 87 Beeston Street, Kng. Ja."; "Unauthorised copying prohibited"; cream label printed in red. [From the record sleeve and labels]
Theme: Anti-War
Genre: ♪ Reggae

(2) Calypso

Sir Jablonski's calypso record - "Yes I Want to Be a Yankee Soldier Boy"
"Calypso is the most prominent 20th century musical style in the islands of Trinidad and Tobago. The instrumentation is primarily percussion and a brass section. Vocals can describe carnival partying or involve pointed social commentary. The political aspect of calypso caused successive bans on different percussion materials in the early 20th century leading to the introduction of the steel pan into calypso bands in the 1930s. Although recordings of calypso music outside of Trinidad and Tobago have always been common, calypso gained a broad audience in the US and UK in the mid-20th century thanks to several celebrated songs and artists".

1967

#26 Lord Laro Yankee Man in Viet Nam 1967 · Single · Yankee Man in Viet Nam / Soul Finger · National # N.S.P. 188 · Trinidad & Tobago
Credited on the record as Lord Laro acc. by The Society Playboys led by Bert Inniss.
Annotation
Lord Laro, born 29 February 1940 in Claxton Bay, Couva-Tabaquite-Talparo, Trinidad and Tobago, and currently based in Jamaica, released the calypso song "Yankee Man in Viet Nam" (National Record Company # N.S.P. 188), which at the beginning of the song suggested that people in the Caribbean country want to leave, to go to the more prosperous USA, and that the US was welcoming them, as there is "a shortage of men" . It them moved into the novelty realm, as the narrator said that "when I land in Washington, girls coming from all around" to be with him.
Annotation by Justin A. Brummer
Notes
National Record Company label, P.O. Box 793, N.S.P. 188, 45 R.P.M., Side 1; "Yankee Man in Viet Nam" (K. Lara), Sparrow Music; Lord Laro accompanied by The Society Playboys led by Bert Inniss; rim text "All rights reserved – unauthorised public performance, copying, broadcasting forbidden"; dealer's stamp from Trinidad, West Indies. [From the record sleeve and labels]
Lyrics
English
Teachers, nurses, students, pulling a domestic scheme
For young...living in prosperity is there only dream
You'll could hear them talking...
This land got nothing for them
But in America there growns a shortage of men...
Say they are suffering in the land of yankee man in Viet Nam
Things are so bad they can't pass the Hanoi
Yankee man in Viet Nam
I get a letter from a long-term girl
She said we are all suffering in the land of
Yankee man in Viet Nam
Now they are begging the doctor, please send out some men
West Indies only with white views, meddling with them
Well if you see bacōnāla, when I land in Washington
Girls coming from all around
Shouting trade that man...
I had to make them stand in land
Yankee man in Viet Nam
Oh Laro please come and help
Yankee man in Viet Nam...
I write and explain the position to the steel band boys in expo
They say Canada is the same thing
Girls begging them not to go
Soon my time was up, and the Laro had to leave
Well if you see girls on the knees and they're begging...
That's why I overstayed my time
Because I wanted to treat them kind...
Oh yankee man in Viet Nam...
Show full lyrics (29 lines) ▾
Genre: ♪ Calypso

1968

#27 King Fighter Send Me Instead 1968 · Compilation · This is Calypso · RA # RA 1012 · Trinidad & Tobago
Annotation
King Fighter, born 10 March 1928 in Victoria, Demerara-Mahaica, Guyana, died 12 December 1999 in Grenada, also Known as Shurland Wilson, featured on this compilation with the patriotic calypso song "Send Me Instead" (Recording Artists Productions # 1012), in which he said that although he was "born in the land of Guyana" , he was grateful to the US, and thus was happy to be sent to fight in the Vietnam War. The song criticised US boxer and Civil Rights campaigner Muhammad Ali for refusing the draft call, calling him by his previous name: "if Cassius Clay don't need to go, send me" . Cassius Clay - later known as Muhammad Ali - tried and failed to obtain conscientious objector status in 1967 (refusing to turn up for induction), and subsequently convicted, famously saying "I ain't got no quarrel with them Vietcong" - this was seen as both a religious and Civil Rights message.1 The record was released in Port of Spain, Trinidad and Tobago.
Annotation by Justin A. Brummer
Lyrics
English
This fighting they have in the area of South Vietnam and America
I'm mad at the whole situation
So I want everybody to understand
Some people may say a prayer for the men to go into the conflict
So tell me one thing, this is the thing I have in my mind
If Cassius Clay don't need to go, send me and then you will see
Tell them my name is the King Fighter
My name and nature, I will fight for America
I was listening to the news one Saturday
Over the radio in the USA
If you know how my blood raised up...
When I find, Lord what is happening
I couldn't take it anymore
So I jump and switch off my radio
I just up and scream, I must have go to this battlefield
If Cassius Clay don't need to go, send me...
Some people may say I'm plain wrong...
But there is something I like them to understand
I was born in the land of Guyana
But becomes well beyond American, this is something I have to say...
I tell us man, I can't be ungrateful to Uncle Sam...send me
Show full lyrics (22 lines) ▾
Genre: ♪ Calypso
#28 The Mighty Stalin Immortal Message of Martin Luther King 1968 · Single · The Immortal Message of Martin Luther King / Miss Tourist Replies · Freedom # FR-002 · USA
Annotation
The calypso song "Immortal Message of Martin Luther King" (Freedom Records # FR-002) is of course a tribute to Civil rights leader Martin Luther King Jr., assassinated on 4 April 1968 in Memphis, Tennessee, USA. While recalling the activities of MLK and his fight for equal rights, it made the important point that African-American fight for the US in Germany and in the Vietnam War, and thus should be treated equally: "out of this land, from Germany to the...hole of Vietnam, what we did for America, now tell me why we can't eat in the same place as you?" The Mighty Stalin, also known as Black Stalin was born on 24 September 1941 in San Fernando, Trinidad and Tobago. His birth name was Leroy Calliste.
Annotation by Justin A. Brummer
Lyrics
English
Never live by a gun, one can die by one
This man Martin Luther King, a gentleman of grace, capability
Never knew the meaning of the word enemy...
All America, the negroes must get Civil Rights
This must be contined even although he's dead...
We want the whites to know we want them as friends not enemies...
From Texas down to Florida, New York, Georgia
The entire negroe population had Martin Luther King as their champion...
How can we forget this blasted day...
I have dream, I have a vision...
One day black and white will be living so happy...
Man was awarded a noble peace prize...
And out of this land, from Germany to the...hole of Vietnam
What we did for America, now tell me why we can't eat in the same place as you...
We shall overcome, we shall overcome
Show full lyrics (16 lines) ▾
Genre: ♪ Calypso
Also in: ▤ Civil Rights Songs▤ Peace, Protest, & Anti-War Songs [War Years] ▤ Martin Luther King Jr. (MLK) Songs

1970

#29 Lord Brynner Vietnam Moratorium 1970 · Single · Martin Luther King / Vietnam Moratorium · Hilary # LB-406 · USA
Annotation
The calypso song "Vietnam Moratorium" (Hilary # LB-406) by Lord Brynne - born Kade Simon, in Erin, Trinidad and Tobago, in 19371 This song dealt with the mass demonstration called the Moratorium to End the War in Vietnam (15 October 1969 and 15 November 1969, which put much pressure on the Richard Nixon administration. This is also looked at in the song "Moratorium (Bring Our Brother Home)" by Buffy Sainte-Marie, and the track "In Our Time" by Andrea Marcovicci. The lyrics, narrated in the first person, of somebody at the demonstration, took an anti-war position, calling on Uncle Sam to end the "useless war in Vietnam" and to stop "the murders...killing in Vietnam" .
Sources
Annotation by Justin A. Brummer
Notes
Hilary LB-406B, Side 2, white label with a multicoloured dot border; "Vietnam Moratorium", Lord Brynner. No writer or time is printed. [From the record sleeve and labels]
Lyrics
English
October 15 in the year 1969
I was standing on Madison Avenue/ Several thousand people past marching with candles in hands
Shouting a mournful melody too
Then all the woman were dressed up in black and white
Then I saw the tears coming down their cheeks
You know these people were within their constitution rights
Peace and love, peace and love
They're trying to save, they were singing
Uncle Sam, and this useless war in Vietnam
Tell us what you're fighting for
We want you to bring back the men from Vietnam
We said, to have some consideration
Uncle Sam, get the men out of Vietnam
We want you to end the murders in Vietnam, we said to stop the killing in Vietnam
Show full lyrics (15 lines) ▾
Genre: ♪ Calypso
#30 The Shah The My Lai Incident 1970 · Single · The My Lai Incident / Introduction to a Calypsonian · Telco # TW-3427 · Trinidad & Tobago
Credited on the record as The Shah acc. by Telco All Stars Recording Orch..
Annotation
The calypso song "The My Lai Incident" (Telco # TW-3427) by the Shah came out of Trinidad & Tobago in the Carribean, dealing with the My Lai Massacre, one of the most controversial events of the war, which inspired 290+ songs. This was the mass murder of between 300-500 civilians in the South Vietnamese villages of My Lai and Song My by US forces on 16 March 1968, led by platoon leader Second Lieutenant William Calley. Most of the songs released from 1969-1971, which came out of the US, supported Calley, as reflected in public opinion polls, showing that people were protective of soldiers and veterans during war time. This song took an anti-Calley position, calling it a "sordid atorcity" , which is similar to most My Lai songs released outside of the US. He pleaded: "draw the line Uncle Sam, take your troops out of Vietnam" , saying that the world's eyes were on the US. He also called out President Nixon for hypocrisy: "Nixon, is it peace and love that you preach" . Also note the reference to Ernest Medina, who was a commanding officer of the platoon - he was court-martialed, but found not guilty at trial. The song was released in Port of Spain, Trinidad and Tobago.
Annotation by Justin A. Brummer
Notes
Telco TW-3427 (SP-10864), 45 RPM; "The My Lai Incident" (S. Mohammed), Witelco Music Co.; The Shah accompanied by the Telco All Stars Recording Orchestra led by Richard "Boyie" Lewis; Telco Record Division, W.I.T.&E. Co. Ltd., Trinidad, W.I. Telco company sleeve: "Product of Telco Record Division, W.I. Telecommunications & Electronics Company Ltd.", P.O. Box 890, Port-of-Spain. [From the record sleeve and labels]
Lyrics
English
On the 20th of November, at the My Lai slaughter
So many people dead, a mass including civilians
And it was done by nobody but Americans
Just imagine this sordid atorcity by the biggest democracy
The eagle has spoiled your image...
What is an eye for and eye, and a tooth for tooth really your policy
Tell me whether it is peace and love, justice, and liberty...
Really can't take any more, I say stop, draw the line Uncle Sam
Take your troops out of Vietnam
The commander gave orders that were very wrong
He said all in the village were Viet Cong
And a little boy that could be anybody's son was shot down by Medina
A platoon led by Lt. L. Calley
And they shot and killed anybody...
Cease this fighting in Vietnam
Well we know that you suffer many deaths too
We can't deny any part of this is true
But remember that the eyes of the world is on you
And you always got to watch what you do...
I'm begging you...for punishment give to all thos involved...
Tell me Nixon, is it peace and love that you preach universally...
I say stop...who will be the nex Vietnam?
Show full lyrics (23 lines) ▾
Genre: ♪ Calypso

1971

#31 Young Killer Viet Nam Crisis 1971 · Single · Leave Jackie Alone / Viet Nam Crisis · Straker's # S 005 · Trinidad & Tobago
Credited on the record as Young Killer acc. by Carribean Strikers Big Sounds Former Berridge.
Annotation
Young Killer, a calypso artist born in 1933 in Trinidad and Tobago. He died 26 October 2001, in Brooklyn, New York, USA. His birth name was Daniel Emmanuel Jardine Gilchrist. He released the anti-war song "Viet Nam Crisis" on a New York label, which praised the US for helping friends: "she is generous...courageous" . However, he wondered "what the hell they fighting for" , as many mothers mourn their sons. It noted the role of John F. Kennedy and Lyndon B. Johnson, but pleaded with Richard Nixon: "open your hand, will you cut off Vietnam" .
Annotation by Justin A. Brummer
Notes
Straker's Records S 005 B, yellow and black label, stereo; "Viet Nam Crisis" (E. Jardine), time 2:30; produced by G. L. Straker; Young Killer accompanied by "Carribean Strikers Big Sounds Former Berridge"; "Exclusively distributed by Straker Records Inc., 479 Nostrand Ave., B'klyn, N.Y." [From the record sleeve and labels]
Lyrics
English
America is mighty, but of course she is generous
For her sons have died for her
They are courageous
She always get involved in war because of a friend
So if she check up on the problem, all war will come to an end
They don't say
Kennedy the man of passion, but he died and gone
Johnson tried tofollow and that is why this war lived on
But we please, is the cry of the whole nation
Mr. Nixon will you open your hand, will you cut off Vietnam?
I thought it was simple, but oh no it's a big big war
And no one could explain it, what the hell they fighting for
Many many mothers are crying for their sons....
Crying for their husbands...
Show full lyrics (15 lines) ▾
Genre: ♪ Calypso

1974

#32 Mighty Cyper Guerillas 1974 · Single · Watergate / Guerillas · Straker's # GS 146 · Trinidad & Tobago
Annotation
Calypso song "Guerillas" is a little hard to decipher, but seems to be a novelty, policy satire, and definitely mentioned the Vietnam War, with the line "I say today fight in Vietnam, people see how they are crawling on their belly". The A-side is of course related to President Richard Nixon and the Watergate scandal. Mighty Cypher, also known as Lord Cypher, and Crown Prince of Calypso is from Trinidad and Tobago.
Annotation by Justin A. Brummer
Notes
B-side of "Watergate"; arranged and accompanied by Ed Watson Brass Circle, produced by G. Straker, recorded at Semp Studios (Trinidad). Straker's was a Brooklyn label.
Lyrics
English
Pay good attention, take it slow, yeah what happend..
I went into the garden for a bunch of fig, rice cakes..
Coming back home, police man stop, guerilla
I look around, I put up my hand
I say today fight in Vietnam
People see how they are crawling on their belly...
There and then I was up my hands
Well I dropped on my pants, and I started to run.../ The police leave me and they gone...
Genre: ♪ Calypso

Unknown date

#33 Sir Jablonski Yes I Want to Be a Yankee Soldier Boy Single · Yes I Want to Be a Yankee Soldier Boy / Meyer's Saxophone · Duque # 45-10014 · USA
Credited on the record as Sir Jablonski and the Unknowns.
Annotation
The song "Yes I Want to Be a Yankee Soldier Boy" by Sir Jablonski - while unable to find much biographical information about this artist, he featured on a collection of music from Panama (Panama! 2: Latin Sounds, Cumbia Tropical & Calypso Funk on the Isthmus 1967-77), so has some connection to that Central American country. Released in New York City, the back of the picture sleeve said that the composer of the song, Ismael Douglas, wrote the song to help inspire the US troops: "The author of the song, title 'Yes I want to Be a Yankee Soldier Boy', Ismael Douglas; was motivated to write a tune, for the moral of the soldiers now serving in Viet Nam. After making a trip to Viet Nam, as a merchant seaman for four years. He felt that the song could well serve the purpose of filling in the gaps of lonliness of our fighting men in Viet Nam. The fantastic, Sir Jablonski, the voice of echo was presented the opportunity of featuring...whose spontaneous version of this tune makes it a delightful listening material". It take a patriotic position, with the narrator saying that he wanted to add to American history.
Annotation by Justin A. Brummer
Notes
Black Duque Records label, New York, N.Y., 45-10014 A; "Yes I Want to Be a Yankee Soldier Boy" by Sir Jablonski and the Unknowns, words and music by Ismael Douglas, arranged by Israel Lopez, time 2:15, B.M.I.

The picture sleeve front shows a close-up photograph of Sir Jablonski in a peaked military-style cap, listing "Yes I Want to Be a Yankee Soldier Boy" and "Meyer's Saxophone".

The back carries a typed note saying Ismael Douglas wrote the song for the morale of the soldiers serving in Viet Nam after four years as a merchant seaman making trips there, to fill "gaps of the loneliness of our fighting men in Viet Nam", and introducing "the fantastic, Sir Jablonski,..the voice of echo", with a photograph of him seated in a director's chair bearing his name. [From the record sleeve and labels]
Lyrics
English
Yes I want to be a yankee soldier boy
I really want to live the life of joy...
And whenever they send me overseas
I would like to fight along with the Vietnamese
So I add to history with the air calvary
Let me hear you company
Attention...left, right, right, left...one, two, three, four....
Yes I want to be a yankee soldier boy...
Fighting in the US air calvary
Adding to history, company attention....
Genre: ♪ Calypso
#34 The Ten Sleepless Knights Vietnam Album · Pumpin, V.I. Folk Music - Vol. 1 (Quadrille & Quelbé) · TSK # LP - 001 · US Virgin Islands
Annotation
Formed in the Virgin Islands in the 1970s by bandleader Stanley Jacobs, currently based in Saint Croix, Virgin Islands. The group is also known as Stanley and his Ten Sleepless Knights. They released the track "Vietnam" (LP - 001) in the calypso genre.
Annotation by Justin A. Brummer
Notes
Track B2. Liner notes by Marlon G. Rogiers.
#35 Archie Thomas Recording All-Stars Greetings From Vietnam Single · Jump-Up Mama Jump-Up / Greetings From Vietnam · Tarco · US Virgin Islands
Credited on the record as Archie Thomas Recording All Stars.
Annotation
Rare Calypso song "Greeting From Vietnam" (Tarco Recording Co.) released in St. Croix, Virgin Islands, by Archie Thomas (1919-2002, born and died in St. Croix).1.2
Annotation by Justin A. Brummer
Notes
B-side; the A-side "Jump-Up Mama Jump-Up" is sung by Lord Hexo. No credits on the B-side. Tarco Recording Co., Virgin Islands.
Genre: ♪ Calypso
#36 Little Sonnie Mays Trap for Vietnam Single · Trap for Vietnam / Sonnie Mays · Camille # 125 · USA
Credited on the record as Little "Sonnie" Mays.
Annotation
Calypso anti-war song "Trap for Vietnam" (Camille Records # 125) by Little Sonnie Mays - no further biographical information in known at this time. It was released on a Bronx, New York record label, founded by Camille E. Hodge, who was born in the Virgin Islands, and immigrated to the US when he was 15 years old. His label released many calypso records.1 The song started with a novelty / comedy approach, suggesting that the best way to win the war was to take the US women and "send them to Vietnam...in a bikini" , to distract the Chinese - hence the title of the song. At the end of the song, the narrator turned serious, taking a strong anti-war position, and bringing a social-economic component into it: "a rich man war, and a poor man fight, let us stop this war now" . The narrator show sympathy for "all the mothers crying" at home and the difficulties of the soldier. It also referenced the Christmas holiday: "let them spend Christmas" at home, and "let us dine hand in hand" .
Annotation by Justin A. Brummer
Notes
Camille Records 125 A, 45 RPM, yellow label; "Trap for Vietnam" (C.A. Rogers), Amalie Music, BMI, time 3:50. A division of CAB Records, P.O. Box 620, New York 10027, N.Y. [From the record sleeve and labels]
Lyrics
English
Three ladies came to me, fat and big...
Telling them husbands could die in Vietnam
A little instruction Sonnie, you've got to help them
All the girls was making a joke
If you seen how they pulling on my coat
Send them off to Vietnam
Teach them how to hold a gun
Put them down in a bikini, that's the only way we can catch the Chinese
Good lord that's the trap
To bring our brothers back
The three ladies hold on to me...
I try to get away, you can imagine how they treat me all day
Lord the girls are hungry for romance
But a girl at home to take this chance...
What we are accomplishing in Vietnam
All the soldiers dying, all the mothers crying
A rich man war, and a poor man fight
Let us stop this war now
Come out and unite
Let them spend Christmas when Jesus was born
Put down your guns now and have some fun...
Too much men getting killed
I decide I can right my will
You might say this is so sad...
Christmas around the corner, let us dine hand in hand together...
Show full lyrics (26 lines) ▾

(3) Mambo, Salsa, Latin Jazz, Guaracha, Samba, and Vallenato

A poster by Malaquias Montoya, 1972. The inscription says "Julio 26: Cuba Vietnam y nosotros venceremos" ("July 26: Cuba Vietnam and We will Triumph"). It celebrated the Cuban revolution, connecting it to the fight for independence in Vietnam.1
Mambo: "Mambo is a dance-oriented music genre that evolved from Danzón during the late 1930s thanks to brothers Orestes and Israel López....it became very popular all over Latin America, especially thanks to Pérez Prado, the King of Mambo, who exported mambo to Mexico".

