ハノイにうたう [Singing to Hanoi]

A1. "Point their muzzles into Vietnam, shoot at children" — 1972 Sagamihara tank blockade むぎぶえレコード (Mugibue Records) LRS-371 (labels also LRS-370-A / LRS-370-B), stereo, 33⅓ rpm, ℗ 1974, "All rights reserved. Made by Mugibue no Kai"; manufactured (製作) by 東芝EMI株式会社, Made in Japan, price ¥2,200. The front cover shows Kumiko Yokoi playing acoustic guitar among applauding Vietnamese soldiers in pith helmets, with her signature added in marker. Recording venues printed: ハノイ市ホン・ハー劇場 (Hồng Hà Theatre, Hanoi), 1973/12/14; 立川社会教育会館, 1974/1/24; 足立文化会館, 1974/3/25. Musicians include 北市数幸, ダニー石尾 and 横井久美子 (folk guitar), 小林潔 (steel guitar), 江草進/有馬啓介 (piano), 宗台春男 (drums) and 川畑利文 (wood bass) with brass and strings; photographs by 宇崎真 (Quảng Bình anti-aircraft position) and 足立義峰, jacket design 浜田桂子; planned and produced by 麦笛の会, 東京都国立市東4-3-16. Liner notes by poet 滝いく子 describe arriving at Hanoi's Gia Lâm airport on 28 November 1973 as one of a three-woman Japanese cultural delegation (with Yokoi and dancer 松山梨絵) invited by the North Vietnamese Ministry of Culture for three weeks, meeting South Vietnamese liberation artists, and Yokoi's guitar songs drawing crowds to sing along; the final performance at the Hanoi municipal theatre was filmed, one year after the 18 December 1972 bombing. A second note by author 松本清張 recalls meeting Yokoi in Vietnam in November 1973 while leading an ancient-culture delegation that met Prime Minister Phạm Văn Đồng. [From the record sleeve and labels]

むぎぶえレコード (Mugibue Records) LRS-371 (labels also LRS-370-A / LRS-370-B), stereo, 33⅓ rpm, ℗ 1974, "All rights reserved. Made by Mugibue no Kai"; manufactured (製作) by 東芝EMI株式会社, Made in Japan, price ¥2,200. The front cover shows Kumiko Yokoi playing acoustic guitar among applauding Vietnamese soldiers in pith helmets, with her signature added in marker. Recording venues printed: ハノイ市ホン・ハー劇場 (Hồng Hà Theatre, Hanoi), 1973/12/14; 立川社会教育会館, 1974/1/24; 足立文化会館, 1974/3/25. Musicians include 北市数幸, ダニー石尾 and 横井久美子 (folk guitar), 小林潔 (steel guitar), 江草進/有馬啓介 (piano), 宗台春男 (drums) and 川畑利文 (wood bass) with brass and strings; photographs by 宇崎真 (Quảng Bình anti-aircraft position) and 足立義峰, jacket design 浜田桂子; planned and produced by 麦笛の会, 東京都国立市東4-3-16. Liner notes by poet 滝いく子 describe arriving at Hanoi's Gia Lâm airport on 28 November 1973 as one of a three-woman Japanese cultural delegation (with Yokoi and dancer 松山梨絵) invited by the North Vietnamese Ministry of Culture for three weeks, meeting South Vietnamese liberation artists, and Yokoi's guitar songs drawing crowds to sing along; the final performance at the Hanoi municipal theatre was filmed, one year after the 18 December 1972 bombing. A second note by author 松本清張 recalls meeting Yokoi in Vietnam in November 1973 while leading an ancient-culture delegation that met Prime Minister Phạm Văn Đồng. [From the record sleeve and labels]

