East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]
East Wind Records TIRI-86, "Solo Guitar", produced by John Fahey; labels print ©℗ 86 East Wind Records, "Music composed by Tinh Mahoney and published by Tortoise Music, (ASCAP)", side one 18:51 and side two 19:33, made in Canada. The back sleeve credits recording at Spectrum Recording Studio and Cascade Recording, Portland, Oregon; engineered by Mike Moore, mastered by John Golden; cover drawing by Chhay Kea (signed "Chhay" on the artwork), design by Tinh Mahoney, liner notes by Tinh Mahoney and Tom Savage; guitars used Propsom and Taylor, with special thanks to John Fahey for the use of his Propsom; East Wind Records, P.O. Box 13796, Salem, Oregon; jacket made in Canada. The cover drawing shows a weeping girl clutching a bundle beside a helmet in water, with coiled barbed wire, a broken palm and a ruined hut behind. Side one carries the four-part "My Viet-Namese Suite" (The Rice Dance; My Uncle's Death, which recalls the grief and anger at the news of an uncle's death; Flowers That Live Forever (Bông Vạn Thọ), about a grandmother's flowers bringing consolation "in spite of the war that was Viet Nam"; Homeless (Không Có Nhà), evoking boat people and refugee camps). Side two opens with "The Refugee Trilogy" (Goodbye to My Homeland, Will the Sea Be Our Grave?, Oh My Viet Nam), described as transcribing "the agonies of heart, longings, and hopes that scald the souls and bodies of 'boat people' who are forced to leave their beloved Viet Nam". The labels print "Knông Có Nhà" and "Happiness Is Only a Teadrop Away" where the sleeve has "Không Có Nhà" and "Teardrop". [From the record sleeve and labels]