Salsa: "Musical genre derived from Cuban Son and developed in places such as Colombia, Venezuela, Puerto Rico and New York City. Salsa has diverse influences (Plena, Bomba, Rhythm & Blues, Jazz, Vallenato, Rock, Murga) and has become a part of the musical identity of Latin America".

Guaracha: "The original inspiration of guaracha were the Spanish 'jácaras'. Jácaras were satirical and playful (often using a vulgar language) short monologues and songs played in the entr'actes of theatrical performances during the 16th and 17th centuries. Jácaras evolved into guaracha in Cuba during the 18th century".

Latin Jazz: "Latin jazz is a broad term used originally for talking about Afro-Cuban Jazz but nowadays, due to its evolution, for the eventual fusion of jazz with Latin American rhythms, especially genres with African origin".

Samba: "Samba originated in the 19th century from a blend of various styles of African rhythm music, forming a new sound and musical structure as well as the dance created along with it. Today it is considered one of the most important manifestations of Brazilian culture".

Vallenato: "Vallenato, along with Cumbia, is the most popular folk music of Colombia. It was born in the 1900s in the Caribbean region of Colombia and is traditionally played with accordion, caja vallenata and guacharaca. Vallenato has four main rhythm types: son, paseo, puya and merengue. Today, vallenato is also present in Ecuador and Venezuela".

1962

#37 Pérez Prado Saigon Twist 1962 · Album · Twist Goes Latin · RCA Victor # LPM-2524 · USA
Annotation
Mambo artist Pérez Prado, born 11 December 1916, in Matanzas, Cuba. He died on 14 September 1989 in Ciudad de México, Mexico. He released the instrumental song "Saigon Twist" (RCA Victor # LPM-2524) in 1962, a very early reference to the South Vietnemse capital. Going by the name, this probably has nothing directly to do with the war, but rather a reference to the Western dance clubs in the city, and thus the US presence.
Annotation by Justin A. Brummer
Also in: ▤ Jazz Songs

1966

#38 Pucho Vietnam Mambo 1966 · Single · Cantelope Island / Vietnam Mambo · Prestige # 45-426 · USA
Annotation
Also a Mambo artist, Pucho, born 1 November 1938, and currently based in US, released the song "Vietnam Mambo" (Prestige Records # 45-426), which was an instrumental, and as above, is a reflection of the growing prominence of the Vietnam War in the news and media. Featured on the album Tough! (Prestige Records #PR 7471).
Annotation by Justin A. Brummer
Notes
Prestige 45-426, Side 2, white promotional label marked "Not for sale"; "Vietnam Mambo" (Pucho – Prestige Music – BMI), time 3:15; "Pucho", taken from PR 7471, produced by Cal Lampley; Prestige Records Inc., 203 S. Washington Ave., Bergenfield, N.J. [From the record sleeve and labels]
Also in: ▤ Jazz Songs

1967

#39 Wilson Simonal Balada do Vietnam 1967 · Single · Balada do Vietnam / Duas contas · Odeon # 7B-249 · Brazil
Annotation
Prolific and well-known Brazilian artist Wilson Simonal - born 26 February 1939 in Rio de Janeiro, Brazil, died 25 June 2000 in Rio de Janeiro, Brazil - released the song "Balada do Vietnam" (Odeon # 7B-249), in Portuguese, in the Samba genere - "originated in the 19th century from a blend of various styles of African rhythm music, forming a new sound and musical structure as well as the dance created along with it. Today it is considered one of the most important manifestations of Brazilian culture". (1)
Annotation by Justin A. Brummer
Notes
Odeon 7B-249, 7" 33 1/3 rpm compacto; written by David Nasser and Elizabeth Sanches. Discogs lists it as side A with "Duas Contas" (Garôto) on side B.
Theme: Anti-War

1970

#40 La Lupe No matarás 1970 · Album · That Genius Called the Queen... (Ese genio llamado La Reina) · Tico # SLP 1212 · USA
Annotation

Born 23 December 1936, Santiago de Cuba, Santiago de Cuba, Cuba Died 29 February 1992, New York, NY, United States Bolero, Cuban Music “No Matarás” reflects the public turn in opinion towards the war and the times. Her passion is showcased in this tune, especially when she sings of the pain of mothers whose sons are killed in wars, while a quiet electric guitar gently wails in the background. (1)

Annotation by Justin A. Brummer
Notes
Track A2, printed "No Mataras" ("Thou Shalt Not Kill"); arranged by Joe Cain. Stereo SLP 1212; mono LP 1212.

1972

#41 Los Pankis Vietnam 1972 · Single · Vietnam / Nancy · Do Re Mi # DRMN 142 F · Peru
Annotation
The song "Vietnam" (DRMN 142 F) released in Peru, was an instrumental in the Guaracha genre, with 60s psychedelic edge to it- "the original inspiration of guaracha were the Spanish 'jácaras'. Jácaras were satirical and playful (often using a vulgar language) short monologues and songs played in the entr'actes of theatrical performances during the 16th and 17th centuries. Jácaras evolved into guaracha in Cuba during the 18th century". Composed by Isaías Cotos Solís.
Annotation by Justin A. Brummer

1975

#42 Moacyr Franco Balada do Vietnam 1975 · Album · Me perderás · Beverly [Brazil] # BLP-81495 · Brazil
Annotation
The song "Balada do Vietnam" (Beverly # BLP-81495), which is a cover Balada do Vietnam by Wilson Simonal, above, also released in Brazil. Franco was born on 5 October 1936 in Ituiutaba, Minas Gerais, Brazil.
Annotation by Justin A. Brummer
Notes
Track A6; cover of Wilson Simonal's "Balada do Vietnam". Produced by Nazareno de Brito; Beverly was a Copacabana-group label.
Theme: Anti-War
#43 Los Cañaguateros Canto al Vietnam 1975 · Album · Quién ha dicho...? · Caliente # LCS 153-113 · Colombia
Annotation
Vallenato band from Colombia, led by Pedro García (leader, vocals). Other members in the group included: Florentino Montero (accordion), Gregorio Suárez (bass), Danny Castilla (percussion), Leonel Benítez (cowbell), Nacho Zabarain (tumbadora), Calazan González (tumbadora), José Mindiola (guacharaca), Esteban Salas (guacharaca, chorus), Ramón Arrieta (chorus).12

They released the song "Canto al Vietnam" in the Vallenato genre, a form of Hispanic American Folk Music - "Vallenato, along with Cumbia, is the most popular folk music of Colombia. It was born in the 1900s in the Caribbean region of Colombia and is traditionally played with accordion, caja vallenata and guacharaca. Vallenato has four main rhythm types: son, paseo, puya and merengue. Today, vallenato is also present in Ecuador and Venezuela".
Annotation by Justin A. Brummer
Notes
Track A3 of "Quién ha dicho...?" (Caliente LCS 153-113, Colombia, 1975), written by Pedro García, who sings lead. The song is not on "Lo último.....", the album named on the RYM list.

Unknown date

#44 Bimbi y su Trío Oriental Me voy pa Viet Nam Album · A fiestar mejor de · Tropical # 4631 · Cuba
Annotation
The song "Me voy pa Viet Nam" ("I'm going to Viet Nam") (Danny # 500) by Bimbi y su Trio Oriental, formed in 1935 in Santiago de Cuba, Cuba. Currently based in New York, USA. It has had a revolving line-up, although featuring Maximiliano Sánchez "Bimbi" as the musical director, lead vocalist, and guitarist. This one is in the Guaracha genre.
Annotation by Justin A. Brummer
Also in: ▤ Jazz Songs

(4) Nueva canción latinoamericana

Canción Protesta by Alfredo Rostgaard, 1967.1
"The Nueva canción latinoamericana ("new song") movement was originally developed in Latin America during the 1960s. It has been associated with the rise of leftist social movements in this region and influenced by historical events such as the Cuban Revolution. Lyrically, nueva canción artists gave special attention to politically-charged messages that had a strong relationship with these series of events, while musically, it strove for a renewal of traditional Latin and South American Folk Music expressions".

1968

#45 Quilapayún Por Vietnam 1968 · Album · X Vietnam · Jota Jota # JJL-01 · Chile
Annotation
The song "Por Vietnam" (Discoteca del Cantar Popular # JJL-01) by Quilapayún, formed in 1965 in Santiago, Chile. Members included Eduardo Carrasco (wind instruments, vocals), Carlos Quezada (percussion, guitar, vocals), Guillermo Oddó (guitar, percussion, vocals), Hernán Gomez (guitar, charango, vocals), Rodolfo Parada (guitar, tiple, tres, cuatro, zampoña, vocals), Hugo Lagos (strings, quena, zampoña, vocals), and Guillermo García (guitar, percussion, vocals). This album denounced the war in Vietnam and then moved onto other political topics, such as the Spanish revolution and the death of Che Guevara. The narrator warned the US to be careful, saying that "the black eagles break their claws against the heroic people in Vietnam" and that "the guerrilla will defeat you" . The album was very popular in Chile, and throughout South America, released in many countries, including Peru, Venezuela, Argentina, as well as in Spain and France in Europe. It is considered to be one of the first albums in the Chilean Nueva canción movement.1
Annotation by Justin A. Brummer
Notes
Jota Jota JJL-01 is the original Chilean mono LP (1968, Juventudes Comunistas); the album was later reissued in Europe (France: Dicap / Pathé Marconi EMI 2C 062-94.151, 1978; Spanish cassette and 2002 CD) and in Argentina and Peru, and "Por Vietnam" was anthologised on the Italian LP "Generazione Vietnam" (Zodiaco VPA 8251, 1975).
Lyrics
English
Yankee, yankee, yankee, careful, careful
Black eagles feed from the spoils of battles
Black eagle you will already fall
Black eagle you will fall
The black eagles come flying with its cannons over the sea
Black eagle you will already fall
Black eagle you will fall
Yankee, Yankee, yankee, careful, careful
The blood that you pour goes through the land
Blood that will never forget you
Black eagle you will already fall
Black Eagle you will fall
Black eagles break their claws against the heroic people in Vietnam
Black eagle you will already fall
Black eagle you will fall
Yankee, Yankee, yankee careful...
The guerrilla will defeat you
Show full lyrics (18 lines) ▾
#46 Quilapayún & Juan Capra Resfaloza del Vietnam 1968 · Album · Los Chilenos - Juan Capra · Barclay # 820180 · Chile
Credited on the record as Los Chilenos & Juan Capra.
Notes
Los Chilenos - Chilean band "Quilapayun" according to contractual problems couldn't be credited with real name on their album recorded in Paris in 1968 with Juan Capra.
Theme: Anti-War

1969

#47 Gonzalo Vigil Viet Nam 1969 · Album · Cantamos luchamos · Lince Producciones # 20016 · Uruguay
Annotation
The song "Viet Nam" (Lince Producciones # 20016) by Gonzalo Vigil, a Uruguan release on an Argentinian record label, the back of the LP said: "tribute to the 7th Congress of Communist Youth, December 1969, Montevideo Uruguay" (Spanish: Homenaje al 7° Congreso de la Juventud Comunista, Diciembre 1969, Montevideo Uruguay). This various artist compilation fitted into the Nueva canción movement of political and socially charged lyrics. It featured several well-known and prominent artists, such as Víctor Jara and Carlos Puebla, both discussed below.
Annotation by Justin A. Brummer
Notes
Various artist compilation - "tribute to the 7th Congress of Communist Youth, December 1969, Montevideo Uruguay"
#48 Rolando Alarcón La ballada de Ho Chi Minh 1969 · Album · El mundo folklórico de Rolando Alarcón · Astral # VBP-264 · Chile
Annotation
Rolando Alarcón, born on 5 August 1929 in Sewell, Libertador General Bernardo O'Higgins, Chile. He died on 4 February 1973 at the age of 43. He was member of the Chilean folk group Conjunto Cuncumén. A key member of the Nueva canción latinoamericana in Chile, he was highly respected in Chile, an influential folklorist and composer. He released the 1971 album Por Cuba y Vietnam about the Vietnam War, discussed below.

This album included a Spanish-language adaptation of the Ewan McCall song "La ballada de Ho Chi Minh" , which paid tribute to the North Vietnamese leader. The back of the LP said: "There was a time not far away, in which folklore song was the passion of some and the obsession of others. But these and those will ignore that the folkloric song should run hand in hand with the evolution and events of the peoples, with the dreams of men and women who people the world, with the history that is usually written with song ... words as huge as the voice of their own destiny, Vietnam, Cuba, country and desperate war, massacre, anxiety, longing for a better world" (Spanish "Hubo un tiempo no lejano, en que la cancioon folklore fue la pasion de algunes yu la obsession de etros. Pero estos y aquellos ignororan que la cancion folklores debla correr a la par con el devenir y acontecer de los pueblos, con los suedos de hombres y mujeres que pueblos el mundo, con la historia que suele escrib con song...Y sue voces y palabres tan enormes como el vocio de su propio destino, Vietnam, Cuba, pas y guerra desesperansa, masacre, ansiedad, anhello de un monde mejor"). The English lyrics of the song praise the North Vietnamese leader Ho Chi Minh, in his "fight for freedom" for the Indo-Chinese people against the "enemy and against the invader" . It described how fourteen men became a hundred, and then thousands.
Annotation by Justin A. Brummer
Notes
Spanish-language adaptation of the Ewan McCall song The Ballad of Ho Chi Minh
Lyrics
English
Beyond, where the sun rises
On the land and in the gulf
The father of the Indochinese people lives
A people that fights alongside Ho Chi Minh
Ho, Ho, Ho, Ho Chi Minh
Ho, Ho, Ho, Ho Chi Minh
In Saigon the mountain roars
And the valleys are silent
Because the young and the old peasant
They fight for freedom for their Vietnam
Ho Chi Minh was a sailor
Who one afternoon came back happy
And found that his people were sad
Sad was not Ho Chi Minh's hope
Ho Chi Minh went to the mountain
And his people also marched
And he dreamed that his land was free
Against the enemy and against the invader
And it grew like a giant sea
Hundreds and thousands alongside Ho Chi Minh
Soldiers flourished for the people
To give freedom, for the Viet Minh
"Freedom" the flags shout
And in the jungle a song is heard
It is the people who march to victory
Peace and freedom will be for Vietnam

Spanish
Más allá, donde el sol levanta
En la tierra y en el golfín
Vive el padre del pueblo de Indochina
Un pueblo que lucha junto a Ho Chi Minh
Ho, Ho, Ho, Ho Chi Minh
Ho, Ho, Ho, Ho Chi Minh
En Saigón la montaña ruge
Y los valles en silencio están
Porque el joven y el viejo campesino
Luchan por la libertad para su Vietnam
Ho Chi Minh era un marinero
Que una tarde regresó feliz
Y encontró que su pueblo estaba triste
Triste no era la esperanza de Ho Chi Minh
Ho Chi Minh se fue a la montaña
Y su pueblo también marchó
Y soñaba que su tierra era libre
Contra el enemigo y contra el invasor
Y creció como un mar gigante
Cien y miles junto a Ho Chi Minh
Florecían soldados para el pueblo
Para dar la libertad, para el Viet Minh
"Libertad" gritan las banderas
Y en la selva se oye una canción
Es el pueblo que marcha a la victoria
Paz y libertad serán para el Vietnam
Show full lyrics (55 lines) ▾
#49–51 Alí Primera Canciones de protesta 1969 · Album · Not On Label · Venezuela
All 3 songs from this album in the archive are in this collection
Annotation
Ali Primera, born 31 October 1941 in Coro, Falcón, Venezuela, and died 16 February 1985 in Caracas, Distrito Capital, Venezuela. He was part of the Nueva canción latinoamericana movement which developed in Latin America in the 1960s, which featured Latin and South American folk with leftist political and social messages. This album, produced by the Partido Comunista de Venezuela (Communist Party of Venezuela), was, as stated in the title, songs of protest, several of which are Vietnam War-related. Also in the album were songs in support of Cuba, Venezulian protest, anti-US imperialism in Latin America, and a tribute to murdered union leader Alberto Lovera. for the suggestion.12

First the song "Inolvidable Ho Chi Minh" paid tribute to the North Vietnamese leader, in which the narrator said that the people have "huge desire to fight to achieve" the dream of "Uncle Ho Chi Minh...a poet" , who was "tireless" and "brave" .3 This song re-appeared on the 1973 album Lo primero de Ali Primera. Next, the song "Adelante Vietnam" ( "Forward Vietnam" ), which said that "peoples will rise inspired by your example" because of the "injustice of this war" . It described the US as "Yankee colossus, sower of misery" .4 Finally, the song "Guerrillero de piel amarilla" ( "Yellow-Skinned Guerrilla" ) displayed solidarity with the "Vietcong Socialist Vietnam" and "Uncle Ho Chi Minh" . It called on the Vietnamese to "make the Yankees bite the dust" . Also note that Ali Primera released the anti-Vietnam song "Mujer Del Vietnam" (1972), discussed below, and featured on the album De Una Vez.
Annotation by Justin A. Brummer
Show the full entries ▾ · Release page →
#49 Alí Primera Inolvidable Ho Chi Minh ("Insolvable Ho Chi Minh") 1969 · Album · Canciones de protesta · Not On Label · Venezuela
Annotation
Ali Primera, born 31 October 1941 in Coro, Falcón, Venezuela, and died 16 February 1985 in Caracas, Distrito Capital, Venezuela. He was part of the Nueva canción latinoamericana movement which developed in Latin America in the 1960s, which featured Latin and South American folk with leftist political and social messages. This album, produced by the Partido Comunista de Venezuela (Communist Party of Venezuela), was, as stated in the title, songs of protest, several of which are Vietnam War-related. Also in the album were songs in support of Cuba, Venezulian protest, anti-US imperialism in Latin America, and a tribute to murdered union leader Alberto Lovera. for the suggestion.12

First the song "Inolvidable Ho Chi Minh" paid tribute to the North Vietnamese leader, in which the narrator said that the people have "huge desire to fight to achieve" the dream of "Uncle Ho Chi Minh...a poet" , who was "tireless" and "brave" .3 This song re-appeared on the 1973 album Lo primero de Ali Primera. Next, the song "Adelante Vietnam" ( "Forward Vietnam" ), which said that "peoples will rise inspired by your example" because of the "injustice of this war" . It described the US as "Yankee colossus, sower of misery" .4 Finally, the song "Guerrillero de piel amarilla" ( "Yellow-Skinned Guerrilla" ) displayed solidarity with the "Vietcong Socialist Vietnam" and "Uncle Ho Chi Minh" . It called on the Vietnamese to "make the Yankees bite the dust" . Also note that Ali Primera released the anti-Vietnam song "Mujer Del Vietnam" (1972), discussed below, and featured on the album De Una Vez.
Annotation by Justin A. Brummer
Lyrics
English
Yellow-skinned guerrilla
For your son, your brother, your homeland
Give your arm, your blood that throbs
Long live the Vietcong, Socialist Vietnam
Give your arm, your blood that throbs
Long live the Vietcong, Communist Vietnam
Uncle Ho Chi Minh
Make the Yankees bite the dust
Let not a single plane remain in the sky
Nor a farewell, sower of death
Let not a single plane remain in the sky
Nor a farewell, sower of death
I saw a child cry
In Vietnam
I saw a child bleed
In Vietnam
A child in Vietnam
Yellow-skinned guerrilla
Who raises the voice of honour
The rifle that fell from the hands
Of Nguyen Van Troi, now lifeless
The rifle that fell from the hands
Of Nguyen Van Troi, now lifeless