むぎぶえレコード (Mugibue Records) LRS-371 (labels also LRS-370-A / LRS-370-B), stereo, 33⅓ rpm, ℗ 1974, "All rights reserved. Made by Mugibue no Kai"; manufactured (製作) by 東芝EMI株式会社, Made in Japan, price ¥2,200. The front cover shows Kumiko Yokoi playing acoustic guitar among applauding Vietnamese soldiers in pith helmets, with her signature added in marker. Recording venues printed: ハノイ市ホン・ハー劇場 (Hồng Hà Theatre, Hanoi), 1973/12/14; 立川社会教育会館, 1974/1/24; 足立文化会館, 1974/3/25. Musicians include 北市数幸, ダニー石尾 and 横井久美子 (folk guitar), 小林潔 (steel guitar), 江草進/有馬啓介 (piano), 宗台春男 (drums) and 川畑利文 (wood bass) with brass and strings; photographs by 宇崎真 (Quảng Bình anti-aircraft position) and 足立義峰, jacket design 浜田桂子; planned and produced by 麦笛の会, 東京都国立市東4-3-16. Liner notes by poet 滝いく子 describe arriving at Hanoi's Gia Lâm airport on 28 November 1973 as one of a three-woman Japanese cultural delegation (with Yokoi and dancer 松山梨絵) invited by the North Vietnamese Ministry of Culture for three weeks, meeting South Vietnamese liberation artists, and Yokoi's guitar songs drawing crowds to sing along; the final performance at the Hanoi municipal theatre was filmed, one year after the 18 December 1972 bombing. A second note by author 松本清張 recalls meeting Yokoi in Vietnam in November 1973 while leading an ancient-culture delegation that met Prime Minister Phạm Văn Đồng. [From the record sleeve and labels]

むぎぶえレコード (Mugibue Records) LRS-371 (labels also LRS-370-A / LRS-370-B), stereo, 33⅓ rpm, ℗ 1974, "All rights reserved. Made by Mugibue no Kai"; manufactured (製作) by 東芝EMI株式会社, Made in Japan, price ¥2,200. The front cover shows Kumiko Yokoi playing acoustic guitar among applauding Vietnamese soldiers in pith helmets, with her signature added in marker. Recording venues printed: ハノイ市ホン・ハー劇場 (Hồng Hà Theatre, Hanoi), 1973/12/14; 立川社会教育会館, 1974/1/24; 足立文化会館, 1974/3/25. Musicians include 北市数幸, ダニー石尾 and 横井久美子 (folk guitar), 小林潔 (steel guitar), 江草進/有馬啓介 (piano), 宗台春男 (drums) and 川畑利文 (wood bass) with brass and strings; photographs by 宇崎真 (Quảng Bình anti-aircraft position) and 足立義峰, jacket design 浜田桂子; planned and produced by 麦笛の会, 東京都国立市東4-3-16. Liner notes by poet 滝いく子 describe arriving at Hanoi's Gia Lâm airport on 28 November 1973 as one of a three-woman Japanese cultural delegation (with Yokoi and dancer 松山梨絵) invited by the North Vietnamese Ministry of Culture for three weeks, meeting South Vietnamese liberation artists, and Yokoi's guitar songs drawing crowds to sing along; the final performance at the Hanoi municipal theatre was filmed, one year after the 18 December 1972 bombing. A second note by author 松本清張 recalls meeting Yokoi in Vietnam in November 1973 while leading an ancient-culture delegation that met Prime Minister Phạm Văn Đồng. [From the record sleeve and labels]

むぎぶえレコード (Mugibue Records) LRS-371 (labels also LRS-370-A / LRS-370-B), stereo, 33⅓ rpm, ℗ 1974, "All rights reserved. Made by Mugibue no Kai"; manufactured (製作) by 東芝EMI株式会社, Made in Japan, price ¥2,200. The front cover shows Kumiko Yokoi playing acoustic guitar among applauding Vietnamese soldiers in pith helmets, with her signature added in marker. Recording venues printed: ハノイ市ホン・ハー劇場 (Hồng Hà Theatre, Hanoi), 1973/12/14; 立川社会教育会館, 1974/1/24; 足立文化会館, 1974/3/25. Musicians include 北市数幸, ダニー石尾 and 横井久美子 (folk guitar), 小林潔 (steel guitar), 江草進/有馬啓介 (piano), 宗台春男 (drums) and 川畑利文 (wood bass) with brass and strings; photographs by 宇崎真 (Quảng Bình anti-aircraft position) and 足立義峰, jacket design 浜田桂子; planned and produced by 麦笛の会, 東京都国立市東4-3-16. Liner notes by poet 滝いく子 describe arriving at Hanoi's Gia Lâm airport on 28 November 1973 as one of a three-woman Japanese cultural delegation (with Yokoi and dancer 松山梨絵) invited by the North Vietnamese Ministry of Culture for three weeks, meeting South Vietnamese liberation artists, and Yokoi's guitar songs drawing crowds to sing along; the final performance at the Hanoi municipal theatre was filmed, one year after the 18 December 1972 bombing. A second note by author 松本清張 recalls meeting Yokoi in Vietnam in November 1973 while leading an ancient-culture delegation that met Prime Minister Phạm Văn Đồng. [From the record sleeve and labels]