Spanish
Guerrillero de piel amarilla
Por tu hijo, tu hermano, tu patria
Da tu brazo, tu sangre que vibra
Viva el Vietcong Vietnam Socialista
Da tu brazo, tu sangre que vibra
Viva el Vietcong Viet Nam Comunista
Tío Ho Chi Minh
Haz que muerdan el polvo los yanquis
Que no quede un avión en el cielo
Ni un adiós sembrador de la muerte
Que no quede una avión en el cielo
Ni un adiós sembrador de la muerte
Yo vi llorar
Un niño en el Vietnam
Yo vi sangrar
Un niño en el Vietnam
Un niño en el Vietnam
Guerrillero de piel amarilla
Que levantas la voz del honor
El fusil que cayó de las manos
Ya sin vida de Ngyuen Van Troi
El fusil que cayó de las manos
Ya sin vida de Ngyuen Van Troi
Show full lyrics (49 lines) ▾
#50 Alí Primera Adelante Vietnam ("Forward Vietnam") 1969 · Album · Canciones de protesta · Not On Label · Venezuela
Annotation: see “Inolvidable Ho Chi Minh ("Insolvable Ho Chi Minh")” above (same release).
Lyrics
English
Yellow-skinned guerrilla
For your son, your brother, your country
Give your arm, your blood that throbs
Long live the Vietcong, Socialist Vietnam
Give your arm, your blood that throbs
Long live the Vietcong, Communist Viet Nam
Uncle Ho Chi Minh
Make the Yankees bite the dust
Let not one plane remain in the sky
Nor one death-sowing farewell
Let not one plane remain in the sky
Nor one death-sowing farewell
I saw crying
A child in Vietnam
I saw bleeding
A child in Vietnam
A child in Vietnam
Yellow-skinned guerrilla
Who raises the voice of honour
The rifle that fell from the hands
Of the now lifeless Nguyen Van Troi
The rifle that fell from the hands
Of the now lifeless Nguyen Van Troi

Spanish
Guerrillero de piel amarilla
Por tu hijo, tu hermano, tu patria
Da tu brazo, tu sangre que vibra
Viva el Vietcong Vietnam Socialista
Da tu brazo, tu sangre que vibra
Viva el Vietcong Viet Nam Comunista
Tío Ho Chi Minh
Haz que muerdan el polvo los yanquis
Que no quede un avión en el cielo
Ni un adiós sembrador de la muerte
Que no quede una avión en el cielo
Ni un adiós sembrador de la muerte
Yo vi llorar
Un niño en el Vietnam
Yo vi sangrar
Un niño en el Vietnam
Un niño en el Vietnam
Guerrillero de piel amarilla
Que levantas la voz del honor
El fusil que cayó de las manos
Ya sin vida de Ngyuen Van Troi
El fusil que cayó de las manos
Ya sin vida de Ngyuen Van Troi
Show full lyrics (49 lines) ▾
#51 Alí Primera Guerrillero de piel amarilla ("Yellow-Skinned Guerrilla") 1969 · Album · Canciones de protesta · Not On Label · Venezuela
Annotation: see “Inolvidable Ho Chi Minh ("Insolvable Ho Chi Minh")” above (same release).
Lyrics
English
Yellow-skinned guerrilla
For your son, your brother, your country
Give your arm, your throbbing blood
Long live the Vietcong, socialist Vietnam
Give your arm, your throbbing blood
Long live the Vietcong, communist Viet Nam
Uncle Ho Chi Minh
Make the Yankees bite the dust
Let not a single plane remain in the sky
Nor a farewell, sower of death
Let not a single plane remain in the sky
Nor a farewell, sower of death
I saw crying
A child in Vietnam
I saw bleeding
A child in Vietnam
A child in Vietnam
Yellow-skinned guerrilla
You who raise the voice of honor
The rifle that fell from the hands
Of Nguyen Van Troi, now lifeless
The rifle that fell from the hands
Of Nguyen Van Troi, now lifeless

Spanish
Guerrillero de piel amarilla
Por tu hijo, tu hermano, tu patria
Da tu brazo, tu sangre que vibra
Viva el Vietcong Vietnam Socialista
Da tu brazo, tu sangre que vibra
Viva el Vietcong Viet Nam Comunista
Tío Ho Chi Minh
Haz que muerdan el polvo los yanquis
Que no quede un avión en el cielo
Ni un adiós sembrador de la muerte
Que no quede una avión en el cielo
Ni un adiós sembrador de la muerte
Yo vi llorar
Un niño en el Vietnam
Yo vi sangrar
Un niño en el Vietnam
Un niño en el Vietnam
Guerrillero de piel amarilla
Que levantas la voz del honor
El fusil que cayó de las manos
Ya sin vida de Ngyuen Van Troi
El fusil que cayó de las manos
Ya sin vida de Ngyuen Van Troi
Show full lyrics (49 lines) ▾

1970

#52–54 Various Artists Cancion Protesta: Protest Songs of Latin America 1970 · Album · Paredon # PAR01001 · Cuba
All 3 songs from this album in the archive are in this collection
Annotation
Compilation of Spanish-language South American protest songs (Paredon Records # PAR01001), released in the US, which included three tracks related to the Vietnam War. Paredon Records was founded by Barbara Dane and Irwin Silber in 1969, whose objective was to "seek out the music and speech, documentary or dialogue, that spring from the conscious artist who relates to people's movements, and which pour from all people in struggle".1 This record label released several albums either about the Vietnam War or that contained a Vietnam War song, see the note below. Also note that in 1969 Dane and Sliber published the book "The Vietnam Song Book" which included the notation and lyrics of one hundred anti-war songs collected from around the world.

Firstly, this LP included the track "Bajo el arco del sol" ( "Under the Arc of the Sun: Armed Struggle" ) by Silvio Rodríguez, born on 29 November 1946 in San Antonio de los Baños, Havana, Cuba. This song was a protest against imperialism across the world, but made several specific references to the Vietnam conflict: "look at my wounds in those other places, like Indochina" , and "I divided my weeping by colors...and it was like the Mekong" . Note that Silvio Rodríguez was a member of the Cuban group Grupo de Experimentación Sonora del ICAIC, an important band in the Nueva canción latinoamericana movement, featuring several prominent artists. This group released the Vietnam song "Su nombre' Ho Chi Minh (Your Name, Ho Chi Minh)" on the album Cuba va! Songs of the New Generation of Revolutionary Cuba, discussed below.
Annotation by Justin A. Brummer
Show the full entries ▾ · Release page →
#52 Silvio Rodríguez Bajo el arco del sol [Under the Arc of the Sun: Armed Struggle] 1970 · Album · Cancion Protesta: Protest Songs of Latin America · Paredon # PAR01001 · Cuba
Annotation
Compilation of Spanish-language South American protest songs (Paredon Records # PAR01001), released in the US, which included three tracks related to the Vietnam War. Paredon Records was founded by Barbara Dane and Irwin Silber in 1969, whose objective was to "seek out the music and speech, documentary or dialogue, that spring from the conscious artist who relates to people's movements, and which pour from all people in struggle".1 This record label released several albums either about the Vietnam War or that contained a Vietnam War song, see the note below. Also note that in 1969 Dane and Sliber published the book "The Vietnam Song Book" which included the notation and lyrics of one hundred anti-war songs collected from around the world.

Firstly, this LP included the track "Bajo el arco del sol" ( "Under the Arc of the Sun: Armed Struggle" ) by Silvio Rodríguez, born on 29 November 1946 in San Antonio de los Baños, Havana, Cuba. This song was a protest against imperialism across the world, but made several specific references to the Vietnam conflict: "look at my wounds in those other places, like Indochina" , and "I divided my weeping by colors...and it was like the Mekong" . Note that Silvio Rodríguez was a member of the Cuban group Grupo de Experimentación Sonora del ICAIC, an important band in the Nueva canción latinoamericana movement, featuring several prominent artists. This group released the Vietnam song "Su nombre' Ho Chi Minh (Your Name, Ho Chi Minh)" on the album Cuba va! Songs of the New Generation of Revolutionary Cuba, discussed below.
Annotation by Justin A. Brummer
Lyrics
English
The yankees are pretty big guys
Some of them look like giants
And some like elephants
But they don't have any hearts
The Vietnamese are pretty small, pretty small yes
But with such hearts, like this, big like this
The yankees have lots of cannons, cannons by the thousands and military academies
But they don't have any hearts
The yankees have airplanes, they have bombs and rifles, and bullets by the millions
But they don't have hearts
The yankees have big piles of gunship helicopters, they have ships and mortors
But they don't have any hearts
That's why so many times they are knocked out by the Vietnamese
People who are very small
But yet, they have the hearts!

English
Born in a waterfront neighboorhood
He wet his feet there one morning
And told himself, 'the whole world is my home!'
Thousands of rocks at the windos
Kisses under foreign stairways
Maybe a little marijuana...
And a pocket knife
Johnny, you don't know why...
Billy...Willy
He went to look for an old man with whiskers
With blue and white striped suit, who told him
'The army is calling you, Asia'
He was sure that Superman and Batman would always save face for him
And everything would be like a day at the beach
The alien jungle is now his home
And feeling thirsty there one morning, he was going towards a well full of water
And fell into pit full of bamboo pricks
Show full lyrics (35 lines) ▾
#53 Carlos Puebla David y Goliath 1970 · Album · Cancion Protesta: Protest Songs of Latin America · Paredon # PAR01001 · Cuba
Annotation
Secondly, this LP had the track "David y Goliath" , which is listed on the back of the LP as "David and Goliath (The Vietnamese Are Small)" by Carlos Puebla - born on 11 September 1917 in Manzanillo, Cuba and died on 12 July 1989, Havana, Cuba. He was known to be a key protest singer in the Cuban Nueva trova movement, looking at social movements and politics. He was noted to have sided with Fidel Castro prior to the revolution, and was a supporter of Che Guevara. A live version of this song, called "Los Vietnamitas / I vietnamiti" featured on the various artist compilation Generazione Vietnam (1975). He also released the Vietnam War songs "El ejemplo de Vietnam" and "La gloria para Viet Nam" on the 1973 album Carlos Puebla, featured on this list. Furthermore, he released the song "Y está despertando el negro" on the album Cuba: Songs for Our America, also discussed below.

In the lyrics of this song, the narrator showed solidarity with the North Vietnamese side. It noted that the "yankees" were very big and well-equipped, with "military academies...bombs and rifles...bullets by the millions..." . However, the US "don't have any hearts" . In contrast, the narrator said that the Vietnamese were small, yet had big hearts, and thus why they were able to beat the US.
Annotation by Justin A. Brummer
Notes
Also known as David and Goliath (The Vietnamese Are Small)
Lyrics
English
The yankees are pretty big guys
Some of them look like giants
And some like elephants
But they don't have any hearts
The Vietnamese are pretty small, pretty small yes
But with such hearts, like this, big like this
The yankees have lots of cannons, cannons by the thousands and military academies
But they don't have any hearts
The yankees have airplanes, they have bombs and rifles, and bullets by the millions
But they don't have hearts
The yankees have big piles of gunship helicopters, they have ships and mortors
But they don't have any hearts
That's why so many times they are knocked out by the Vietnamese
People who are very small
But yet, they have the hearts!
Show full lyrics (16 lines) ▾
#54 Noel Nicola Johnny, no sabe porque (Johnny, You Don't Know Why) 1970 · Album · Cancion Protesta: Protest Songs of Latin America · Paredon # PAR01001 · Cuba
Annotation
Thirdly, this LP had the song "Johnny, no sabe por qué" ( "Johnny, Don't You Know Why?" ) by Noel Nicola - born on 7 October 1946 in Havana, Cuba. He died on 7 August 2005. He was also a member of the Cuban group Grupo de Experimentación Sonora del ICAIC, discussed above. This song told the story of a US soldier killed in action (K.I.A.). It started with a boy growing up in the US, smoking marijuana, kissing girls and thinking that the "world is my home" . He then volunteered to join the army, as it called for men to send to Asia, thinking that he had the protection of "Superman and Batman" , an interesting use of American pop culture. Then the man was in an "alien jungle" , feeling thirsty. On the hunt for water he fell into a booby trap, and was killed.
Annotation by Justin A. Brummer
Lyrics
English
Born in a waterfront neighboorhood
He wet his feet there one morning
And told himself, 'the whole world is my home!'
Thousands of rocks at the windos
Kisses under foreign stairways
Maybe a little marijuana...
And a pocket knife
Johnny, you don't know why...
Billy...Willy
He went to look for an old man with whiskers
With blue and white striped suit, who told him
'The army is calling you, Asia'
He was sure that Superman and Batman would always save face for him
And everything would be like a day at the beach
The alien jungle is now his home
And feeling thirsty there one morning, he was going towards a well full of water
And fell into pit full of bamboo pricks
Show full lyrics (18 lines) ▾
#55 Armando Tejada Gómez Informe en las tinieblas del último "marine" en Vietnam 1970 · Album · Poeta de la legua · Qualiton # QH 2004 · Argentina
Annotation
Argentinian poet Armando Tejada Gómez, born 21 April 1929 in Mendoza, Argentina, died on 3 November 1992 in Buenos Aires, Argentina, often associated with the new song movement in South America, released this LP in Uruguay in 1970, with the track "Informe en las tinieblas del ultimo marine en Vietnam" ("Report in the Darkness of the Last Marine in Vietnam"), which took an anti-war perspective, looking at the position of the US soldier in Vietnam, who cried out "get me out of this hell". Lyrics from Anti-War Songs (AWS)1
Sources
Annotation by Justin A. Brummer
Notes
Track A11, written and read by Tejada Gómez. Recorded in Buenos Aires (FONEMA), pressed in Uruguay (Hemisferio, Montevideo); also listed as Macondo GAM 529.
Lyrics
English
It comes from everywhere like the dawn
Cosmically it begins without a single explosion
The light suddenly comes in
It unfolds the silence
Then it grows upward, stretching out the space
We find it impossible to keep the darkness
The sun devours everything
It gets in everywhere
Yesterday we turned a whole rice field to shadow
And there they are again, sowing flames
I await new orders
Send new instructions
Because the light hurts the soldier's morale
Yesterday, while we were killing, Jim Hovver went mad
He shouted that death does not spread the darkness
Kill the light!, he begged
We had to silence him
Today, at 3 PM, we took the Hill and at 7 PM we were driven out
I can swear the whole area was deserted
But, like a flash of lightning, the light came from below
The absurd idea is spreading that weapons are useless
Get me out of this hell! The light has surrounded us!

Spanish
Viene de todas partes como la madrugada
Cósmicamente empieza sin un solo estallido
La luz entra de pronto
Desarrolla el silencio
Crece luego en la altura extendiendo el espacio
Se nos hace imposible conservar las tinieblas
El sol devora todo
Entra por todas partes
Ayer hicimos sombra un arrozal entero
Y ahí están nuevamente sembrando llamaradas
Espero nuevas órdenes
Den nuevas instrucciones
Porque la luz lastima la moral del soldado
Ayer, mientras matábamos, enloqueció Jim Hovver
Gritaba que la muerte no propaga lo oscuro
Maten la luz!, pedía
Hubo que silenciarlo
Hoy, a las 3 PM, tomamos la Colina y a las 7 PM fuimos desalojados
Puedo jurar que estaba toda el área desierta
Pero, como un relámpago, la luz vino de abajo
Cunde la idea absurda que las armas no sirven
Sáquenme de este infierno! La luz nos ha cercado!
Show full lyrics (47 lines) ▾

1971

#56 Victor Jara Derecho de Vivir en Paz 1971 · Album · El derecho de vivir en paz · Dicap # JJL-11 · Chile
Annotation
Víctor Jara - a pioneer of the Nueva canción latinoamericana genre and activist who wrote many political songs in protest against the government in Chile, and beyond12 Born on 28 September 1932 in Chillán Viejo, VIII Región del Biobío, Chile, he was tortured and killed during the dictatorship of Augusto Pinochet on 16 September 1973 in Santiago, Chile. In the song "El Derecho de vivir en Paz" ( "The Right to Live in Peace" ) he turned his attention to the war in Vietnam, saying that the people there had a right to live in peace uner Hồ Chí Minh, the North Vietnamese leader. It referred to the killing as "genocide" and noted the use of "napalm" - chemical weapon Napalm B - a jellied gasoline mixture, with polystyrene, benzene, and gasoline. Declared a war-crime since 1980, the US government extensively used this weapon during the Vietnam conflict, dropping 388,000 tons on Indochina between 1963 and 1973.123
Annotation by Justin A. Brummer
Lyrics
English
The right to live
Poet Ho Chi Minh
Who strikes from Vietnam
At all humanity
No cannon will erase
The furrow of your rice field
The right to live in peace
Indochina is the place
Beyond the wide sea
Where they blast the flower
With genocide and napalm
The moon is an explosion
That fuses all the clamour
The right to live in peace
Indochina is the place
Beyond the wide sea
Where they blast the flower
With genocide and napalm
The moon is an explosion
That fuses all the clamour
The right to live in peace
Uncle Ho, our song
Is a fire of pure love
It is dove and dovecote
Olive of the olive grove
It is the universal song
A chain that will bring to triumph
The right to live in peace
It is the universal song
A chain that will bring to triumph
The right to live in peace
The right to live in peace

Spanish
El derecho de vivir
Poeta Ho Chi Mi
Que golpea de Vietnam
A toda la humanidad
Ningún cañón borrará
El surco de tu arrozal
El derecho de vivir en paz
Indochina es el lugar
Más allá del ancho mar
Donde revientan la flor
Con genocidio y napalm
La luna es una explosión
Que funde todo el clamor
El derecho de vivir en paz
Indochina es el lugar
Más allá del ancho mar
Donde revientan la flor
Con genocidio y napalm
La luna es una explosión
Que funde todo el clamor
El derecho de vivir en paz
Tío Ho, nuestra canción
Es fuego de puro amor
Es palomo palomar
Olivo del olivar
Es el canto universal
Cadena que hará triunfar
El derecho de vivir en paz
Es el canto universal
Cadena que hará triunfar
El derecho de vivir en paz
El derecho de vivir en paz
Show full lyrics (67 lines) ▾
#57 Isabel Parra Como en Vietnam 1971 · Album · De aquí y de allá · Discoteca del Cantar Popular # DCP 27 · Chile
Annotation
Isabel Parra, born 29 September 1939 in Santiago, Chile, a prominent member of the Nueva canción latinoamericana movement, she collaborated with other well-known artists, such as Quilapayún and Grupo de Experimentación Sonora del ICAIC. The song "Como en Vietnam" (Discoteca del Cantar Popular # DCP 27), took an anti-war position, and described the Vietnamese people as "a distant brother people" - showing solidarity. She described the conflict as the "first line of horror, first line of pain" .
Annotation by Justin A. Brummer
Lyrics
English
It is very difficult to make a comparison
When it comes to speaking of the courage
Of a certain brother people, far away
Front line of horror
Front line in pain
Front line in daily work
Front line of the sun
Front line in love
Front line in burning
The foreign hand that put them there
It is very difficult to make a comparison
It is lofty, it is great, there is nothing more to say
We only aspire to be as they are
That is the voice of today's man
To do and to be better

Spanish
Es muy difícil establecer comparación
Cuando se trata de hablar del valor
De cierto pueblo hermano, lejano
Primera línea el horror
Primera línea en dolor
Primera línea en trabajo diario
Primera línea del sol
Primera línea en amor
Primera línea en quemar
La mano externa que los emplazó
Es muy difícil establecer comparación
Es alto, es mucho, ya no queda por decir
Sólo aspiramos a ser como son
Ésa es la voz del hombre de hoy
Hacer y ser mejor
Show full lyrics (33 lines) ▾
#58–62 Rolando Alarcón Por Cuba y Vietnam 1971 · Album · Tiempo # VBP-286 · Chile
All 5 songs from this album in the archive are in this collection
Annotation
Rolando Alarcón, born on 5 August 1929 in Sewell, Libertador General Bernardo O'Higgins, Chile. He died on 4 February 1973 at the age of 43. He was member of the Chilean folk group Conjunto Cuncumén. A key member of the Nueva canción latinoamericana in Chile, he was highly respected in Chile, an influential folklorist and composer. This album Por Cuba y Vietnam (Tiempo # VBP-286) ("For Cuba and Vietnam") was split into two sides, with the A-side dedicated to Cuba, the B-side related to the Vietnam War. The original was released in Chile, but was also released in Argentina (Peña Indoamericana # P.I. 5004) and Italy (Joker # SM 3455). It contained the songs:
Notes
Annotation by Justin A. Brummer
Show the full entries ▾ · Release page →
#58 Rolando Alarcón Las doradas colinas de Binh Thuan [The Golden Hills Of Binh Thuan] 1971 · Album · Por Cuba y Vietnam · Tiempo # VBP-286 · Chile
Annotation
Rolando Alarcón, born on 5 August 1929 in Sewell, Libertador General Bernardo O'Higgins, Chile. He died on 4 February 1973 at the age of 43. He was member of the Chilean folk group Conjunto Cuncumén. A key member of the Nueva canción latinoamericana in Chile, he was highly respected in Chile, an influential folklorist and composer. This album Por Cuba y Vietnam (Tiempo # VBP-286) ("For Cuba and Vietnam") was split into two sides, with the A-side dedicated to Cuba, the B-side related to the Vietnam War. The original was released in Chile, but was also released in Argentina (Peña Indoamericana # P.I. 5004) and Italy (Joker # SM 3455). It contained the songs:
Notes
Annotation by Justin A. Brummer
Notes
Side B of the EP: B1 "Las doradas colinas de Binh Thuan" (The Golden Hills of Binh Thuan); B2 "Hermano, hermano... llorarás" (Brother, Brother... You Will Cry); B3 "Su nombre puede ponerse en verso (Ho Chi Min)" (Your Name Can Be Put in Verse); B4 "Algún día Viet-Nam" (Someday Viet-Nam); B5 "Cueca por Viet-Nam".
Theme: Anti-War
#59 Rolando Alarcón Algun dia Viet-Nam [Someday Viet-Nam] 1971 · Album · Por Cuba y Vietnam · Tiempo # VBP-286 · Chile
Annotation: see “Las doradas colinas de Binh Thuan [The Golden Hills Of Binh Thuan]” above (same release).
Theme: Anti-War
#60 Rolando Alarcón Cueca Por Viet-Nam [Briefs By Viet-Nam] 1971 · Album · Por Cuba y Vietnam · Tiempo # VBP-286 · Chile
Annotation: see “Las doradas colinas de Binh Thuan [The Golden Hills Of Binh Thuan]” above (same release).
Theme: Anti-War
#61 Rolando Alarcón Hermano, hermano... Llorarás [Brother, brother...You Will Cry] 1971 · Album · Por Cuba y Vietnam · Tiempo # VBP-286 · Chile
Annotation: see “Las doradas colinas de Binh Thuan [The Golden Hills Of Binh Thuan]” above (same release).
Theme: Anti-War
#62 Rolando Alarcón Su nombre puede ponerse en verso (Ho Chi Min) [Your Name Can Be Put In Verse (Ho Chi Min)] 1971 · Album · Por Cuba y Vietnam · Tiempo # VBP-286 · Chile
Annotation: see “Las doradas colinas de Binh Thuan [The Golden Hills Of Binh Thuan]” above (same release).
Theme: Anti-War
#63 Grupo de Experimentación Sonora del ICAIC Su nombre, Ho Chi Minh (Your Name, Ho Chi Minh) 1971 · Album · Cuba va! Songs of the New Generation of Revolutionary Cuba · Paredon # P-1010 · Cuba
Annotation
LP of songs released by the Experimental Sound Collective of the Cuban Institute of Cinematographic Arts and Industries (ICAIC), which featured some of the most prominent artist in the Nueva canción latinoamericana movement, including Silvio Rodríguez, Pablo Milanés, Noel Nicola, Sara González, Emiliano Salvador, and Pablo Menéndez. Released in the US on Paredon Records (# P-1010), founded by Barbara Dane and Irwin Silber in 1969, whose objective was to "seek out the music and speech, documentary or dialogue, that spring from the conscious artist who relates to people's movements, and which pour from all people in struggle".1 This record label released several albums either about the Vietnam War or that contained a Vietnam War song, which are discussed on this list, see the note below. Also note that in 1969 Dane and Sliber published the book "The Vietnam Song Book" which included the notation and lyrics of one hundred anti-war songs collected from around the world.

It featured the song "Su nombre' Ho Chi Minh (Your Name, Ho Chi Minh)" . The lyrics were composed by poet Félix Pita Rodríguez, born on 18 February 1909 in Bejucal, Havana, Cuba. He died in 1990 in Havana, Cuba. The music was written by Pablo Milanés - born on 24 February 1943 in Bayamo, Granma, Cuba. It took a North Vietnamese patriotic position, as suggested in the title, praising the leadership of the country's leader Ho Chi Minh, calling him the "quiet Vietnamese farmer" .1
Annotation by Justin A. Brummer
Lyrics
English
Because you President Ho Chi Minh
Poet Ho Chi Minh
Quiet Vietnamese farmer
Ho Chi Minh, have spent seventy-seven years in struggle
Your whole life
Because you have given up being all you names
A voice, a breath, a glance, to be only, and nothing
Less than, the earth, blood and bones of your homeland
Because of all these things, and many others which cannot be
Imprisoned in cages of words
And because for you the dignity of man is more important than bread
More important than glory
More important than ones own survival
Your name Ho Chi Minh
Can be put to verse
Poets can sing to you
As one sings to the sea and to the mountains
Because to sing to you, Presidente, poet, farmer
Is to sing to the beautiful and tormented land of Vietnam
That no longer has the shape of a bamboo pole
With a basket at either end
But the glorious shape of the only door which one can enter...
Show full lyrics (23 lines) ▾
#64 Daniel Viglietti Dinh-hung, Juglar 1971 · Album · Canciones chuecas · Orfeo # SULP 90.558 · Uruguay
Annotation
The song "Dinh-hung, Juglar" (Orfeo # SULP 90.558) performed by Daniel Viglietti, part of the Nueva canción latinoamericana movement, born and died in Montevideo, Uruguay (24 July 1939-30 October 2017). The lyrics were written by Hector Numa Moraes & Washington Benavides, both songwriters from Uruguay. The song title is named after a Vietnamese poet, born in French Indochina, and died in Saigon (1920-1967).1 The song tells the story of a massacre in a village.
Annotation by Justin A. Brummer
Lyrics
English
I'll tell you a story
Bitter, or worse
That's why I sing it to you
And what the heck
It was Van-Ding, the village
Over there in Vietnam
It was, I say, a school
I'll say no more
They came through the air
Deadly flight
All that was left was a notebook
I'll say no more
He signed his poems
"Dinh-Hung, minstrel"
He was thirteen years old
He had no more
And that is one of so many
Over there in Vietnam
Now forget, if you can
Forget it

Spanish
Te contaré una historia
amarga o más
Te la canto por eso
y qué caray
Era Van-Ding, la aldea
allá en Vietnam
Era, digo, una escuela
no digo más
Vinieron por el aire
vuelo mortal
Quedó sólo un cuaderno
no digo más
Firmaba sus poemas
”Dinh-Hung, juglar”
Tenía trece años
no tuvo más
Y esa es una de tantas
allá en Vietnam
Ahora olvida, si puedes
olvídala
Show full lyrics (43 lines) ▾
Theme: Anti-War
#65 Atahualpa Yupanqui Basta ya 1971 · Album · Basta ya · Le Chant du Monde # LDX - 7 4457 · Argentina
Annotation
Atahualpa Yupanqui, born Héctor Roberto Chavero Aramburu, on 22 January 1908 in Pergamino, Buenos Aires, Argentina. He died 23 May 1992, Nîmes, Languedoc-Roussillon, France. He was known for his acoustic guitar playing, part of the Nueva canción latinoamericana. The song "Basta ya!" (Le Chant du Monde # LDX - 7 4457) called for a stop to US interventions, asking the question: "who won the war in the mountains of Viet Nam? The guerrilla in his land" . This record was released in France.
Annotation by Justin A. Brummer
Notes
Record released in Paris, France, Europe
Lyrics
English
Ay! Ya come at dawn
Los gallos is singing
Compadre, is announcing
What an empathy for the journey ... Ay ... Ay ...
¡Ay! , ponga attión
Que empiza mi cuarteta
We don't have protection ... Ay ... Ay ...
English work
Truck work
Sweating for money
What you can't see ... Ay ... Ay ...
¡Enough ya! ¡Enough ya!
¡Enough ya that the yanqui sends!
The yanqui lives in a palace
I live in a barracón!
How can you live
El yanqui mejor what yo?
¡Enough ya! ¡Enough ya!
¡Enough ya that yanqui orders!
¿What happens with my brothers
From Méjico Y Panama?
Suspended priest priests
¡Susi hijos no lo sern!
¡Enough ya! ¡Just ya!
¡Just let yanqui send you!
I learned a little
/ Profiting from that peace
I repeated it a lot
Y the jail went to stop
¡Enough ya! ¡Enough ya!
¡ Just let it go!
Who won the war
In the mountains of Viet Nam?
Gu errillero in his land
Y yanqui en cinema

Spanish
¡Ay! Ya viene la madrugada
Los gallos están cantando
Compadre, están anunciando
Que ya empieza la jornada... Ay... Ay...
¡Ay! Al vaivén de mi carreta
Nació esta lamentación
Compadre, ponga atención
Que ya empieza mi cuarteta
No tenemos protección... Ay... Ay...
Trabajo para el inglés
Trabajo de carretero
Sudando por un dinero
Que en la mano no se ve... Ay... Ay...
¡Basta ya! ¡Basta Ya!
¡Basta ya que el yanqui mande!
El yanqui vive en palacio
Yo vivo en uno ¡barracón!
¿Como es posible que viva
El yanqui mejor que yo?
¡Basta ya! ¡Basta ya!
¡Basta ya que el yanqui mande!
¿Qué pasa con mis hermanos
De Méjico Y Panamá?
Sus padres fueron esclavos
¡Sus hijos no lo serán!
¡Basta ya! ¡Basta ya!
¡Basta ya que el yanqui mande!
Yo de pequeño aprendí
A luchar por esa paz
De grande lo repetí
Y a la cárcel fui a parar
¡Basta ya ! ¡Basta ya!
¡Basta ya que el yanqui mande! /¿Quién ha ganado la guerra
En los montes del Viet-Nam ?
El guerrillero en su tierra
Y el yanqui en el cinema
Show full lyrics (74 lines) ▾

1972

#66 Alí Primera Mujer del Vietnam 1972 · Album · De Una Vez · pläne # S 88 106 · Germany
Credited on the record as Ali Primera.
Annotation
The song "Mujer Del Vietnam" ( "Women of Vietnam" ) (Pläne # S 88 106), released in 1972 by Venezuelan singer Ali Primera, born 31 October 1941 in Coro, Falcón, Venezuela, and died 16 February 1985 in Caracas, Distrito Capital, Venezuela. He was part of the Nueva canción latinoamericana movement which developed in Latin America in the 1960s, which featured Latin and South American folk with leftist political and social messages. On the anti-war side as typically seen in this genre, the song took the interesting perspective of looking at the impact of the war on the women of Vietnam, referred to here as "Ho's mother, Ho's daughter" - a reference to the North Vietnam leader Hồ Chí Minh. He Also released the 1969 anti-war album Canciones de protesta, which included three Vietnam War songs: "Inolvidable Ho Chi Minh", "Adelante Vietnam", and "Guerrillero de piel amarilla".
Annotation by Justin A. Brummer
Notes
Pläne S 88 106, stereo, "Serie Sieg 6", Verlag "pläne" GmbH, 46 Dortmund, Ruhrallee 62; back sleeve headed "Ali Primera — Lieder der Dritten Welt — Für eine einzige Welt". "Mujer del Vietnam" (B5), 3.50; Text und Musik: Ali Primera; Arrangements: Wilson de Oliveira; Ali Primera (Venezuela): Gesang, Gitarre, "Cuatro", Percussions; Wilson "Yiyé" de Oliveira (Uruguay): Flöte, Gitarre; Michael Bahner (Westberlin): Kontrabaß; Sherry Bertram (Westberlin): Schlagzeug, Percussion.

Recorded ("aufgenommen") in May 1972; Aufnahmeleitung: Theo König; cover design Bernhard Nickel; photos Ingo Barth.

The front shows Primera in a red polo-neck tuning a guitar; the back carries a German-language essay on the protest song as the voice of Third World peoples, quoting Fidel Castro, ending "Wenn der Maulkorb fällt, ist es leichter, die Ketten zu sprengen" [When the muzzle falls, it is easier to break the chains], with Primera's signature. [From the record sleeve and labels]
Lyrics
English
With a son in her hand
And in the other a rifle
The woman of Vietnam
Forges her future
Ho's mother
Ho's daughter
The blood, the sister
The land, the struggle
Of Ho Chi Minh
Woman of the Mekong
Of bamboo and rice
Of rice and bamboo
Where you tread
The future treads
The land, the sister
The daughter, the struggle
Of Ho Chi Minh
A plane is heard in the sky
The bombs fall
On the ground a rooster crowed
A child cried
She gave birth in pain
She gave birth to the future
Woman of Vietnam
Woman of blood and sun
Your soul is a song
Ho's mother
Ho's land
The daughter, the struggle
The blood, the sister
Of Ho Chi Minh
In the arms of the Mekong
You blend in with the reeds
And your little feet
Are the roots of your rice
With your hands
And step by step
You are painting blue the sky
That the invader blackened
Ho's mother
Ho's land
The daughter, the sister
The blood
The struggle
Of Ho Chi Minh

Spanish
Con un hijo en la mano
Y en el otro un fusil
La mujer de Vietnam
Labra su porvenir
La madre de Ho
La hija de Ho
La sangre, la hermana
La tierra, la lucha
De Ho Chi Minh
Mujer del Mecón
De bambú y arroz
De arroz y bambú
Donde pisas tú
Pisa el porvenir
La tierra, la hermana
La hija, la lucha
De Ho Chi Minh
En el cielo se oye un avión
Las bombas caen
En la tierra un gallo cantó
Un niño lloró
Parió con dolor
El futuro parió
Mujer del Vietnam
Mujer de sangre y de sol
Tu alma es una canción
La madre de Ho
La tierra de Ho
La hija, la lucha
La sangre, la hermana
De Ho Chi Minh
"En los brazos del Mecón
Te confundes con los juncos
Y tus piececitos
Son las raíces de tu arroz
Con tus manos
Y paso a paso
Vas pintando de azul el cielo
Que ennegreció el invasor
La madre de Ho
La tierra de Ho
La hija, la hermana
La sangre
La lucha
De Ho Chi Minh
Show full lyrics (93 lines) ▾
Theme: Anti-War
#67 Quilapayún Für Vietnam (Por Vietnam) 1972 · Compilation · 3. Festival des Politischen Liedes · ETERNA # 8 15 058 · Chile
Credited on the record as Various Artists.
Annotation
This is a recording from the "Festival of Political Songs" held in East Germany between 1970 and 1990. It was hosted by the Free German Youth and featured international artists. This LP (ETERNA # 8 15 058) contained live version of Quilapayún's "Für Vietnam" , discussed above. The record lable was based in Berlin, East Germany.1
Annotation by Justin A. Brummer
Notes
ETERNA 8 15 058 (VEB Deutsche Schallplatten Berlin), stereo LP; live recordings from the 3. Festival des politischen Liedes, Berlin, 13–19 February 1972 (Ag 511/01/73); Musikregie Karl Heinz Ocasek; design Peter Porsch.

Sleeve note: the song prophesies an early victory over the Yankees for the bravely fighting Vietnamese people. Series: Festival des politischen Liedes No. 3. Notes: 'Mitschnitte von Veranstaltungen während des 3. Festivals des politischen Liedes' (recordings of events during the 3rd Festival of Political Song). Record company VEB Deutsche Schallplatten Berlin; pressed VEB Deutsche Schallplatten Potsdam-Babelsberg.

Engineer Gerhard Kossatz; producer (Musikregie) Karl Heinz Ocasek; design Peter Porsch. 1973 repress exists (release 35910481). Durations from linked videos. live version Track B1 of the compilation. Live version recorded at the 3rd Festival des politischen Liedes, Berlin, GDR, 1972; the LP also has Oktober-Klub Berlin's 'Friedenslied'. [From the record sleeve and labels]
#68 Che Guevara Speech on solidarity with the people of South Viet-Nam (1963) (Side A) 1972 · Album · Discursos del Comandante Ernesto Guevara" [Speeches by Commander Ernesto Guevara] · EGREM # LD-DP 7 · Cuba
Annotation
Che Guevara, born Ernesto Guevara on 14 June 1928 in Rosario, Santa Fe, Argentina. He died on 9 October 1967 in La Higuera, Santa Cruz, Bolivia. Often described as a Marxist revolutionary, and guerilla leader, he played a key role in the Cuban Revolution, and opposing imperialism and colonialism throughtout South & Central America, Africa, and the Asia. This record is a speech delivered in 1963, released on LP on the 5th anniversary (1972) of Che Guevara's death (1967) - in solidarity with the people in South Vietnam. The track name was "Discurso del Cmdte. Ernesto Guevara en el acto de clausura de la semana de solidaridad con el pueblo de Viet-Nam del Sur. (En el teatro de la C.T.C. el 20 De Dic. De 1963)" (in English: "Speech by Cmdte. Ernesto Guevara at the closing ceremony of the week of solidarity with the people of South Viet-Nam. (At the CTC theater on Dec. 20, 1963)". An English transcrip of the speech is available in the Daily Report, Foreign Radio Broadcasts, Issue 248. In the speech he ran through some of the history of the Vietnam War, from French occupation after World War Two, to the beginning of US intervention. He then linked that conflict to the situation of South and Central America:
Annotation by Justin A. Brummer
Notes
EGREM LD-DP-7, 33 rpm, label "Discursos del Comandante Ernesto Guevara", "En conmemoración al 5to. aniversario de su muerte" [In commemoration of the 5th anniversary of his death], with an orange map of Latin America; "Hecho por EGREM-CNC-La Habana, Cuba".

Side 1: "Discurso del Cmdte. Ernesto Guevara en el Acto de Clausura de la Semana de Solidaridad con el Pueblo de Viet-Nam del Sur. (En el Teatro de la C.T.C. el 20 de dic. de 1963)" [Speech at the closing of the Week of Solidarity with the People of South Viet-Nam, CTC Theatre, 20 December 1963].

The front cover sets a red stencil portrait of Guevara in his starred beret against a collage of Vietnam War photographs; the back is a grid of photographs of Guevara and guerrillas in the bush, captioned with the same speech title. [From the record sleeve and labels]
Lyrics
English
As we today, full of enthusiasm, raise the flag of South Vietnam, we do so not just out of proleterian internationalism and the thirst for justice which the revolution has instilled in all of us. We do so also because that battle front is highly important for the whole future of America. There in Vietnam they are training the forces that one day will come to repress the guerillas throughtout the American continent. There they are testing all the new weapons of extermination and all the most modern techniques for combating the freedom of the peoples. Right now South Vietnam is a big laboratory for Yankee imperialism to prepare all its equipment for perhaps an even more important battle - if that is possible - which must be waged in the back yard of its colonial pocessions throughout the American continent".
#69 Che Guevara Speech on solidarity with the people of South Viet-Nam (1963) (Side B) 1972 · Album · Speeches by Commander Ernesto Guevera · EGREM # LD-DP 7 · Cuba
Annotation: see “Speech on solidarity with the people of South Viet-Nam (1963) (Side A)” above (same release).
#70 Inda Ledesma, Héctor Alterio & Armando Tejada Gómez Pequeña oda a Vietnam 1972 · Album · Vietnam · Pincén # 0234 · Argentina
Credited on the record as Armando Tejada Gómez, Hector Alterio, Inda Ledesma.
Annotation
Poetry / spoken-word record, released in Argentina (Pincén # 0234) with writers associated with the Nueva canción latinoamericana movement. This included: Armando Tejada Gómez, born 21 April 1929 in Mendoza, Argentina, died on 3 November 1992 in Buenos Aires, Argentina; Héctor Alterio, born on 21 September 1929 in Buenos Aires, Argentina; Inda Ledesma, an actress, born 29 March 1926, in Coronel Suárez, Buenos Aires, Argentina, and died 26 January 2010 in Buenos Aires, Argentina. Track titles included: "Pequeña oda a Vietnam" ("Little Ode to Vietnam"), "Viet Cong" , "Informe del ultimo marine en Vietnam" ("Report of the Last Marine in Vietnam") (discussed above), and "Alerta en Vietnam" ("Alert in Vietnam"). The back of the LP said:

"The songs of the Ho-Chi-Minh jail open this exemplary album and serve as a starting point to delve into these fine poetic expressions of a fighting people. The drama of Viet-Nam, which has given rise to a new dimension to human worth, to its capacity for resistance to suffering, and tempered to the maximum limit its integrity, arouses at the same time indignation and admiration, to the point that nowhere country, and where a division is drawn between the defeat of the most powerful empire and the victory of a poor and modest nation that imposes itself by its proud decision to survive and win.

Poetry has flourished in Vietnamese land with the same need to repel the aggressor, we have compiled poems from both the South and the North and in all of them the urgency to rescue as our own patrimony what was known by the foreigner. And what fine spirituality is expressed in them! It will be noted that the deepest and most eternal human feelings are manifested here: love, nostalgia, memory, the need to fulfill civic duties in the face of threats looming over the country. But, above all, love, love as a nourishing source of the energy of the heart in the midst of battles, love for the companion who shares the sacrifice and sleeplessness, the love that one day will be the supreme conquest of beings in a free land.

No aggression against any nation has aroused so much indignation as the one against Viet-Nam; and the protest has consequently taken on a worldwide character. Since the so-called 'dirty war' began, the international clamor has risen in tone, in the universities and in the labor centers where there may be men with a clear conscience, the repudiation of the massacre and violence has not ceased to be expressed for a single day, adhesion to the combatants.

So also poets from different latitudes and different concerns condemned that war and exalted with love that intrepid and small town. The most important creators of our language, preferably Latin American, were chosen to represent this unanimous song of solidarity with the heroic Viet-Nam. Above all geography these poems come together and a living thread of shuddering passion weaves them together. In order to give greater harmony to these two alternate phases of the song, that of the Vietnamese themselves and that of the Spanish language, and to confer greater pathos and grandeur, Inda Ledesma and Hector Alterio have been chosen, two magnificent interpreters, who harmoniously channel that unique and bleeding song of tribute to Viet-Nam and its faith in its victory. The selection of the poems and the translation of the Vietnamese texts are the work of the Paraguayan poet Elvio Romero. I close this record, accentuating the Argentine adherence, a poem by Armando Tejada Gomez said by himself"
__________
Spanish: "Las canciones de la carcel de Ho-Chi-Minh abren este disco ejemplar y sirven de punto inicial para adentrarnos en estas finisimas expresiones poeticas de un pueblo combatiente. El drama del Viet-Nam, que ha originado una nueva dimension al valor humano, a su capacidad de resitencia al sufrimiento, y templado hasta el limite maximo su entereza, concita al mismo tiempo la indignacion y la admiracion, hasta el punto que en ningun pais, y donde se traza una divisoria entre la derrota del mas poderoso imperio ya la victoria de una nacion pobre y modesta que se impone per su orgullosa decision de supervivir y vencer. La poesia ha florecido en tierra Vietnamito con la misma neceidad de repeler al agresor, hemos compilado poemas tanto del Sur como del Norte y en todos ellos palpita la urgencia de rescatar como patrimonio propio lo que fue holado por el extranjero. Y que fina espiritualidad se express en ellos! Se podra notar que aqui se manifestan los mas hondos y eternos sentiementos humanos: el amor, la nostalgia, el recuerdo, la necesidad de complir con los deberes civicos ante las amenazas que se ciernen sombre la patria. Pero, sobretodo, el amor, el amor como fuente nutricia de la energia del corazon en medio de las batallas, el amor a la companera que comparte el sacrificio y los desvelos, el amor que un dia sera la conquista suprema de los seres en una tierra liberato.

Ninguno agresion a nacion aiguna ha despertado tanta indignacion como la electuada contra el Viet-Nam; y la protesto ha tomado consiguientemente caracter mundial. Desde que se iniciara la llamda 'guerra sucia', el clamor internacion ha subido de tono, en las universidades y en los centros obreros dondres quiera hayan hombres de conciencia limpia, no ha dejado de expresarse un solo dia el repudio a la mantanza ye la adhesion a los combatientes"

Asi tambien poetas de distintas latitudes y diferentes preocupacions condenaron esa guerra y exaltaron con amor a ese intrepido y pequeno pueblo. Los mas importantes creadores de nuestra lengua preferentemente latinamericanos, fueron los escogidos para representar ese canto unanime de solidaridad al Viet-Nam heroic. Por encima de toda geografia se hermanan estos poemas y un hilo vivo de estremecido pasion los entreiaza. Para dar mayor armonia a estas dos faces alternadas del canto, la de los, Vietnamitas mismos y la proveniente de lengua hispanica, y para conferires mayor patetismo y grandeza, se ha escogido a Inda Ledesma y a Hector Alterio, dos magnificos interpretes, quines encausan armoniosamente esa unica y sangrante cancion de homenaja al Viet-Nam y de su fe en su victoria. La seleccion de los poemas y la traduccion de los textos Vietnamitas son obra del poeta paraguayo Elvio Romero. Cierro esto disco, acentuando la adhesion argentina, un poema de Armando Tejada Gomez dicho por el mismo".
Annotation by Justin A. Brummer
Notes
Track B4. Poems from the South and the North of Vietnam and by Tejada Gómez; the record opens with poems from Ho Chi Minh's prison diary (back cover). Discogs lists the catalogue as S.P.D. 22809.

1973

#71 Los 5 U4 Dentro de Viet-Nam 1973 · Single · Dentro de Viet-Nam / Vivan Mueran · Areito # EPA-6450 · Cuba
Annotation
This group was formed in October 1968 in Isla de la Juventud, Cuba, featuring Osvaldo Rodriguez. They released the song "Dentro de Viet-Nam" ( "Inside Vietnam" ) (Areito # EPA-6450) - a state owned record label, based in Havana, Cuba. This group is often associated with the Nueva trova movement, the Cuban offshoot of Nueva canción latinoamericana. Written by Osvaldo Rodriguez, he said in an interview:
Annotation by Justin A. Brummer
Notes
Areito EPA-6450, Cara B, 45 rpm, "La Musica Cubana Alrededor del Mundo", "Producido y distribuido por EGREM Habana-Cuba"; "Dentro de Viet-Nam", described as "Punto cubano moderno", "Autor y arreglista: Osvaldo Rodriguez"; Los 5 U4, director Osvaldo Rodríguez. Issued in a blue "Producciones egrem" company sleeve printed "Producido por Empresa de Grabaciones y Ediciones Musicales (egrem), San Miguel No. 410, La Habana 2, Cuba - Aptdo.

Postal 2217 - Cable: EGREM". [From the record sleeve and labels]
Lyrics
English
In 1973 Jorge Fuentes called me, a director of the Armed Forces (FAR). There was a documentary called Inside Vietnam and they needed someone to make music for them. My group and I made incidental music for the report and a song called "Inside Vietnam". (1)
#72 Carlos Puebla y Sus Tradicionales El ejemplo de Viet Nam 1973 · Album · Carlos Puebla · Areito # LDA-3410 · Cuba
Credited on the record as Carlos Puebla Y Sus Tradicionales.
Annotation
Carlos Puebla, born on 11 September 1917 in Manzanillo, Granma, Cuba. He died on 12 July 1989, Havana, Cuba. He was a prominent member of the Nueva trova movement, the Cuban offshoot of Nueva canción latinoamericana, linked with leftist social and political movement in South & Central America. This album (Areito # LDA-3410) featured two Vietanam War songs. The first was "El Ejemplo de Vietnam" ("Example of Vietnam") which suggested that the North Vietnamese victory over the US had spurred on the freedom movement in Puerto Rico, saying that it resembled the story of "the legend of Goliath, that giant, and little David who forced him to surrender". Likewise, the "Yankee has cannons...but Puerto Rico...has its people".1 Note that this song also featured on the album below. Furthermore, he had a different song called "David y Goliath" with a similar theme, released in 1970 on the LP Cancion Protesta: Protest Songs of Latin America, above, on Paredon Records. The other song on this album was called "La gloria para Viet Nam" ("Glory fo Vietnam"). Released in Havana, Cuba.
Annotation by Justin A. Brummer
Notes
Track A4. Compares Puerto Rico's independence struggle with the Vietnamese victory - David and Goliath. Also on Paredon P-1018 (1975).
Lyrics
English
Puerto Rico, is getting ready to liberate itself
To have a free country, without fear of the Yankee giant
With the Vietnamese victory
It has been shown once and for all that even though they seem so big
The giants are not so great
And now you see, Puerto Rico, in a very concrete way
How the peoples of smaller lands are rising up
Remember the legend of Goliath, that giant, and little David
Who forced him to surrender and to humble himself
The Yankee has cannons, and knows how to exploit you
But Puerto Rico relies on something else
Puerto Rico has its people
The heirs of Betances who at this historic moment have made up their minds to be free
#73 Carlos Puebla y Sus Tradicionales La gloria para Viet Nam 1973 · Album · Carlos Puebla · Areito # LDA-3410 · Cuba
Credited on the record as Carlos Puebla Y Sus Tradicionales.
Annotation: see “El ejemplo de Viet Nam” above (same release).

1974

#74 Julio Solórzano Ho Chi Minh 1974 · Album · Maderas Latinoamericanas · Discos NCL # NCL-LP-001 · Mexico
Annotation
Mexican artist, with the song "Ho Chi Minh" (Discos NCL # NCL-LP-001) out of Mexico City, in Nueva canción latinoamericana genre.
Annotation by Justin A. Brummer
Notes
Track A3. Musicians include Gerardo Tamez, José Ávila, Víctor Bautista and Rafael Chávez; Amparo Ochoa among the backing vocals.

1975

#75 Carlos Puebla El ejemplo de Vietnam 1975 · Album · Cuba: Songs for Our America · Paredon # P-1018 · Cuba
Annotation
Carlos Puebla, born on 11 September 1917 in Manzanillo, Granma, Cuba. He died on 12 July 1989, Havana, Cuba. He was a prominent member of the Nueva trova movement, the Cuban offshoot of Nueva canción latinoamericana, linked with leftist social and political movement in South & Central America. Released in 1975, all the songs on the album Cuba: Songs for Our America (Paredon Records # P-1018) focused on issues related to the US - such as its involvement in Puerto Rico, Panama, Vietnam, and problems at home, such as both African-American and Mexican-American Civil Rights. Released on Paredon Records, this record label was founded by Barbara Dane and Irwin Silber in 1969, whose objective was to "seek out the music and speech, documentary or dialogue, that spring from the conscious artist who relates to people's movements, and which pour from all people in struggle".1 This record label released several albums either about the Vietnam War or that contained a Vietnam War song, which are discussed on this list, see the note below. Also note that in 1969 Dane and Sliber published the book "The Vietnam Song Book" which included the notation and lyrics of one hundred anti-war songs collected from around the world.

This album included the song "El ejemplo de Vietnam" ("Example of Vietnam"), discussed above, featured on the 1973 album Carlos Puebla. A second Vietnam War-related song on this album was "Y está despertando el negro" ("Now the Black Man Is Awakening"), which combined the issues of African-American Civil Rights and the Vietnam War, focussing on the draft resistance movement. The narrator said that the US system tried to protect its investment by "enlisting and training the black man" as "cheap meat" to fight in the war. However, the narrator said that now the "black man is rising" - resisting the draft.
Annotation by Justin A. Brummer
Notes
Track B3; recorded in Cuba; liner notes in Spanish and English with lyrics. Same song as on Areito LDA-3410 (1973).
Lyrics
English
The black man is waking up
Now he is answering clubs with clubs
And fire with fire
The black man only asks on this earth far his little piece of sky
But he is answered with police clubs, with chains and with dogs
As long as the black man is quiet
As long as he keeps in his place
The rich man classifies him as a "good, poor nigger"
And because the rich man is the owner of the businesses and the money
He tries to protect his investment by enlisting and training the black man
And there goes the "cheap meat"
The tender flesh of the black man
That while alive is "bad", but in dying becomes "good"
But now the black man is rising with all his passion and fire
And things are changing, now that the black man has awakened
Show full lyrics (16 lines) ▾
#76 Carlos Puebla Ya está despertando el negro 1975 · Album · Cuba: Songs for Our America · Paredon # P-1018 · Cuba
Annotation: see “El ejemplo de Vietnam” above (same release).
Lyrics
English
The black man is waking up
Now he is answering clubs with clubs
And fire with fire
The black man only asks on this earth far his little piece of sky
But he is answered with police clubs, with chains and with dogs
As long as the black man is quiet
As long as he keeps in his place
The rich man classifies him as a "good, poor nigger"
And because the rich man is the owner of the businesses and the money
He tries to protect his investment by enlisting and training the black man
And there goes the "cheap meat"
The tender flesh of the black man
That while alive is "bad", but in dying becomes "good"
But now the black man is rising with all his passion and fire
And things are changing, now that the black man has awakened
Show full lyrics (16 lines) ▾
#77 Carlos Puebla Los Vietnamitas / I vietnamiti 1975 · Live · Generazione Vietnam · I Dischi Dello Zodiaco # VPA 8251 · Cuba
Annotation
Various artist compilation released in Italy, with mainly European artists. But it also included Carlos Puebla's "Los Vietnamitas" (written in Italian - "I vietnamiti"), which was a live version of the song "David y Goliath" (also known as "David and Goliath (The Vietnamese Are Small)" which featured on the album Cancion Protesta: Protest Songs of Latin America and Vietnam canta a Cuba - Cuba canta a Vietnam, discussed on this list. This album also had a version of Quilapayún's "Por Vietnam" (written in Italian as "Per il Vietnam" ), originally featured on the 1968 album X Viet-Nam. Released on the record label I Dischi dello Zodiaco (# VPA 8251) from Rozzano, Lombardia, Italy.
Annotation by Justin A. Brummer
Notes
Same song as "David y Goliath"

I Dischi dello Zodiaco VPA 8251, stereo, ℗ 1975, made in Italy, yellow labels; "Antologia storica di 16 canzoni di solidarietà cantate in Italia e nel mondo alle manifestazioni pacifiste degli anni '50-'60-'70". Patronage: Comitato Italia-Vietnam, Bologna; coordination Antonio Panieri, regional councillor; realisation Gianfranco Ginestri of the Canzoniere delle Lame; Italian musical direction Janna Carioli and Mirko Medici; cover a 1968 Cuban Ho Chi Minh portrait ("Menderos Cubano"), design Mario Barbagallo; produced by Editoriale Sciascia, August 1975; also on cassette VC 0732. Back cover photos: a Bologna peace march ("Con il Viet-Nam fino alla vittoria" banner) and the Canzoniere delle Lame with Il Contemporaneo at the X World Youth Festival, Berlin. Side A (Italian groups): 1 Liberiamo il Sud Vietnam (Inno Viet Cong, versione italiana; Sieng–Nicotra–Carioli–Ginestri) 2:16, Canzoniere delle Lame; 2 Lettera alla mia amica (Medici–Varini–Anonimo) 4:27, Il Contemporaneo di Modena; 3 Giù le mani dal Vietnam (Giuffrida–Nicotra–Boffardi–Carioli) 1:27, Lame; 4 Argento e oro (Medici–Varini–Beidler) 2:37, Contemporaneo; 5 Yankee, tornatevene a casa (Giuffrida–Nicotra–Boffardi–Carioli) 2:40, Lame; 6 Canto per Nguyen Van Troy (Medici–Varini–Xuan) 3:35, Contemporaneo; 7 Al poeta compagno Vinh Long (Giuffrida–Nicotra–Nocciolino) 2:23, Lame; 8 Giuramento (Medici–Varini–Khanh) 2:16, Contemporaneo. Side B (international): 1 Giai-Phong-Mien-Nam (Sieng; Comitato Vietnam/Hanoi) 2:38, Coro partigiano, Vietnam; 2 La ballade de Ho Chi Minh (MacColl–Gansel–Grosz) 2:58, Francesca Solleville, France; 3 Los Vietnamitas (Puebla) 2:44, Carlos Puebla, Cuba; 4 Erkänn PRR (Östra FNL) 2:18, Norrköpings grupp, Sweden; 5 Vietnamesisches Siegeslied (Mitchell, FDJ) 2:14, Oktober Klub, GDR; 6 Por Vietnam (Carrasco–Gómez, DICAP) 2:13, Quilapayún, Chile; 7 Pirati dvatzatova vieka / I pirati del ventesimo secolo (Mazikaite, Melodia) 2:18, Dzilda Mazikaite, USSR; 8 We Shall Overcome (Seeger–Carawan–Hamilton–Horton) 3:23, Joan Baez, USA. [From the record sleeve and labels]
#78 Quilapayun Por Vietnam 1975 · Compilation · Generazione Vietnam · I Dischi Dello Zodiaco # VPA 8251 · Chile
Annotation: see “Los Vietnamitas / I vietnamiti” above (same release).
#79 Sonia Silvestre Nana a una niña de Viet Nam 1975 · Album · La nueva canción · Areito # LD-3510 · Dominican Republic
Annotation
Sonia Silvestre, born 16 August 1952 in San Pedro de Macorís, Dominican Republic, and died on 19 April 2014 in Santo Domingo, Dominican Republic. As suggested by the title of the album, the song "Nana a una niña de Vietnam" ("Nana to a girl from Vietnam") (Areito) fitted into the Nueva canción genre, with lyrics inspired by contemporary social and political events. This record was released in Havana, Cuba. This anti-war song looked at the perpspective of a Vietnamese girl (it does not mention North or South), caught up in the war, seeing the bombers and death: "girl from Viet Nam...rubble you will hear...you've seen the death".
Annotation by Justin A. Brummer
Notes
Track A6. Recorded at Estudios EGREM, Havana, with Orquesta EGREM; produced by Silvio Rodríguez and Vicente Rojas (Silvio Rodríguez on tres; Noel Nicola and Víctor J. Víctor on guitar).
Lyrics
English
Girl, girl from Vietnam
Little face like a fresh spring
Run, run, little figure
For the plane is about to arrive
Girl from Vietnam
Little surprise from the rosebush
Look, look for your doll
So that she can be saved
Iña, girl from Vietnam
With braids beyond compare
Sing your song of peace
The rubble will hear you
Girl from Vietnam
Little friend of springtime
Now that you have seen death
Perhaps for the first time
Girl, girl from Vietnam
Daughter of shield-bearing petals
By the angels of heaven
Ask the bomber...
Little surprise of a rose
Little face like a fresh spring
Girl, girl from Vietnam
Girl, girl from Vietnam

Spanish
Niña, niña de Vietnam
Carita de manantial
Corre, corre, figurilla
Que el avión está al llegar
Niña de Vietnam
Sorpresita de rosal
Busca, busca tu muñeca
Que ella se puede salvar
Iña, niña de Vietnam
De trenzas sin igual
Canta tu canción de paz
Los escombros te oirán
Niña de Vietnam
Amiguita de primavera
Ahora que has visto la muerte
Quizás, por vez primera
Niña, niña de Vietnam
Hija de pétalos escuderos
Por los ángeles del cielo
Pregúntale al bombardero...
Sorpresita de rosa
Carita de manantial
Niña, niña de Vietnam
Niña, niña de Vietnam
Show full lyrics (51 lines) ▾
#80 Inti Illimani Ciudad Ho Chi Minh 1975 · Single · Hacia la libertad · I Dischi Dello Zodiaco # VVN 33266 · Chile
Credited on the record as Inti-Illimani.
Annotation
The song "Ciudad Ho-Chi-Min" (Movieplay # MOV 5048) by Int-Illimani is an instrumental tribute to the renaming of Saigon as Ho Chi Minh City. It included sound-effects of re-building and Buddhist chants, mixed with Andean folk music. Released in Chile, South America, it fitted into the Nueva canción latinoamericana - new song movement, developed in Latin America in the 1960s, influenced by leftist social movements and historical events around the world, with politically charged lyrics. Inti-Illimani formed in 1967 in Santiago, Región Metropolitana de Santiago, Chile, one of the leading groups in the movement. The record label Movieplay was based in Madrid, Spain.
Annotation by Justin A. Brummer
Notes
I Dischi dello Zodiaco VVN 33266/A, stereo, 45 giri, ℗ 1975, "Stereo-Quad. SQ Dolby System", S.I.A.E., Ed. Eliseo, "Made in Italy"; "Ciudad Ho Chi Minh" (J. Seves), 4'44", credited to Inti-Illimani. Promotional pressing marked "Disco ad uso promozione radiofonica – Fuori commercio". [From the record sleeve and labels]

Unknown date

#81–83 Inda Ledesma, Héctor Alterio & Armando Tejada Gómez Vietnam Album · Pincén # 0234 · Argentina
3 of the 4 songs from this album in the archive are in this collection
Show the full entries ▾ · Release page →
#81 Inda Ledesma, Héctor Alterio & Armando Tejada Gómez Vietcong Album · Vietnam · Pincén # 0234 · Argentina
Credited on the record as Armando Tejada Gómez, Hector Alterio, Inda Ledesma.
Annotation: see “Ciudad Ho Chi Minh” above (same release).
#82 Inda Ledesma, Héctor Alterio & Armando Tejada Gómez Informe del último "marine" en Vietnam Album · Vietnam · Pincén # 0234 · Argentina
Credited on the record as Armando Tejada Gómez, Hector Alterio, Inda Ledesma.
Annotation: see “Ciudad Ho Chi Minh” above (same release).
#83 Inda Ledesma, Héctor Alterio & Armando Tejada Gómez Alerta en Vietnam Album · Vietnam · Pincén # 0234 · Argentina
Credited on the record as Armando Tejada Gómez, Hector Alterio, Inda Ledesma.
Annotation: see “Ciudad Ho Chi Minh” above (same release).
#84–92 Various Artists Vietnam canta a Cuba - Cuba canta a Vietnam Compilation · Not On Label # LD-V-3 · Cuba
8 of the 12 songs from this compilation in the archive are in this collection
Annotation
As suggested in the title - "Vietnam sings to Cuba - Cuba sings to Vietnam" - half the songs (the A-side) are by Cuban artists, the other half (the B-side) by North Vietnamese, with the two countries showing solidarity for their repective causes. Released in Cuba. Two of the songs on the Vietnamese side dealt with the relationship, called "Vietnam-Cuba" , performed firstly by Trần Kiết Tường, and secondly by Hoàng Vân. The Cuban artists were associated with the Nueva canción latinoamericana movement, many discussed above. Pablo Milanés had two songs: "Ho Chi Minh: Su nombre puede ponerse en versos" ("Ho Chi Minh: His Name Can Be Put into Verses")" and "Por que" ("Why"). Other songs were: Omara Portuondo - "Cuento para un niño" ("Story for a Child"), Silvio Rodríguez - "3,000 pajaros negros" ("3,000 Black Birds"), Elena Burke - "La hora de todos" ("Everyone's Time"), Carlos Puebla - "David y Goliath" ("David and Goliath"), and Ramón Calzadilla y el Coro del ICR - "Himno de la victoria" ("Hymn of Victory").
Annotation by Justin A. Brummer
Show the full entries ▾ · Release page →
#84 Hoàng Vân Vietnam-Cuba Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation
As suggested in the title - "Vietnam sings to Cuba - Cuba sings to Vietnam" - half the songs (the A-side) are by Cuban artists, the other half (the B-side) by North Vietnamese, with the two countries showing solidarity for their repective causes. Released in Cuba. Two of the songs on the Vietnamese side dealt with the relationship, called "Vietnam-Cuba" , performed firstly by Trần Kiết Tường, and secondly by Hoàng Vân. The Cuban artists were associated with the Nueva canción latinoamericana movement, many discussed above. Pablo Milanés had two songs: "Ho Chi Minh: Su nombre puede ponerse en versos" ("Ho Chi Minh: His Name Can Be Put into Verses")" and "Por que" ("Why"). Other songs were: Omara Portuondo - "Cuento para un niño" ("Story for a Child"), Silvio Rodríguez - "3,000 pajaros negros" ("3,000 Black Birds"), Elena Burke - "La hora de todos" ("Everyone's Time"), Carlos Puebla - "David y Goliath" ("David and Goliath"), and Ramón Calzadilla y el Coro del ICR - "Himno de la victoria" ("Hymn of Victory").
Annotation by Justin A. Brummer
Notes
LD-V-3, 33 r.p.m., blue labels with silver print, "Hecho en Cuba por EGREM - CNC"; side A is headed "Cuba Canta a Viet-Nam" and side B "Viet-nam Canta a Cuba". Cara A: "Ho Chi Minh: Su nombre puede ponerse en versos" and "Por que" (Pablo Milanés), "Cuento para un niño" (Omara Portuondo), "3,000 pajaros negros" (Silvio Rodríguez), "La hora de todos" (Elena Burke), "David y Goliath" (Carlos Puebla) and "Himno de la victoria" (Ramón Calzadilla y el Coro del ICR); Cara B: "Vietnam-Cuba" (Tran Kiet Tuong), "Marcha de las milicias Cubanas", "Canto a los combatientes de Girón", "Siboney", "Vietnam-Cuba" (Hoang Van) and "Marcha de América Latina", the side B items other than the two "Vietnam-Cuba" songs carrying no performer credit.

The front cover shows two large yellow flowers on a red ground; the back carries the tracklist with two black-and-white photographs, a child playing a flute while riding a water buffalo in a field and workers among plants beneath royal palms. No times, writers or year are printed. [From the record sleeve and labels]
#85 Trần Kiết Tường Vietnam-Cuba Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#87 Pablo Milanés Por que Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#88 Omara Portuondo Cuento para un niño Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#89 Silvio Rodríguez 3,000 pajaros negros Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#90 Elena Burke La hora de todos Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#91 Carlos Puebla David y Goliath Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#92 Ramón Calzadilla y el Coro del ICR Himno de la victoria Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · Not On Label # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#86 Pablo Milanés Ho Chi Minh: Su nombre puede ponerse en versos Compilation · Vietnam canta a Cuba - Cuba canta a Vietnam · EGREM # LD-V-3 · Cuba
Annotation: see “Vietnam-Cuba” above (same release).
#93–95 Félix Pita Rodríguez Vietnam mascarones Album · Mascarones · Cuba
All 3 songs from this album in the archive are in this collection
Annotation
Released in Cuba, much of this record featured the poetry of Félix Pita Rodríguez, born 18 February 1909 in Havana, Cuba, and died in the same city in 1990. He was an active communist, in the 1940s writing for the Noticias de Hoy, the official publication of the Popular Socialist Party, becoming more prominent after the Cuban Revolution in 1959.12 The poems recited on this LP included: "Relato de una campesina de Viet-Nam" ( "Story of a Vietnamese Peasant Woman" ), "Su nombre puede ponerse en verso" ( "Your name Can Be Put Into Verse" ), "Cantata a la escuela de Huong Phuc" ( "Cantata to the School of Huong Phuc" ). This is mixed in with three songs, the famous "Balada de Ho-Chi-Minh" by Ewan MacColl, "Interprete y guitarra" ("Interpreter and Guitar") by Pablo Milanés - born on 24 February 1943 in Bayamo, Granma, Cuba, a prominent member of the Nueva canción latinoamericana movement. The final song was by Silvio Rodríguez, born on 29 November 1946 in San Antonio de los Baños, Havana, Cuba. He was a member of the Cuban Grupo de Experimentación Sonora del ICAIC, discussed above. The song was called "La era esta pariendo un corazon" ("The Era Is Giving Birth to a Heart").
Annotation by Justin A. Brummer
Show the full entries ▾ · Release page →
#93 Félix Pita Rodríguez Relato de una campesina de Viet-Nam Album · Vietnam mascarones · Mascarones · Cuba
Annotation
Released in Cuba, much of this record featured the poetry of Félix Pita Rodríguez, born 18 February 1909 in Havana, Cuba, and died in the same city in 1990. He was an active communist, in the 1940s writing for the Noticias de Hoy, the official publication of the Popular Socialist Party, becoming more prominent after the Cuban Revolution in 1959.12 The poems recited on this LP included: "Relato de una campesina de Viet-Nam" ( "Story of a Vietnamese Peasant Woman" ), "Su nombre puede ponerse en verso" ( "Your name Can Be Put Into Verse" ), "Cantata a la escuela de Huong Phuc" ( "Cantata to the School of Huong Phuc" ). This is mixed in with three songs, the famous "Balada de Ho-Chi-Minh" by Ewan MacColl, "Interprete y guitarra" ("Interpreter and Guitar") by Pablo Milanés - born on 24 February 1943 in Bayamo, Granma, Cuba, a prominent member of the Nueva canción latinoamericana movement. The final song was by Silvio Rodríguez, born on 29 November 1946 in San Antonio de los Baños, Havana, Cuba. He was a member of the Cuban Grupo de Experimentación Sonora del ICAIC, discussed above. The song was called "La era esta pariendo un corazon" ("The Era Is Giving Birth to a Heart").
Annotation by Justin A. Brummer
Notes
Mascarones production (logo with a portrait of Che Guevara and "Producción Mascarones"); no catalogue number or year printed.

The front sleeve shows a pop-art Vietnamese woman fighter in a leaf-camouflaged helmet with a stethoscope, foliage on her back and a machine gun, before a yellow star on blue and red, lettered "Vietnam" and "Mascarones"; "Portada: Recreación sobre un cartel cubano: Javier Salinas".

The back is typewritten, with a painting of Ho Chi Minh raising his fist over massed crowds, and the dedication "Al heroico pueblo de Viet-Nam, vanguardia y ejemplo en la lucha contra el imperialismo yanki. Viet-Nam, un mundo donde el hombre alcanza su dimensión más alta." Poems are by Félix Pita Rodríguez, "poeta cubano (1909), de su libro 'Viet-Nam, notas de un diario'"; songs by Silvio Rodríguez (1946) and Pablo Milanés (1943), "jóvenes compositores de Cuba"; adaptation and voices: Mascarones.

Lado A: 1. "Relato de una campesina de Viet-Nam" (Félix Pita Rodríguez), closing song "Balada de Ho-Chi-Minh" by Ewan Mc Coll (Inglaterra); 2. "Su nombre puede ponerse en verso", poem by Félix Pita R., music, voice and guitar by Pablo Milanés. Lado B: 1. "Cantata a la escuela de Huong Phuc" (Félix Pita Rodríguez); 2. "La era está pariendo un corazón", words and music Silvio Rodríguez, organ Leo Brouwer, drums Enrique Pla, voice and guitar Silvio Rodríguez. [From the record sleeve and labels]
#94 Félix Pita Rodríguez Cantata a la escuela de Huong Phuc Album · Vietnam mascarones · Mascarones · Cuba
Annotation: see “Relato de una campesina de Viet-Nam” above (same release).
#95 Félix Pita Rodríguez Su nombre puede ponerse en verso Album · Vietnam mascarones · Mascarones · Cuba
Credited on the record as Pablo Milanés.
Annotation: see “Relato de una campesina de Viet-Nam” above (same release).
#96 Ewan MacColl Balada de Ho-Chi-Minh [Live] Album · Vietnam mascarones · Mascarones · Cuba
Annotation: see “Relato de una campesina de Viet-Nam” above (same release).
#97 Silvio Rodríguez La era esta pariendo un corazon Album · Vietnam mascarones · Mascarones · Cuba
Annotation: see “Relato de una campesina de Viet-Nam” above (same release).

(5) Mexican Music

"Viva la raza", National Chicano Moratorium, August 1970, Los Angeles, USA.1
This section includes a variety of Mexican genres, from Mexican artists: "Mexican regional music includes genres deeply rooted in local Mexican traditions, such as traditional Mariachi ensemble, Mexican sones Chilena, Son Calentano, Son Huasteco and Son Jarocho, canción Ranchera, popular Banda sinaloense and Norteño, as well as Corrido songs. Some of the Mexican genres, e.g. Tejano Music and Nortec, combine local traditions with strong foreign and/or modern popular music influences". (1) For Mexican-American songs, see the related list: • Vietnam War: Mexican-American Songs

1966

#98 Judith Reyes Cancion para un nino de Viet-Nam 1966 · EP · Los restos de don porfirio / Cancion para un nino de Viet-Nam · Not On Label · Mexico
Credited on the record as Judith Reyes y su Guitarra.
Annotation
Political activist and musician Judith Reyes, born 22 March 1924, in Ciudad Madero, Tamaulipas, Mexico, she died on 27 December 1988. The track "Cancion para un niño de Vietnam" , which means "Song for a Child From Vietnam" takes an anti-war position, looking at the Vietnamese perspective, referring to the US soldiers that arrived from a distant land "that wounds and kills and burns your rice paddies" . The narrator strongly condemned the American presence: "the gringo is the shame of humanity, if the gringo leaves you will see me happy" .

The back of the picture sleeve expressed anti-American, anti-imperialist sentiment, showing solidarity with Vietnam and countries across Central and South America: "the voice and the word of each verse of Judith Reyes are the instrument of the anxieties and urgent needs for justice, peace and freedom of the people of Mexico whom she loves so much. And, in her desperate impatience, she also calls with her songs to other peoples of the world; Viet Nam, Cuba, Venezuela, Colombia, Nicaragua, to share with them those desires and thus make the sentence of condemnation against Yankee imperialism more universal; 'shame of humanity', sole culprit of all our misadventures". (Spanish: "La voz y la palabra de cado verso de Judith Reyes son el instrumento de las ansias ye las urgentes necesidadesde de justicia, paz y libertad del pueblo de Mexico al que ella tanto ama. Y, en su desesperado impaciencia, llama tambien con sus cantos a otros pueblos del mundo; Viet Nam, Cuba, Venezuala, Colombia, Nicaragua, para compartir con ellos esos anhelos y hacer asi mas universal la frase condenatoria contra el imperialismo yanqui; 'verguenza de la humanidad', culpable unico de todas neustras desventuras"). The sleeve described the song as follows: "Song for a child from Vietnam" is a tender and moving lullaby that, paradoxically, contains a heartbreaking accusation against the shameful US imperialist invasion of that country". (Spanish: "Cancion para un niño de Vietnam", es una tierna y conmovedora cancion de cuna que, paradojicamente encierra una acusaion desgarradora contra la vergonzante invasion imperialista yanqui en ese pueblo"). For the lyrics below: Transcription by Eric Silberberg and Ignacia Morales Reyes. Translation by Eric Silberberg.1
Annotation by Justin A. Brummer
Notes
33 R.P.M. 7-inch with three songs: Lado A "Los restos de don Porfirio" (jácara); Lado B "Canción para un niño de Viet-Nam" (canción de cuna) and "Gorilita, Gorilón" (canción ranchera), all "L. y M. de Judith Reyes", performed by Judith Reyes y su Guitarra; plain red label with no company name.

The picture sleeve front, headed "Los restos de don Porfirio" – Canciones de Judith Reyes, shows Judith Reyes playing guitar; the back carries an unsigned Spanish essay presenting her as the voice of the Mexican people's longing for justice, peace and liberty, condemning "el imperialismo yanqui", and describing "Canción para un niño de Viet Nam" as "una tierna y conmovedora canción de cuna que, paradójicamente, encierra una acusación desgarradora contra la vergonzante invasión imperialista yanqui en ese pueblo". [From the record sleeve and labels]
Lyrics
English
Don Din Don Dan
Like a bell of bronze
Don Din Don Dan
Your name beats out
Vietnam Vietnam
Very strong for combat
And much more for pain and love
Don Din Don Dan
How sweet is the chord
Don Din Don Dan
In which your name is entwined
Vietnam Vietnam
Today the world around you
Don Din Don Dan
Repeats it in sorrow
He came from distant lands
From America beyond the seas
The man who wounds and kills
And burns your rice paddies
He blew poison into the air
He sank the ground beneath your step
He machine-gunned in the mountains
The child in your lap
Ay
If the gringo is here
What a calamity
The gringo is the shame
Of humanity
If the gringo leaves
You will see me happy
Because now my love
We will live in peace
Because now you and I
We will live in peace
Because now in Vietnam
We will live in peace
Because now in Saigon
We will live in peace
Because now in Vietnam
We will live in peace
Don Din Vietnam Don Dan

Spanish
Don Din Don Dan
Como campana de bronce
Don Din Don Dan
Tu nombre salgo que late
Vietnam Vietnam
Muy fuerte pa’ el combate
Y mucho más para el dolor y el amor
Don Din Don Dan
Que dulce es el acorde
Don Din Don Dan
En que se ‘lasa tu nombre
Vietnam Vietnam
Hoy lo repite doliente
Don Din Don Dan
El mundo en su alrededor
Llegó de lejanas tierras
De América tras los mares
El hombre que hiere y mata
Y quema tus arrozales
Veneno sopló en el aire
Hundió la tierra tu paso
Ametralló en las montañas
Al hijo de tu regazo
Ay
Si el gringo está aquí
Que calamidad
El gringo es vergüenza
De la humanidad
Si el gringo se va
Feliz me verás
Porque ahora mi amor
Viviremos en paz
Porque ahora tu y yo
Viviremos en paz
Porque ahora en Vietnam
Viviremos en paz
Porque ahora en Saigon
Viviremos en paz
Porque ahora en Vietnam
Viviremos en paz
Don Din Vietnam Don Dan
Show full lyrics (85 lines) ▾

1976

#99 Los Nakos Viet-Nam 1976 · Los Nakos · Interson # LPJA-004 · Mexico
Annotation
Contemporary folk protest group formed in Mexico in 1968, led by Ismael "Mailo" Colmenares, during the "1968 movement in Mexico", which sought greater political and civil liberties, and less inequality in Mexico. This album featured the song "Viet-Nam" (Nueva Voz Latino Americana # LP-JS-16). The back of the record said: "Since 1968 Los Nakos has performed in factories, squares, colonies and schools throughout the Mexican Republic. It has also attended Latin American music festivals in Central America, Venzula, the United States and Europe. In Germany, Los Nakos received first place in political music for their song Vietnam". Spanish: "Desde 1968 Los Nakos se hon presento en fabricos, plazas, colonias y escuelos de tado la Republic Mexicano tambien hon asistide a festivales de musica latinamerica en Centro America, Venzula, Estados Unidos y Europa. En Alemania Los Nakos recibleron el primer lugar en musica politca por su cancion Vietnam".

This song took a strong anti-war perspective, referring to the US as "oppressive yankee" and the war as the "colonisation of the invading empire" . Also note the reference to the "napalm bombs, fire and destruction" - chemical weapon Napalm B was a jellied gasoline mixture, with polystyrene, benzene, and gasoline. Declared a war-crime since 1980, the US government extensively used this weapon during the Vietnam conflict, dropping 388,000 tons on Indochina between 1963 and 1973.123
Annotation by Justin A. Brummer
Lyrics
English
Vietnam, Vietnam, Vietnam, Vietnam
Men are born from the furrows that lit a light from rice and shrapnel
Him and her comrades, from the jungle a song arises
What does shaking do to the earth
Attention to the invader!
This town does not surrender!
Attention to the invader!
This town does not surrender!
Napalm bombs
Fire and destruction
Colonisation of the invading empire
Of the oppressive Yankee
Napalm bombs
Fire and destruction
Colonisation of the invading empire
Of the oppressive Yankee of the oppressor
Yakee, the flame that warms the Vietnamese will
Not go out
The peace that I reach in history will not end
The example of your people for the liberation of the world will remain, Vietnam...
Show full lyrics (21 lines) ▾

2017

#100 Silva de Alegría Vietnam 2017 · Album · Silva de Alegría · Núcleo Distante · Mexico
Credited on the record as Silva de Alegria.
Notes
Track 8 of the CD (track 7 on Bandcamp); released 20 October 2017. The album includes covers, so the song may be a cover.
Lyrics
English
It all ends in just another memory, in the nostalgia of looking back
The emptiness of letting die the battles I lived for
If you wanted war, we were a Vietnam, a river that feeds the sea
Every morning to be reborn, to sleep and forget
How many lives did I have to live?
And how much karma to be happy?
We consented to loneliness, the promise of one more mystery
Make a kaleidoscope with the sun to see its interior
(There was a song in every heart)
Look at the mirror of your heart on your skin
(And on your lips a melody)
We will forget in order to forgive, the cruel pain upon waking
We survived that Vietnam more than once

Spanish
Todo acaba en un recuerdo más, en la nostalgia de mirar atrás
El vacío al dejar morir las batallas por las que viví
Si querías guerra fuimos un Vietnam, un río que alimenta al mar
Cada mañana volver a nacer, dormir y olvidar
¿Cuántas vidas tenía que vivir?
¿Y cuánto karma para ser feliz?
Consentimos con la soledad, la promesa de un misterio más
Haz un caleidoscopio con el sol para ver su interior
(Había una canción en cada corazón)
Mira el espejo de tu corazón sobre tu piel
(Y en los labios una melodía)
Olvidaremos para perdonar, el cruel dolor al despertar
Sobrevivimos más de una vez aquel Vietnam
Show full lyrics (29 lines) ▾

Unknown date

#101 Los Coyotes del Río Bravo Daniel Fernandez Album · Corridos del rancho · Del Rio # DDR-1518 · USA
Annotation
Group formed and currently based in General Terán, Nuevo León, Mexico. The group contained the well-known artist Poncho Villagómez. This record, released on the San Antonio, Texas, US record label Del Rio # DDR-1518 contained two songs related to the Mexican-American Vietnam War experience, appealing to the American audience. It is in the Corrido genre - a Mexican type of song which traditionally spread news and information in Mexican territories through folk music in the late 18th century. The first song was "Daniel Fernández" , composed by Roberto Martinez of the New Mexico-based group Los Reyes de Albuquerque, which also released it as a single. It paid tribute to Danny Fernandez - the first Mexican-American soldier awarded the Congressional Medal of Honor for service in Vietnam. The official Medal of Honor citation read: "Fernández demonstrated indomitable courage when the patrol was ambushed by a Viet Cong rifle company...an enemy grenade landed in the midst of the group...Fernández vaulted over the wounded sergeant and threw himself on the grenade as it exploded, saving the lives of his 4 comrades at the sacrifice of his life".1234 It took a patriotic position:
The other song, also Mexican-American, was "El padre de un soldado" ( "The Father of a Soldier" ), composed by Francisco Montalvo, copyright filed in 1968. This song was covered by many Mexican-American artists: Shorty Martinez - "El padre de un soldado" ; Flaco Jimenez - "El padre de un soldado" ; Los Dinos - "El padre de un soldado" . The song is narrated from the home front perspective, narrated by the father of a soldier, who prayed to god to "protect all the soldiers that find themselves in Vietnam" - making particular reference to the "Virgin of San Juan" , the Roman Catholic title of the "Virgin Mary" used in Mexico and Texas. As the soldier went off to war, he told his parents that "I am pure Mexican and I am not afraid to die" . At the end of the song, the father offered his own life in the place of his son: "in place of the life of my son I offer you my own" . Transcription by Eric Silberberg and Ignacia Morales Reyes. Translation by Eric Silberberg.5
Annotation by Justin A. Brummer
Notes
Del Rio DDR-1518, "Corridos del Rancho con: Los Coyotes del Rio Bravo", ten-track LP, yellow and orange swirl labels, "Dist. by Marsal Pro. Inc., 2811 Guadalupe, San Antonio". Lado A: El Padre de un Soldado (D.A.R.) 3:06; Las Mañanitas de Heraclio Bernal (D.A.R.) 2:45; Polino Guerrero (Heriberto Garcia) 2:46; Gabino Suarez (D.A.R.) 2:50; El Grano de Oro (Jose Antonio Melendez) 2:25.

Lado B: Luis Pulido (Cain Alfaro T.) 3:06; Pedro Nevares (D.A.R.) 2:58; Mariano Resendez (D.A.R.) 2:58; Daniel Fernandez (D.A.R.) 2:50; La Prision de Colorado (D.A.R.) 2:08; every track is marked "Cor." (corrido).

The front cover is a colour photograph of the four members in white hats and fringed jackets, with a sticker reading "Fabricado por Industrias Audiofonicas, S.A., P. Diaz Sur 613, Monterrey, N.L."

The back cover note in Spanish praises each song as a life story set to music with simple country inspiration and the instrumental sound of "los bravos Coyotes del Rio Bravo", and gives the distributor as Marsal Productions, Inc., 2811 Guadalupe, San Antonio, Texas. [From the record sleeve and labels]
Lyrics
English
Fellow American listen, I'd like to have your attention
So I can tell you a story of love, duty, and devotion
The ballad of Dan Fernandez is the title of this song
He died in South Vietnam while fighting the Viet Cong
As a child he was schooled...he used to run playing...
Then off to South Vietnam where he was destined to die
When he was mortally wounded, the soldier had this to say
Dear lord I'm ready to go, just give me the time to pray
To say an act of contrition, that's all I wish to do
Then my heavenly father I will gladly go with you
He loved New Mexico, you have the right to be proud
One of your sons has distinguished himself today in the crowd
#102 Los Coyotes del Río Bravo padre de un soldado Album · Corridos del rancho · Del Rio # DDR-1518 · USA
Annotation: see “Daniel Fernandez” above (same release).
Lyrics
English
I am a father like many others
We don't know what to think
For we have our sons
Fighting there in Vietnam
Miraculous Virgin
Return them as they left
Holy God I ask you
To have more compassion
For our dear son
Who is in another nation
Think how they took away
Part of my heart
Divine Virgin
Virgin of San Juan
Protect every soldier
Who finds himself in Vietnam
Goodbye my dear parents
He said to us as he left
He said don't be sad
I am going to suffer too
I am pure Mexican
And I am not afraid to die
He said goodbye to his girlfriend
And to his brothers also
He gave a hug to his mother
And gave me another as well
He entrusts himself before us
And before God as well
Holy God you know
What a mother suffered
To give life to her son
She even risked her own life
In exchange for my son's life
I offer you my own
Divine Virgin
Virgin of San Juan
Protect every soldier
Who finds himself in Vietnam

Spanish
Soy un padre como hay muchos
Que no hayamos que pensar
Pues tenemos nuestros hijos
Peleando allá en Vietnam
Virgencita milagrosa
Vuélvelos como se van
Diosito santo te pido
Que tengas más compasión
De nuestro hijo querido
Quien anda en otra nación
Piensa vez que se llevaron
Parte de mi corazón
Virgen divina
Virgencita de San Juan
Protege a todo el soldado
Que se encuentra en Vietnam
Adios mis padres queridos
Nos dijo él al partir
Dijo no se queden tristes
Yo también voy a sufrir
Soy purito Mexicano
Y no le temo al morir
Se despidió de su novia
De sus hermanos también
Le dio un abrazo a su madre
Y a mi me dio otro también
Se encomienda ante nosotros
Y ante Diosito también
Diosito santo tú sabes
Lo que una madre sufrió
Para darle vida a su hijo
Hasta su vida riesgo
A cambio de la de mijo
Mi vida te ofrezco yo
Virgen divina
Virgencita de San Juan
Protege a todo el soldado
Que se encuentra en Vietnam
Show full lyrics (79 lines) ▾
#103 Los Dos Navegantes Luz y Chuy La Guerra de Vietnam Single · La Guerra de Vietnam / Valientes de nuevo lion · RN # 172 · Mexico
Annotation
Released in Mexico, the song "La guerra de Vietnam" ( "The War in Vietnam" ) (RN Discos # 172) is a Corrido - corridos traditional spread news in Mexican territories through folk music in the late 18th century. Musicians continued this tradition in the US, singing about wars and political events, such as the assassinations of JFK, RFK, and MLK.12 The group formed in Guadalupe la Joya, Nuevo León, Mexico, featuring the members Luz Peña (bajo sexto) and Jesús "Chuy" Prado (accordion).
Annotation by Justin A. Brummer
Notes
Discos RN 172-A (LH-9893), red label; "La Guerra de Vietnam" (Ismael Martinez), corrido, 2:58; Los Dos Navegantes Luz y Chuy. [From the record sleeve and labels]
#104 Mike Laure Prefiero Irme a Vietnam Single · Prefiero Irme a Vietnam / El Electricista · Musart # 45 4631 · Mexico
Annotation
Mike Laure, born 29 September 1939 in El Salto, Jalisco, Mexico, died on 19 November 2000, Mexico City, Mexico. He released the song "Prefiero irme a Vietnam" ( "I Prefer to Go to Vietnam" ) (Musart # 45 4631) in the Cumbia mexicana genre - "popularized in Mexico by Luis Carlos Meyer and Carmen Rivero in the 1950s, Cumbia quickly acquired a distinctive sound through the incorporation of Rock & Roll, Mexican popular music and Cuban influences, such as the adoption of electric instruments (guitar, bass guitar, keyboards), brass ensembles, accordion and Cuban timbales, while retaining a beat-driven mood and traditional Colombian features". (1) Composed by Luis Demetrio.
Annotation by Justin A. Brummer
Notes
Musart 45 4631 A, black label with a multicoloured patterned rim, "Made in Hialeah, Fla., U.S.A. by Records Distributors of America"; "Prefiero Irme a Vietnam" (Luis Demetrio). Pink-and-white swirl Discos Musart company sleeve, "Manufactured by: Records Distributors of America, Inc. - Trademark". [From the record sleeve and labels]
#105 José de Molina El niño de Viet-Nam Album · Historia verdadera de un sex-enio · Nueva Voz Latino Americana # JS-09 - 10 · Mexico
Annotation
José de Molina, born in 1938, in Hermosillo, Sonora, Mexico. He died 9 July 1998, in Tlalpan, Distrito Federal, Mexico. He released the anti-war song "El niño de Vietnam" ( "The Boy From Vietnam" ) (Nueva Voz Latino Americana ‎# JS-09/10) which is a Corrido song - corridos traditional spread news in Mexican territories through folk music in the late 18th century. Musicians continued this tradition in the US, singing about wars and political events, such as the assassinations of JFK, RFK, and MLK.12 The song started with the narrator calling on young Americans to protest, and resist the draft call: "stop the Vietnam War...refuse to fight, oppose the laws made to kill" . The narrator then turned his attention to the impact of the war on the Vietnamese: "lonely children...orphans...women who wonder homeless" . The song referred to the US soldiers as "vile mercenaries" , who were committing a "massacre" .
Annotation by Justin A. Brummer
Notes
Double LP, "José de Molina presenta...", issued by Nueva Voz Latinoamericana A.C., Apartado postal 12-106, México 1, D.F.; cover number JS-09/10, label LP-JS 09, Disco 1 (Uno), Lado B, 33 1/3 RPM, yellow label with pre-Columbian figure logo. Disco 1, Cara B opens with "El niño de Viet-Nam" (arr. Grupo FAR), followed by a spoken "Texto"; Letra y Música: José de Molina; Textos: Ma.

Antonieta Lozano y Carlos Medina. Performers listed: Grupo FAR (Miguel Pizano, Ramón y Edgardo Olvera, con Víctor Hugo Santos), Grupo Tepeyolohtli, Grupo Cascabel; solo voices Lourdes Zubieta, Adriana Díaz de León, Othoniel Llanas and J. de Molina; texts read by Julia Alfonso, L. M. and José de Molina.

Cover paintings "Concilio sangriento" and "El túnel de los muertos" by René Alís; sleeve design Eduardo Rodríguez Solís.

The record is dedicated "a los hombres y mujeres que han caído en la lucha por la liberación de nuestros pueblos"; de Molina's signed note says it denounces the repression, torture and crimes of the 1971-1976 sexenio and that "El niño de Viet-Nam" and "Del Bravo a la Patagonia" were re-recorded from earlier releases. The gatefold reproduces the "Carta abierta al pueblo de México" by Emilio Gámiz Hernández and Elodia García de Gámiz about their disappeared son Jacobo, with photographs of "algunos de los mártires de la época en que vivimos". [From the record sleeve and labels]
Lyrics
English
Hear these laments, young American
They come from the East, crushed by your hand
Young and old alike
They ask you to stop, they want you to halt
The Vietnam War
Take off the blindfold and refuse to fight
Oppose the laws made to kill
And if there is a heaven, as it is written
Think first before you shoot
It is the sad weeping of lonely children
Left orphaned by your vile mercenaries
They are lonely women wandering without a home
Who cry out begging you to stop the massacre
Don't be immoral
Black and yellow people are your brothers
Do not kill them, have compassion on them
Because if you must make your history with blood
That same river will make you perish

Spanish
Oye estos lamentos joven Americano
Vienen del oriente aplastado por tu mano
Jóvenes y ancianos pues lo mismo da
Te piden que pares quieren que detengas
La guerra del Vietnam
Quítate la venda niégate a luchar
Oponte a las leyes hechas para matar
Y si existe el cielo como escrito esta
Piénsalo primero antes de disparar
Es el llanto triste de niños solitarios
Que huérfanos dejan tus viles mercenarios
Son mujeres solas que vagan sin hogar
Que a gritos te ruegan pares la masacre
No seas inmoral
Negros y Amarillos tus hermanos son
No los asesines tenles compasión
Porque si con sangre tu historia has de hacer
Ese mismo rió te hará perecer
Show full lyrics (39 lines) ▾

(6) Other genres

A poster by the Organization of Solidarity with the People of Asia, Africa and Latin America (OSPAAAL), International Week of Solidarity with Viet-Nam (March 13-19)1
A variety of genres included here, covering various countries in South / Central America and the Carribean, including rock, punk, metel, pop, and classical.

1969

#106 Los Golden Stars La guerra del Vietnam 1969 · Single · Buen tirador / La guerra del Vietnam · FTA # 50444 · Peru
Annotation
The song "La guerra del Vietnam" (FTA # 50444) by Los Golden Stars, formed in 1966 in Lima, Peru. Members included Gilberto Guzmán (vocals, bass), Ricardo Osores (guitar), Jorge Ponce (organ), and Carlos Risco (drums). This is in the garage rock genre, and is to the tune of Barry McGuire's Eve of Destruction.
Annotation by Justin A. Brummer
Notes
B-side of "Buen tirador"; to the tune of Barry McGuire's "Eve of Destruction". FTA (Fabricantes Técnicos Asociados) 50444, Peru.

1979

#107 Trópico de Cáncer A Vietnam (y a todos los pueblos que luchen por su libertad) 1979 · Album · Sale de su cantina América Latina · Ediciones 9 de Enero · Panama
Credited on the record as Tropico De Cancer.
Annotation
Folk rock group from Panama, which released the song "A Vietnam (y a todos los Pueblos que Luchen por su Libertad)" ("To Vietnam (and to all the Peoples that Fight for their Freedom)"), on the Ediciones 9 De Enero record label.
Annotation by Justin A. Brummer
Notes
Track A4, listed on Discogs as "A Vietnam".

1983

#108 Ratos de Porão Novo Vietnam 1983 · Album · O Começo do Fim do Mundo · Brazil
Annotation
Ratos de Porão, a Brazilian Hardcore Punk band, formed on 13 November 1981 in São Paulo, released the song "Novo Vietnam" (# 526.404.474) on this various artist compilation. The group used the Vietnam War to make a contemporary comment on Brazil: "Brazil will be the new Vietnam" .
Annotation by Justin A. Brummer
Lyrics
English
Let's turn Brazil into a new Vietnam
Where your fears will end or they will multiply
And no one will help, if not I'll help help
Brazil will be the new Vietnam
But here you can not accumulate in a conclusion
We will have to get and no one will stop us
Because we are right and we will win
Brazil will be the new Vietnam

1987

#109 Inquisição Napalm 1987 · Album · Demo 1987 · Brazil
Annotation
Heavy metal band, formed in 1983 in Rio de Janeiro, Brazil, with a somewhat revolving line-up, featuring Luiz F. Machado (guitars, 1983-89, 2006-present), João Henrique Machado (bass, 1983-89), Marcelo Marinho (vocals, 1983-84), Renato Celso (drums, 1983-84), Marco (drums, 1984-1986), Laércio Figueiredo (vocals, 1984-86), Roberto Moura (drums, 1986), Armando Pereira (drums, 1986-89, 2006-?), Sílvio Mazzei (vocals, 1986-89, 2006-present).

They released the song "Napalm" , an anti-war track, an interesting reflection of Cold War fears of nuclear destruction, referencing "Hiroshima", and of course, as in the title, chemical weapon Napalm B - a jellied gasoline mixture, with polystyrene, benzene, and gasoline. Declared a war-crime since 1980, the US government extensively used this weapon during the Vietnam conflict, dropping 388,000 tons on Indochina between 1963 and 1973.123 The Dow Chemical Company, the largest suppler of napalm to the US military, became a target of Vietnam protests (such as boycotts), particularly on university campuses.4 The song also referenced "Agent Orange" - the defoliant / herbicide used by U.S. forces during the Vietnam War, which had long term negative health effects on the Vietnamese and US soldier whom came into contact with the chemical.
Annotation by Justin A. Brummer
Lyrics
English
Elements of nature
Helping to destroy
The whole world corroded
Man's mind is in chaos
Filthy politicians corrupt
People get confused
What will become of us?
So I'm going to go crazy
Agent orange
Napalm, napalm
The fire and the disease that man builds
Elements of nature
Helping to destroy
The whole corroded world
The man's mind is chaos
If we don't fight this
Filthy corruption
We will end up like Hiroshima
Seven feet below the ground
Agent orange
Napalm, napalm
The fire and the disease that man builds

Portuguese
Elementos da natureza
Ajudando na destruição
O mundo todo corroído
A mente do homem é um caos
Políticos imundos corrompem
O povo se confunde
O que será de nós?
Assim vou ficar louco
Agente laranja
Napalm, napalm
O fogo e a doença que o homem constrói
Elementos da natureza
Ajudando na destruição
O mundo todo corroído
A mente do homem é um caos
Se não combatermos a essa
Imunda corrupção
Acabaremos como hiroshima
A sete palmos abaixo do chão
Agente laranja
Napalm, napalm
O fogo e a doença que o homem constrói
Show full lyrics (47 lines) ▾
Also in: ▤ Metal Songs

1989

#110 Andrés Calamaro Vietnam 1989 · Nadie sale vivo de aquí · CBS # 70-085 · Argentina
Annotation
The song "Vietnam" (CBS # 70-085) by Andrés Calamaro,a rock pop artist, born 22 August 1961 in Buenos Aires, Argentina, a very short song, coming in at under a minute.
Annotation by Justin A. Brummer
Lyrics
English
Our Vietnam
Made of saliva and blood
It is true, and maybe you I will not forgive" ("Nuestro vietnam
Hecho de saliva y sangre
Es verdad
Y tal vez no te voy a perdonar
Nuestro vietnam")
Theme: Anti-War

1993

#111 Caballeros de la Quema Bs. As. esquina Vietnam 1993 · Album · Manos vacías · Iguana # 74321-16104-2 · Argentina
Credited on the record as Los Caballeros De La Quema.
Annotation
The song "Bs. As. esquina Vietnam" ("Buenos Aires Esquina Vietnam" or "Buenos Aires Corner Vietnam") (Iguana Records # 74321-16104-2), is another example of the use of the Vietnam War in the post-war years as a point of comparison, in this case an Argentinian city: "like a contagion from Saigon...chopped by Buenos Aires shards". Caballeros de la Quema were a rock group, formed in 1990 in Morón, Buenos Aires, Argentina, and disbanded in 2002. Its members included Alejandro Sorraires (saxophone, 1990-96), Iván Noble (vocals), Javier "Nene" Cavo (drums), Martín Carro Vila (bass, 1990-94), Martín Mendez (guitar), Martín "Cafusa" Staffolari (saxophone), Pablo Guerra (guitar), Patricio Castillo (bass, 1994-2002).
Annotation by Justin A. Brummer
Notes
Track 2, printed "Bs. As. Esq. Vietnam"; their debut album, distributed by BMG.
Lyrics
English
Like a contagion from Saigon...
With a toothless head and a noise that stitched together the boredom
And a roof that is plummeting...
Besieged in my right mind
Slashed by Buenos Aires shrapnel
Sniffing out the new scam, this skull is going to scream
Buenos Aires trains cretins
Buenos Aires hits you from behind
Very well, who cuts a deal first?
I'm going to mock the razzia-givers
Very well, who draws first?
I'm going to mock the razzia-givers
The owners of lunch demand more toll
They crouch in your soup and rip out your gums
I dig a nursery to keep the corpses that today
I desire, and I dress up in blue to find out how the
Enemy stinks, and I gather allies drawn out of fury
Is there anyone who wants to pull this rope?
Bs. As. hits you from behind
Very well... who draws first?
I'm going to mock the razzia-givers
Very well... who puts it in first?

Spanish
Como un contagio de Saigón...
Con la cabeza desdentada y un ruido que hilvanó el hastío
Y un techo que se cae en picada...
Sitiado en mi sano juicio
Tajeado por esquirlas porteñas
Olfateando la nueva estafa, esta calavera va a chillar
Buenos Aires adiestra cretinos
Buenos Aires pega por la espalda
Muy bien ¿Quién tranza primero?
Voy a moquear a los dadores de razzia
Muy bien ¿Quién pela primero?
Voy a moquear a los dadores de razzia
Los dueños del almuerzo piden más peaje
Se agazapan en tu sopa y te arrancan las encías
Cavo una nursery para guardar los cadáveres que hoy
Deseo y me disfrazo de azul para saber como apesta el
Enemigo y recolecto aliados sacados de furia
Hay alguien que quiera tirar de esta soga?
Bs. As. pega por la espalda
Muy bien... quién pela primero?
Voy a moquear a los dadores de razzia
Muy bien... quién la pone primero?
Show full lyrics (47 lines) ▾

2007

#112 Científicos del Palo Vietnam 2007 · Album · Indigencia y distancia · MDR # MDR 1475 · Argentina
Credited on the record as Cientificos Del Palo.
Annotation
Científicos del Palo, rock group formed in Mar del Plata, Buenos Aires, Argentina. Members are "Pepo" San Martín Braile (vocals, guitar), Carlos "Popete" Andere (bass), Nicolás Terrén (drums). They released the song "Vietnam" ( MDR Records # MDR 1475) is an example of using the Vietnam War as a commentary on contemporary issues: "this is not how Vietnam was won...not how the Viet Cong thought".
Annotation by Justin A. Brummer
Notes
Track 11; lyrics and music by Pepo San Martín; guest guitar Ricardo Mollo (Divididos).
Lyrics
English
Warning: don't look even a centimetre too far
Watch out, step only where you won't slip
You run along happily and go as far as the rope reaches
And you go back to your place
And that leash that walks you
Is the same one that hangs you
Enough, it's time to wake up
Let's go to the rifles and stop with the cell phones
That's not the way, pal
That's not how Vietnam was won
That's not it, dude
That's not how the Viet Cong thought
It's all your fault
You see?
This is all our fault
Nobody wants to see pigs
But everyone wants ham
We sold the remedy for fear of the cure
And we bought the disease

Spanish
Warning con no mirar ni un centímetro de más
Guarda con pisar sólo donde no resbalás
Corrés contento y vas hasta donde da la soga
Y te volvés a tu lugar
Y esa correa que te pasea
Es la misma que te ahorca
Basta ya es tiempo de despertar
Vamo a lo fusile y paremo con el celular
Así no es papá
Así no se ganó Vietnam
Así no es, chabón
Así no pensaba el Viet Cong
Todo es tu culpa
¿Ves?
Todo esto es por nuestra culpa
Nadie quiere ver chanchos
Pero todos quieren jamón
Vendimos el remedio por temor a la cura
Y compramos la enfermedad
Show full lyrics (41 lines) ▾
Genre: ♪ Rock

2008

#113 Antonio Pinto Vietnam à Brasileira 2008 · Soundtrack · City of Men (Cidade dos Homens) · Bodog # 0189370BDM · Brazil
Annotation
Film score of Cidade dos homens [City of Men], it featured the song "Vietnam a Brasileira" (Miramax Records # 0189370BDM) by Antonio Pinto, born in 1967 in Rio de Janeiro, Brazil. The vocal was by Brazilian rapper Rappin' Hood, birth name Antônio Luiz Junior - born on 7 November 1971 in São Paulo, Brazil.
Annotation by Justin A. Brummer
Notes
Track 2, printed "Vietnam A Brasileira"; written and performed by Antonio Pinto and Rappin' Hood. Brazilian edition Lakeshore LKS 33978.
Genre: ♪ Hip Hop

2014

#114 Cranial Crusher My Lai 2014 · Album · Cranial Attack · Obskure Chaos Distro · Brazil
Notes
- Cranial Crusher - My lai
- Thrash metal
- Brazil
Theme: My Lai

2016

#115 Victimized Vietcong 2016 · Album · Born Corrupt · Not On Label · Colombia
Annotation
Thrash Metal band, formed in 2005 in Bogotá, Colombia. The song "Vietcong" - a reference to the "VC" - the National Liberation Front of South Vietnam (Vietnamese: Mặt trận Dân tộc Giải phóng Miền Nam Việt Nam) (NLFSV or NLF), the political and military resistance to the US and South Vietnamese government from within South Vietnam - the narrator seemed to you the Vietcong as a reference point to compare with a contemporary situation, possible imprisonment: "behind a prison wall... crying for a revolution" . The album was recorded through 2015 at S.O.S Studios, Bogotá, Colombia and mixed in 2016.
Annotation by Justin A. Brummer
Lyrics
English
Don't change my nation, I will decide my way
Taking my own choices, is my own way to resist
I won’t fall for a pressure, behind a prison wall
There’s not enough frustration, believe me I’m not alone
There's only you conviction, beyond the walls
Crying for a revolution, this is my home
There's only your conviction, release you voice
Crying for a revolution, the only choice
I know what ́s this feeling and I know what it means
This pain is under my skin
I know what it takes and I know what it feels
This pain is under my skin
There's only you conviction, beyond the walls
Crying for a revolution, this is my home
There's only your conviction, release you voice
Crying for a revolution, the only choice
Breaking all the limits, I'll defend my seed
Taking my own choices, is my own way to resist
There's only you conviction, beyond the walls
Crying for a revolution, this is my home....
Show full lyrics (21 lines) ▾
Also in: ▤ Metal Songs

2020

#116 Jorge Antunes 1965, Guerra do Vietnam e AI-2 2020 · Album · Cordas dedilhadas · Selo Sesc # CDSS 0132/19 · Brazil
Annotation
Born 23 April 1942 in Rio de Janeiro, Brazil, Jorge Antunes was a Brazilian classical music artist, who released the song "1965, Guerra Do Vietnam E AI-2" (Selo Sesc # CDSS 0132/19).
Annotation by Justin A. Brummer
Notes
Movement VI of "Série Brasília 50" (disc 2 of 2xCD), for acoustic guitar (Alvaro Henrique) and tape (Jorge Antunes).
#117 El Arkeólogo Buenos días Vietnam 2020 · Album · Indiana Jones · JM World · Colombia
Annotation
Hip-hop artist, based in Medellín, Antioquia, Colombia, born 20 September 1984, also known as Gambeta. The song "Buenos días Vietnam" (JM World Music) kicks-off with a sound-clip of Robin Williams from the film Good Morning, Vietnam, doing the famous introduction to his radio broadcast, set during the Vietnam War: "Good morning, Vietnam! They're out there, special song goin' out to you". The song compares contemporary Colombia with the Vietnam War, noting "in this jungle fear keeps us alive, now... freedom is nothing if you are safer being locked up" . The song ended with a quote from the Johnnie Wright song "Hello Vietnam", featured in the film Full Metal Jacket: "Kiss me, goodbye and write me while I'm gone, goodbye my sweetheart, hello Vietnam" .
Annotation by Justin A. Brummer
Lyrics
English
Good morning, Vietnam!
They're out there
Special song goin' out to you
I'm going through hell in flip-flops
Even dogs believe in ghosts
If cats know you, they don't scare you
Good morning Vietnam, good morning Vietnam
Since we were kids we've seen more vultures
Than a serial killer with two funeral homes
Good night Vietnam, good night Vietnam
The Virgin who holds the pictures
Of the dead can't fit one more photo
The state has never been there, so it's normal
That a crook is worth more than Superman
Good morning Vietnam...
I, I write you these lines (these lines)
Because the phone lines are always tapped
The so-called homeland is bleeding out (Aha)
Since nobody checks its blood pressure
Mom makes your bed every day
If you don't come home today, then some other morning
You were born of love and rage
There's no bad son for a good mother
Good morning Vietnam...
These days I was remembering
When we lived without electricity in that damn haunted house
You and me on the stairs, surrounded by candles
Eating burgers on credit, ha
You were very young and you were never afraid
The problem is that in this jungle
Fear keeps us alive, now
Good night Vietnam...
Mom, how the one who doesn't cry suffers
Life doesn't excite me, but it always gets me hard
Take your foot off the gas
Freedom is nothing
If you're safer being locked up
I wish grandmothers were eternal
Keep your head up
If you look down, let it be to clean your sole
Even if you have no spit left
Good morning Vietnam...
Once upon a time in Aranjuez
Old Wensel died
The parqués board has tokens to spare
On the corner, laughing out loud is an art
People drink, they vanish, they remember you, everything's up for debate
I write these lyrics with my left hand (Aha, aha)
So that not even I can understand them
If Gabo convinces me to record it
I won't listen to it until El Negro comes back
See you soon, Vietnam...
Kiss me, goodbye and write me while I'm gone
Goodbye my sweetheart, hello Vietnam

Spanish
Good morning, Vietnam!
They're out there
Special song goin' out to you"
Voy por el infierno en chanclas
Hasta los perros creen en fantasmas
Si los gatos te conocen, no te espantan
Buenos días Vietnam, buenos días Vietnam
Desde niños hemos visto más chulos
Que un asesino en serie con dos funerarias
Buenas noches Vietnam, buenas noches Vietnam
La virgen que tiene las láminas
De los difuntos no le cabe una foto más
El estado nunca ha estado, normal
Que un pillo sea más que un Superman
Buenos días Vietnam...
Yo, te escribo estas líneas (estas líneas)
Porque las del teléfono siempre están chuzadas
La llamada patria está desangrada (Ajá)
Pues nadie mide la presión sanguínea
La cucha diario te tiende la cama
Si no llegas hoy, pues cualquier mañana
Naciste del amor y de la rabia
No hay hijo malo pa' una buena mamá
Buenos días Vietnam...
En estos días recordaba
Cuando vivíamos sin luz en esa puta casa embrujad
Vos y yo en las escalas, rodeados de velas
Comiendo hamburguesa fiada, ja
Eras muy niño y nunca tuviste miedo
El problema es que en esta jungla
El miedo nos mantiene vivos, ya
Buenos noches Vietnam...
Mamá, cómo sufre el que no llora
La vida no me excita, pero siempre me la pone dura
Quita el pie del acelerador
La libertad no es nada
Si estás más seguro estando encerrado
Ojalá fueran eternas las abuelas
Mantén la cabeza arriba
Sí bajas la mirada que sea pa' limpiar tu suela
Aunque no tengas saliva
Buenos días Vietnam...
Érase una vez en Aranjuez
Se murió el viejo Wensel
Le están sobrando fichos al parqués
En la esquina tirar que caja es un arte
Se bebe, se esfuman, te recuerdan, por todo se debate
Escribo esta letra con la izquierda (Aja, aja)
Pa' que ni siquiera yo la entienda
Sí Gabo me convence de grabarla
No pienso escucharla hasta que el Negro vuelva
Hasta pronto a Vietnam...
Kiss me, goodbye and write me while I'm gone
Goodbye my sweetheart, hello Vietnam
Show full lyrics (111 lines) ▾
Genre: ♪ Hip Hop

2021

#118–129 Jorge Elbrecht Presentable Corpse 002 2021 · Album · Not On Label # EJE-014 · Costa Rica
All 12 songs from this album in the archive are in this collection
Annotation
Artist born in 1978 in San José, Costa Rica. Currently based in New York, USA. Artist's description of the album: "Presentable Corpse is a sunshine pop recording project. Containing lyrics written from the fictional perspective of a Vietnam-era soldier at war, the songs convey a story of regret, homesickness, combat fatigue & political anger".1
Sources
Annotation by Justin A. Brummer
Show the full entries ▾ · Release page →
#118 Jorge Elbrecht Blocking Out the Horror 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation
Artist born in 1978 in San José, Costa Rica. Currently based in New York, USA. Artist's description of the album: "Presentable Corpse is a sunshine pop recording project. Containing lyrics written from the fictional perspective of a Vietnam-era soldier at war, the songs convey a story of regret, homesickness, combat fatigue & political anger".1
Sources
Annotation by Justin A. Brummer
Notes
Track A1. Concept album: "Presentable Corpse is a sunshine pop recording project. Containing lyrics written from the fictional perspective of a Vietnam-era soldier at war, the songs convey a story of regret, homesickness, combat fatigue & political anger" (the artist). Self-released US LP EJE-014; also O Genesis (UK) LP and CDr OGen 105CD; Bandcamp 28 May 2021.
#119 Jorge Elbrecht This Time or Never 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#120 Jorge Elbrecht Tuesday Morning 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#121 Jorge Elbrecht Ancient Grief 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#122 Jorge Elbrecht The Clouds Are Gone 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#123 Jorge Elbrecht Brittle Vines Break 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#124 Jorge Elbrecht Fading Memory 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#125 Jorge Elbrecht Run & Hide 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#126 Jorge Elbrecht The Springtime Brigade 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#127 Jorge Elbrecht Dawn Is Creeping 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#128 Jorge Elbrecht Leaf Cycle 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).
#129 Jorge Elbrecht Pierced by the Ice 2021 · Album · Presentable Corpse 002 · Not On Label # EJE-014 · Costa Rica
Annotation: see “Blocking Out the Horror” above (same release).

Unknown date

#130 Manolín y su Conjunto Prefiero irme al Vietnam Single · Upiyakui / Prefiero irme al Vietnam · Sono Radio # 13025 · Peru
Credited on the record as Manolin Y Su Conjunto.
Annotation
Next up is another release from Lima, Peru, called "Prefiero irme al Vietnam" ("I Prefer to Go to Vietnam") (Sono Radio # 13025), which is an instrumental in the Cumbia peruana genre - "a variation of Colombian Cumbia originating in Peru in the 1960s. It was developed by the Andean people who migrated to the cities and was originally influenced by Psychedelic Rock". (1) Composed by Luis Demetrio, it is the same song released by Mexican artist Mike Laure on the single Prefiero irme a Vietnam / El electricsta, although without the lyrics.
Annotation by Justin A. Brummer
Notes
B-side of "Upiyakui"; instrumental version of "Prefiero irme a Vietnam" (composed by Luis Demetrio), recorded with lyrics by Mike Laure (VWSP2240). Made in Peru.
#131 Consuelo Vidal Una niña de Viet-Nam Album · Voy en mi carrusel - Canciones infantiles de Olga Navarro · Areito # LD-3970 · Cuba
Credited on the record as Consuelito Vidal.
Annotation
A collection of Cuban children's songs, which featured the song "Una niña de Viet-Nam" ("A Girl From Viet Nam") (Areito # LD-3970).
Annotation by Justin A. Brummer
Notes
Track A6, sung by Consuelo Vidal with Orquesta EGREM (orchestration Luis Chanivecky); recorded at Estudios EGREM. Marta Falcón sings side B. Cuban children's songs by Olga Navarro.

(7) Country Index

Argentina (9)
Brazil (7)
Canada (1)
Colombia (3)
Costa Rica (12)
Cuba (28)
Dominican Republic (1)
France (1)
Germany (1)
Jamaica (11)
Mexico (7)
Peru (3)
Puerto Rico (1)
Trinidad & Tobago (5)
UK (9)
Uruguay (2)
US Virgin Islands (2)
USA (11)

Lyric theme data

Lyric content themes tagged on the songs in this collection — parent themes with their sub-themes (number of records). Click a theme for its definition and all records carrying it.

Show all 31 themes ▾

Key stats

131 songs · 104 releases · 95 artists · 73 labels · 1962–2021

Time period
  • 2021 is the peak year, with twelve songs.
  • 1968–71 holds 34 of the 96 dated songs — nearly one in three in four years.
  • 97 were released during the war years (to 1975); 34 came after.
  • 35 records are undated.
Artists
  • 95 artists for 131 songs. The most represented is Jorge Elbrecht, with twelve.
  • Eleven of the artists are still unidentified beyond the record: no line-up, no biography.
Songwriters
  • Songwriter gender is recorded for 53 of the 131 songs: 49 by men, three by women and one by mixed teams — women wrote 6% of those.
  • By performer: 120 men, six mixed groups and five women (recorded for 131).
  • 56 named songwriters. The most often credited is Jorge Elbrecht, with twelve.
Labels
  • 59 of the 73 labels appear exactly once; Paredon has the most, with six.
  • Five sit on a major or well-known imprint — Island, CBS, Prestige, RCA Victor. The other 126 are on independent, regional or private labels.
  • 25 are private pressings with no label at all.
  • One 45 puts both of its sides into this list.
Locations
  • 28 of the 131 are Cuban.
  • San José accounts for twelve records, more than any other city; Havana has eight, New York City six.
  • Then 13 Chilean, twelve from Costa Rica, eleven Jamaican, eleven American, nine Argentine, nine British, and 14 other countries.
Themes